Hong Kong Qualify for WorldT20

Babar Hayat

Hong Kong beat Afghanistan off the last ball of the match to qualify for the World T20 in India in 2016.

Hong Kong’s chase of Afghanistan’s 161 for 7 sprang to life with the arrival of Mark Chapman, who demonstrated the urgency that was sorely needed earlier with 40 off 25 balls. The 21-year-old vice-captain frequently shuffled around the crease for paddles and scoops to throw the Afghanistan bowlers off their lengths.

Hong Kong scored 12 runs in the 16th, 17th and 18th overs, with Chapman doing the majority of the damage including a crisp six over long-off in that stretch. He ramped another four past fine leg in the 19th and a single off the last ball of that over kept him on strike with Hong Kong needing 16 off the final over.

Mark Chapman attempted to clear midwicket from the first ball of Mohammad Nabi’s over, but was brilliantly caught on the boundary. If it seemed as if Hong Kong’s chances of victory had gone, Babar Hayat thought otherwise. He swatted the next delivery through fine leg for four, and then launched the third ball of the over, another full toss, over midwicket for six. That took the equation down to six runs from three balls, and Nabi then bowled a wide to knock another run off the target. Babar then scampered a three to the long boundary at midwicket, before Tanwir Afzal was run out attempting a single. That left two required from the final ball of the match, which Hayat slapped through midwicket to secure qualification.

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Afghanistan’s total of 161-7 had appeared to set up the encounter seemed perfectly and so it proved, as an enthralling run chase played out. Hong Kong’s intent was clear from Irfan Ahmed’s two emphatic straight sixes in the opening four overs. After he was dismissed for 16, Jamie Atkinson and Niakhat Khan added 51 for the second wicket, though Hong Kong slipped below the required rate. Niazkhat was well caught at third man. Soon after Atkinson, who played responsibly for 47 and nonchalantly swatted a couple of sixes over long on, was caught at long off.

That left Hong Kong needing 64 from 5.1 overs – an onerous task against Afghanistan’s bowling attack. But Mark Chapman played an innings that showcased his timing, improvisation, power and purpose running between the wickets to set up the thrilling denouement.

The day began with Afghanistan winning the toss and choosing to bat: a surprising decision given the 10am start at Malahide on a slightly overcast day. Mohammad Shazhad, Afghanistan’s chunky opener, did not seem perturbed by the conditions as he powered Tanwir Afzal for two straight boundaries in the opening over of the match. But off the first over in the fourth over he attempted to flat-bat Haseeb Amjad down the ground, and could only get a leading edge to third man, where Aizaz Khan snaffled a sharp chance. Five immaculate deliveries to Asghar Stanikzai followed as Haseeb recorded a wicket maiden: a rare achievement in Twenty20cricket, especially in the Powerplay.

With Nadeem Ahmed continuing the form he displayed in taking 5-12 against Namibia, Hong Kong established a measure of control. After eight overs Afghanistan had scored only 50 runs, but, with only one wicket down, they had developed a platform from which to accelerate. Irfan was hit for two sixes in his first over as Stanikzai and Nawroz Mangal bristled with intent.

Aizaz Khan was hit for boundaries from his opening two deliveries, but his response highlighted his character. Varying his length and delivering well-directed yorkers, he conceded only two runs from his next seven balls that included removing Stanikzai for 29 with a delivery that was full and jagged back late, and left Afghanistan 85-2 off 11.1 overs.

With Mangal making a cultured 53, Afghanistan continued to accelerate. But Afghanistan’s assault was less spectacular than they would have envisaged, with Haseeb once again outstanding in the death overs.

Hong Kong never wilted in the field, with Chapman taking two smart catches at long on to prevent Afghanistan reaching 170. But Hong Kong’s best moment of the innings came when Najibullah Zadran heaved Irfan to midwicket and Kinchit Shah proceeded to take a spectacular diving catch.

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Summer International Film Festival 2015

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Enjoy films on the big screen? Or simply have nothing to do this summer? The Summer International Film Festival returns for another year! This summer, it’s showcasing 32 films across 59 screenings all surrounding the theme of complexity and sentimentality.

This year’s SIFF 2015 opens on 11th August with 聂隐娘 (The Assassin (2015)) directed by Hou Hsiao-Hsien, about a thoughtful killer Nie Yin Niang (Shu Qi 舒淇), who has to decide whether to go against her morals as an assassin or as a woman. The film won the Best Director award at the Cannes Film Festival 2015. The Director and and cast will meet the audience on the 11 August and there’s a masterclass with the Director on the 12 August. The festival closes with Woody Allen’s Irrational Man about a philosophy professor Abe Lucas (Joaquin Phoenix), who finds himself in an existential crisis, but rediscovers himself through meeting Jill Pollard (Emma Stone). Blurring comedy and drama, it nicely closes with the theme of complexity and sentimentality.

