Natural is a corner of K11 full of fresh tastes and flavours with a touch of craft thrown in. Take a wander to the 2/F and discover coffee, organic Swedish delights, delicious flower cuisine, hand crafted jewellery, a herb garden and more.
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Hong Kong’s Desert T20 adventure went from bad, conceding 185 against Scotland in their opening match, to humiliating in their second against Oman where their batting and hopes of progressing in the tournament imploded.
The Zayed Cricket Stadium will hold no fond memories, hopefully a change of venue for the final game will see Hong Kong at least competitive. Losing is part of the game, getting thrashed twice is not the best start for an important year for local cricket.
In response, despite an early wicket to Nadeem Ahmed, Oman reach the target in the 11 overs for the loss of just three wickets.
“It is one of those things that happens every so often,” Simon Cook, the Hong Kong coach, said of the batting implosion.
“We paid the price for playing across the line too much. It was a cascade effect, and 88 is just not defendable.”
Hong Kong Desert T20 Fixtures
18 January: Netherlands v Hong Kong (Dubai International Stadium)
Anthropological accounts of social relations within Chinese society have traditionally viewed both kinship and familiarity as the basis of relationships between persons, which has inevitably led to the exclusion of strangers from the majority of attempts to theorize such relations. This lecture draws on ethnographic evidence collected during 15 months of fieldwork studying the impact of social media use in a rural Chinese town, which revealed the nature of these novel relationships with strangers which are facilitated by social media.
Through these ethnographic cases and observations, Tom McDonald will argue that participants do not position strangers that they meet on social media outside of their network of social relations. Instead, the mediatized relationships offered by social media come to represent a ready source of potential friends with whom they are both eager and willing to interact. On occasion,the stranger as integral, rather than antithetical to sociality, and it is actually these strangers who individuals feel they can most easily confide in, and share intimate feelings – or experiences – with.
Familiar Strangers: Social Media and the Outsider in Chinese Kinship
Hong Kong Anthropological Society, Tom McDonald
Date: 7pm, 18 January, 2017
Venue: Hong Kong Museum of History
More info: www.facebook.com/
City Sparkle 0-94 Gai Wu Falcons
@ Happy Valley, Kick-off: 16:30
USRC Tigers 61-10 Kowloon
@ Shek Kip Mei, Kick-off: 16:30
CWB Phoenix 12-5 HKFC Ice
@ So Kon Po, Kick-off: 18:00
National League 1
HKCC 5-10 Tai Po Dragons
@ King’s Park, Kick-off: 16:30
Revolution SRC 19-12 Gai Wu Fawkes
@ Happy Valley, Kick-off: 18:00
USRC Tigers 48-0 HK Scottish
@ Shek Kip Mei, Kick-off: 18:00
National League 2
Gai Wu Hawks 24-10 HKFC Fire
@ Happy Valley, Kick-off: 15:00
Tai Po Dragons 0-10 Police Sirens
@ King’s Park, Kick-off: 18:00
Tin Shui Wai beat Uni-Pirates
@ Tin Shui Wai, Kick-off: 18:00
City beat Kowloon
@ King’s Park, Kick-off: 19:30
The game mattered for both sides and the commitment showed. Through much of the first half, Football Club – missing a number of key players through injury and travel – struggled to gain and keep possession. Good movement from an energised Causeway Bay backline paid off midway through when quick hands out of the ruck fed the ball through to right wing Hau Sin Man who showed sustained speed to score. A solid conversion from hooker Chin Po Po put the home team in control.
Late in the half, Football Club rallied somewhat but couldn’t convert the possession to points, and the 7-0 scoreline stood at the break.
Both sides restarted well but the energy and accuracy of the CWB kept the pressure on Football Club. With around three-quarters of the game played, another win from the ruck brought the result within reach. The ball was quickly distributed through the backs via a deft switch back to the blindside. Another strong run from Hau Sin Man finished the move and saw Phoenix’s into a 12-0 lead.
HKFC looked to respond and the final 15 minutes was easily their strongest period of the game. On the 70 minute mark Ice’s no.8 Mei Nam Chow broke through the line and looked set to score, but an infraction earned her side a penalty try instead, which wasn’t converted, 12-5.
Football Club continued to press, but Phoenix’s defence held firm and the hard-fought game ended with smiles on Causeway Bay faces.
Coach Ocean Chow had no doubt the victory was well earned. “We executed our plan on defence, and built on that. Our scrum was strong today, earning us several turnovers. We have been working on our tackling, and today made a lot of good tackles, keeping low. We played our own style: quick ball and quick out of the ruck without overcommitting.”
Chow credited the win to his players attitude, saying, “they are fit and believe in themselves. They really wanted to win this one, after our record of going close against Football Club.”
HKFC’s long-serving national team forward Royce Chan Leong Sze said, “Causeway Bay were catching us with fast breaks, putting on pressure [that led to points]. We simply didn’t have enough possession to win the game.”
The loss changes the complexion of the rest of the season for Football Club, as their third-place/fourth-place tussle with USRC Tigers, against the two strongest sides in the Premiership, runs the risk of being replaced by a battle to hold on to fourth against a resurgent CWB.