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The festivals Gala Premiere is the new Ringo Lam film Wild City starring Louis Koo, Shawn Yue and Tong Liya. With his trademark exhilarating car chases along Hong Kong city streets, director Ringo Lam returns after a 12-year hiatus to the crime genre that, together with City on Fire and Full Alert, can be considered his “City Trilogy”. A film about people in the modern world who worship money to the point of dogmatic ignorance, Wild City issues a warning to the greedy and selfish lost souls in Hong Kong… The Director and cast will meet the audience at the 18 August screening.

The two most interesting festival programmes this year are:
The Battle of Sexes: Screwball Comedy. A genre that originally emerged during the Great Depression when Hollywood responded to the hardships of everyday life with films whose sparkling dialogue and romantic complications played havoc with perceptions of class, gender and love. Typically it’s the female who dominates a relationship, challenging the male central character’s masculinity… The two then engage in a humorous battle of the sexes; a new theme for Hollywood and audiences at the time, but one which has become a core of film makers globally since.
Films: Trouble in Paradise (1932, Director Ernst Lubitsch), It Happened One Night (1934, Director: Frank Capra) My Man Godfrey (1936, Director: Gregory La Cava), His Girl Friday (1940, Director: Howard Hawks), The Philadelphia Story (1940, Director: George Cukor), The Lady Eve (1941, Director Presto Strugess).

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Tsai Ming-Liang, Now and Then. The Malaysian born Taiwanese director’s five film retrospective, presents works which illuminate the themes of superstitions and reincarnation, sexual desperation, and isolation. The director’s uncompromising aesthetic of long fixed shots with little movement, complex characters and minimal dialogue, set him apart from other Asian directors, leading him to be one of Asia’s most significant filmmakers of the last 25 years.
Films: Rebels of the Neon God (1992), Vive L’Amour (1994), The River (1997), What Time is it There? (2001), Walker/No No Sleep (2014).

Film festivals are a chance for old and new films to once again appear on the big screen locally, an opportunity to appreciate a film in the surroundings for which it was created. They also offer, through the extended programme of seminars and panel discussions, a chance to enrich your experience and appreciation of a film that going to your local multiplex does not.

Other films shown in Cine Fan SIFF include:
The Assassin (聂隐娘), Yakuza Apocalypse (極道大戦争), Diary of a Chambermaid (Le journal d’une femme de chamber), Standing Tall (La Tête haute), Prophecy (予告犯), Seashore (Beira-Mar), A Touch of Zen (俠女), The Brand New Testament (Le Tout Nouveau Testament), Trouble in Paradise, Kumiko, The Treasure Hunter, The Lady Eve, Piku, It Happened One Night, Love & Peace (ラブ&ピース), My Man Godfrey, Slow West, Flying Colours (ビリギャル), Güeros, The Double Life of Veronique (La double vie de Véronique), Gentlemen Prefer Blondes, Love letter, The Philadelphia Story, Wild City, PK, His Girl Friday, Vive L’Amour (愛情萬歲), The River (河流), What Time Is It There?( 你那邊幾點), Irrational Man

Tickets for the Cine Fan SIFF will be on sale on 21st of July, from URBTIX.

Summer International Film Festival (SIFF) 2015
Date:
11–25 August 2015
Venues:
UA Cine Moko, The Grand Cinema, The Metroplex, MCL Telford Cinema, HK Arts Centre, HK Science Museum
Tickets: $75, $65, $85 from URBTIX
More info: screening schedule http://cinefan.com.hk/cms/schdeule/

Hong Kong beat Namibia by 83 Runs

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Man of the Match Irfan Ahmed blazed to a 55-ball 98 after which left-arm spinner Nadeem Ahmed took a career-best 5 for 12 to lead Hong Kong past Namibia by 83 runs. The victory ensured Hong Kong’s qualification for the playoff stages and they remain in the hunt for a World T20 spot. Namibia, despite the loss, will join them.

Hong Kong, having been inserted, got off to a rapid start – 56 in five overs – before Gerrie Snyman dismissed Jamie Atkinson in the sixth over. Two 30-plus partnerships took the total past 120. Irfan then added 54 runs off 26 balls with Babar Hayat for the third wicket, but both batsmen fell in the space of two balls. Hong Kong were 178 for 5 in the 18th over, but could only add 19 runs in the remaining 15 deliveries to finish on 197 for 8.

Irfan had four sixes and nine fours to make his career best score, but fell fell two runs short of what would have been the first century of this year’s World T20 Qualifier.

Nadeem AhmedNamibia openers Snyman and Stephan Baard began the chase strongly. They took the score to 23 for 0 in the second over but fell in successive balls to seamer Haseeb Amjad. Then captain Tanvir Afzal got rid of Raymond van Schoor in the fifth over but Namibia kept up with the asking rate and were 101 for 4 in the 11th over. But they lost the remaining six wickets for only 13 runs.

Nadeem was at the centre of that collapse, strike twice in 12th and doing it again in the 14th over to run through the tail and bring the match to a very quick and abrupt finish.

The win saw Hong Kong finish second in Group A and they will play Afghanistan on 21 July – the winner of that game will qualify for the WorldT20 in India in 2016 and move into the semi-finals of the tournament. The loser gets another chance against the fourth place team.

Hong Kong beat Namibia

Hong Kong beat Namibia

Additional reporting: Cricinfo

Hong Kong lose to USA by 7 Wickets

Hong Kong v USA

After the euphoria of toppling Ireland the previous day, Hong Kong proved unable to maintain their momentum against the United States. A clinical partnership from the American pair of Alex Amsterdam and Nicholas Standford helped the US chase down the 126 they needed to complete a second victory of the tournament.

Hong Kong, who had bowled so superbly to defend 129 against Ireland, proved unable to replicate that effort on a more benign batting track at Clontarf. When Irfan Ahmed produced a devilish in-swinger to snare Fahad Babar lbw and reduce the US to 62-3 in the 11th over, Hong Kong had hopes of a third consecutive victory in the World T20 Qualifiers. But Amsterdam, who survived a tough chance off Tanwir Afzal at long off on none, and Standford batted with increasing confidence as Hong Kong reached their target.

Defeat makes Hong Kong’s final group game, against Namibia at 215 pm Irish time on Sunday, crucial. If Hong Kong win they should finish in either second or third, meaning they will only have to win one of two play-off matches to guarantee their passage to India next year. But should they lose Hong Kong would need the US and Jersey to lose their matches, to Papua New Guinea and Ireland respectively, to finish fourth. In this scenario Hong Kong would still qualify for the play-offs, but would be left needing to win two consecutive games to qualify for the 2016 World T20.

Hong Kong v USA

Hong Kong Director of Cricket and Head Coach Charlie Burke said, “We’ve got to grow up and get better tomorrow – learn from today and do things a lot better. I’m sure we will because the guys don’t often have two bad games in a row.”

“The destiny is still in our own hands which is crucial. We win tomorrow and we’ll get in the top four. We’ll probably stay fourth because of the net run-rate but that’s the important thing. We don’t want to get to the stage where it’s out of our hands. That’s the last thing we want – we’re a better team than that.”

Much of Hong Kong’s bowling performance was admirable, especially typically skilful opening spells from Tanwir Afzal and Haseeb Amjad. The fielding held up impressively too, with Aizaz Khan effecting a run-out and two batsmen surviving close direct hits. But ultimately Hong Kong were defending too few runs on an agreeable summer’s day at the picturesque, almost boutique, club ground in Clontarf.

Inserted to bat for the second consecutive day, Hong Kong faltered early on against precise new ball bowling from the United States. Anshuman Rath was lbw in the third over, and when Nizakat Khan edged Adil Bhatti behind at the start of the seventh over, Hong Kong were uncertainly placed on 27-2.

Irfan Ahmed began more cautiously than is his norm, but unfurled an exquisite cut through point for four as he became more assertive. Having reached 26, Irfan was run out at the end of the tenth over, attempting a single when none existed.

Having made a disappointing 54 from their opening ten overs, Hong Kong accelerated in the second half of their innings, albeit less spectacularly than they would have hoped. Mark Chapman and Babar Hayat added 33 in 4.3 overs for the first wicket, Chapman’s skilful accumulation complementing Hayat’s powerful hitting, until Chapman fell to a brilliant catch behind attempting to glide the ball down to third man.

Jamie Atkinson

When Hayat, who heaved Timil Patel’s legspin over long on for a huge six, fell clean bowled against Japen Patel, the onus was on Jamie Atkinson to get Hong Kong up to a score approaching the 129-8 they successfully defended against Ireland the day before.

It was a challenge the former skipper embraced. Mixing powerful hitting, including a clean straight six over long off, with aggressive running between the wickets, Atkinson reached 34, off only 23 balls, until being run-out from the final ball of the innings.