Chan observed, “It’s going to be challenging going into the last four games, up against the top teams, and with us having to cope with a number of injuries. This game gave us notice that we must toughen up and move on.”
Kowloon coach Jonathan Ho was nevertheless pleased with his side’s defensive line speed, which he said caused Tigers problems, and led to their two second-half tries.
In the other Women’s Premiership game, Gai Wu Falcons topped last week’s high-scoring win with a rampaging 94-0 victory over bottom club City Sparkle, scoring eight tries in the first half alone and fulfilling coach Lai Yiu Pang’s directive to his players to keep focused on making the most of every opportunity.
Full women’s rugby results here
Additional reporting and photo: HKRugby
The Scots powered to 189-3 from their 20 overs, before early wickets torpedoed Hong Kong’s chase before it could get into gear and despite strong resistance from the middle and lower order were restricted to 165-6.
After winning the toss, Scotland raced to 60-0 in seven overs, before Ehsan Khan removed both openers George Munsey (22) and Kyle Coetzer (31). Hong Kong though failed to capitalise on the breakthroughs as a record breaking 127-run partnership from Callum MacLeod (60 off 34 balls) and Richie Berrington (60 off 39 balls) saw Scotland post an imposing target.
A feature of the partnership, Scotland highest ever in T20 internationals was the reverse-sweeping skills and switch hits of MacLeod who hit 4 fours and 3 sixes.
Nizakat Khan, who hit a monstrous six over cover tried to repeat the effort but was caught at third man for 22 off as many balls.
Ehsan Khan’s crisp 42 off 22 balls at the end of the innings restricted the damage to Hong Kong’s net run rate, which could prove crucial in keeping hopes alive of progressing to the finals.
Hong Kong coach Simon Cook said his side were always up against it from the halfway mark.
“We were probably disappointed to be chasing 190 which wasn’t really a par score, it was more a 175 wicket and a very windy day with a big outfield,” Cook said.
“A few lapses with our fielding meant we were chasing too many, although I was pleased with our execution in their power play.” Cook continued “Again with the bat we had two run outs through basic errors and its those sort of things that cost you games.”
“Anshuman continued his good form, Shahid was again impressive and is really consolidating his place in the team and Ehsan Khan at the end hit the ball nicely so there were some positives. We did well in the end to get as close as we did.”
Hong Kong Desert T20 Fixtures
16 January: Oman v Hong Kong (Zayed Cricket Stadium)
18 January: Netherlands v Hong Kong (Dubai International Stadium)
Entitled A Feast of Creativity! Bon Appétit! and adopting the concept “All around the city, our stages, our patrons, our artists”, the 16th Macau Fringe Festival looks to offer an arts banquet for an entire city.
2017’s banquet includes a hairdresser’s salon turned into a musical. A recreation of an entertainment house at Beco da Felicidade and a funeral at the Ruins of St. Paul’s in the middle of the night. Organized by the Cultural Affairs Bureau, The Macau Fringe Festival runs from 13 to 22 January 2017 and features 23 programmes at multiple venues.
Zuò Zuò Tea House reveals the solitude and secrets of Rua da Felicidade by combining elements of dance and music and digging into the history of Macau’s red-light district. Mobile Kitchen invites people from the cultural field to take the role of chefs and share their cuisine, whether refined or homely, and encourage the public to savour the flavour of life.
In Antiwords, produced by Czech Republic Spitfire Company, two actresses drink beer after beer, bragging and arguing in an explosive mix of nonsensical humour and imagination. Circolando’s Night which debuts on the first day of the Festival features a trio of men who through their intensely physical and emotional expression ask questions of language and aesthetics.
In Good Hands, by Catherine Ireton, is a live musical set in a hairdressing salon about secrets and trust. The Magnificent 4 uses the human body as an instrument and a choreography that makes use of the legs and hand-clapping in creating a unique tempo.
In 5 Women, Dutch choreographer Kevin Pollak joins hands with five dancers at a birthday party set in a café where, through dance and movement, secrets that cannot be shared emerge. The Smooth Life is a puppet show set to Arabian music that tells the true story of the life of the director Husam Abed in a Palestinian refugee camp.
Funeral for the Living, directed by Daisuke Sagawa and performed by Japanese company Theatre Moments, debates issues of life and death. While The Other Side of the Sacred produced by Macao choreographer Candy Kuok in cooperation with Nina Dipla takes the audience on a journey that mixes dance, poetry and music.
In Weaving Landscape: Night Tide, the Associação de Arte e Cultura – Comuna de Pedra use different materials as a medium of creativity, making use of body language and installation art to explore the relationship between body, fabrics and all living things.
There’s also a range of extended programmes including Thematic talks: Foreign Theatre – Body, Memory and Labour and Fringe Reviews 2017, where artists and performing groups in different fields will share their creation experiences. For the full programme see www.macaucityfringe.gov.mo, tickets are on sale now from Macauticket.
Macau Fringe Festival
Date: 13-22 January 2017
More info: www.macaucityfringe.gov.mo