While this was a disappointing day for Hong Kong, there was still something to celebrate. Aged 17 years and 249 days, Giacomo Lamplough made his debut for Hong Kong. For one of the youngest sides in the tournament, promising days still lie ahead.

Additional reporting: HK Cricket Association

Megabites Food News – 17 July, 2015

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Create Your Taste
Does McDonalds need a refresh? Hong Kong’s go-to 24hour answer for a cheap burger, fries and drink is experimenting. While there’s been a range of specialty burgers appearing and disappearing as special menu promotions for some year’s now as part of menu diversity. Some have been good, some interesting, some best forgotten but with the new ‘Create Your Taste’ (CYT) menu there’s only one person to blame if you don’t like your burger – yourself.

Although McDonalds in Hong Kong has always been a property play, globally Create Your Taste seems to fly directly in the face of McDonalds fast food ethos. It’s slow food cooked to order and delivered to your table, just as in a regular restaurant. So is this the potential new face of McDonalds? bc went along to try it out.

Leighton Centre and Festival Walk are trialling the new concept, where (in addition to the regular menu) a customer can build their own burger on a touch screen display. So how does it work… Disorganized and slowly when looking for a late lunch on a not very busy Saturday afternoon. The store is full of McDonalds staff, there’s one at every CYT screen.

cyt-mcd2The basic CYT burger is $48 dollars and ordering is multi-step process.
First: chose your bun – traditional, brioche, bunless.
Second: meat, one (supposedly angus) beef patty or more, each extra patty costs $15.
Third: cheese, a choice of Classic Cheddar, Mozzarella, Pepper Jack or White Cheddar. Sadly your only allowed to choose one cheese and only one slice
Fourth: free veggies – red onion rings, lettuce, sliced jalapenos, long sliced pickles, tomato. Choose as many as you want.
Fifth: sauce (choose as many as you want) mustard, herb aioli, American BBQ, Big Mac special sauce, spicy smokey BBQ, truffle, mayonnaise, tomato jalapenos relish, ketchup, teriyaki
Sixth: add extras guacamole ($8),fried egg ($6), applewood roasted bacon ($8), grilled mushrooms ($6), pineapple ($6), caramalised onions ($4).

You can then switch to meal, add drinks etc. The screens here are illogical and confusing with additions my burger was $68 yet making it a meal was according to the screen only cost $60.5… Some branches of the menu tree are unavailable – no coffee /iced tea for example as part of a meal.

Payment: at the machine with octopus or a credit card, if you want to pay cash you have to fiddle around and wait a few minutes before a bill is finally printed which you can then pay at the counter.

With all the money invested, the roughly 90x30cm screen is not intuitive, fast or even logical enough that a staff member is needed to guide each customer through the process and still mistakes occur. Why with such a large screen are the food images so big that scrolling is needed – idiotic! CYT was initially rolled out in the US a year ago – that they haven’t sorted the menu trees and smooth streamed the process is not a good sign.

After paying take a seat and wait and wait…. The restaurant is full of seated people waiting and people standing with trays of ‘regular’ McDonalds getting irritated that they cant find a seat…amidst the tables of people not eating but waiting.

My burger ($83 – extra patty, meal, tomato, pepper jack cheese, bacon, long sliced pickles and BBQ sauce) served on a wooden board took 35 minutes to arrive, with cold fries. This was a typical wait time among the people I asked about their CYT experience on Saturday, the average cost of their CYT’s $70-80. The fries come in a metal ‘fryer’ basket and portion size is that of a small fries. There’s no fries size upgrade for any meal. All the meal upgrade gets you is a larger drink.

So was it any good, presentation was ok – far more care had gone into making the burger than your regular McDonalds sandwich which (at least in the Wanchai outlets) often looks like roadkill. The sandwich was warm, not hot, the bun fresh. The burger patty tasted and looked no different from the regular 1/4 pounder (a double quarter pounder costs about $2 more than a single). bc specifically asked McDonalds about the patty weight and they chose to ignore the question in their email reply. The bacon was non-existent, as was the taste of cheese. The tomato while fresh was cut so thick it overpowered the sandwich.

CYT is a pretty good burger, but not an $80 burger! At $45, yes it’s a very viable and tasty alternative to McD’s regular items if you dont mind the wait. Asking around,the consensus was that if you’re paying $70-80 for a burger you can find a much better burger in a nicer environment with faster service in many locations across Hong Kong.

If you can, why not! An American CYT burger with maximum of everything!
If you can, why not! An American CYT burger with maximum of everything!

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Free Sliders
As it gets ready to celebrate its ‘Grand Opening’ Wanchai’s Burger Joys (42-50 Lockhart Road, Wanchai) is offering free sliders on the 21-23 July between 6-8pm. 300 each day, one per person first come first served.

 

News
Taylors
Australia’s largest family owned winery has a new distributor in Hong Kong. Taylors who have been producing wine in the Clara Valley since 1973 are the third biggest vineyard by volume downunder and have been releasing some very well regarded wines over the last 40 years. Taylor’s new distributor for Hong Kong and China are ASC Fine Wines.

Cecconi’s have moved from Soho to a larger more airy location on the 2/F of 77 Wyndham Street (Tel: 2565 5300). There’s a new chef Michael Fox, a new menu with a slightly higher price point, a healthy buffet lunch option…

Another outlet that’s moved is Flying Pan in Wanchai, the new address is 1/F 37-39 Lockhart Road (Tel: 2528 9997), although the entrance is actually on Fenwick Street. The decor of the new location is similar to the old one but new and fresh. Hopefully the move will also freshen up the food quality which had become very average in recent years. Good reports so far.

Hong Kong Beat Ireland by 5 Runs

Hong Kong beat Ireland

Four wickets in 7 balls across the 18th and 19th overs sealed Hong Kong’s win over one of the tournament favourites Ireland. The win also means that Hong Kong have to win one of their two remaining games against the USA and Namibia to qualify for the knock-out stage of the ICC World T20 Qualifier.

Batting first Hong Kong scored 129/8 on a damp night in Dublin. Mark Chapman top scoring with 30 while Anshuman Rath, Nizakat Khan scored 22 and 25 respectively. Tanwir Afzal added a crucial 18 at the end. Despite starting strong with a 43 run partnership between Stirling and Porterfield, Ireland’s chase disintegrated amidst some fine tight bowling with Nizakat Khan and Irfan Ahmed outstanding. Ahmed only conceding 3 runs of the 19th over while taking two wickets to take Man of the Match with figures of 3/11.

Hong Kong beat Ireland

I Know What I Want to Live For, and I Refuse to Get in the Way of Myself!

Unmasked is a stunning, raw, emotive spoken word poem on the subject of depression by Gari De Ramos. bc magazine’s Hannah Ridley spoke to the author about her own fight with depression and the creation of Unmasked.
Read the poem here

What inspired you to create this piece?
Before I actually answer this question, I must explain that I created Unmasked as my MYP Personal Project. Creating a poem was actually not my original intention, I instead wanted to collate several honest and uncensored interviews with anonymous Hong Kong adolescents about their struggle with depression. The goal was to instill sympathy, if not empathy, to those unfamiliar with depression, anxiety, and suicidal behaviour.

When the project began over a year ago, it was very common for things such as depression to be treated like a joke. It was – and for some, still is – seen as something they can use as hyperbole. Hearing phrases such as “Oh my god, they ran out of forks. I’m so depressed right now” or “If I get a five on this assessment I’m going to kill myself” was a common thing which irked me so much. I also had an ask.fm account where people knew I was depressed and would say things such as “but you’re so fortunate and have good grades and friends, how can you be depressed?”. The mental illness I was battling with was being incredibly misunderstood by so many around me, it was clear to me that it needed explaining. I needed to unmask depression.

I created this piece because I hope the following things:

  • I hope that it is a more effective way of talking about depression, unlike the many ways it is danced around in school.
  • I hope to educate.
  • I hope to inspire.

Do you believe your poem did any justice/impacted all of the people you interviewed?
I definitely think that those I interviewed have been impacted in doing so, but possibly in different ways. For a handful of interviewees, it was the first time they had been able to comfortably let out EVERYTHING that was on their mind. They told me immediately afterwards that being interviewed gave them an immense sense of relief – an sensation rarely felt when battling depression and/or anxiety. Whether or not this was case for everyone, I believe I can safely say that each person I interviewed was able to learn more about themselves, since it was such an introspective experience, and that they are now slightly more comfortable with opening up to others.

In regards to doing my interviewees justice, I believe I do enough. When I describe depression in “stanzas” 11-16, I am quoting those I interviewed; I am using their words. I, myself, have never carved the word worthless into my body, nor have have I ever exercised to the point where I would faint, but real people have. I think I did just enough justice to them since I was able to incorporate most of what they had to say, but I will never truly be satisfied until I have the ability to publish the transcripts of our interviews into the general public. I believe that one person speaking for so many can never encapsulate each person’s story holistically and in every detail. Each person has their own story and it should be told by them, but I did what I could to speak for them all, and I believe that is enough.

Were there any emotional/mental struggles that you faced during the creation of this piece?
Interesting question. At the beginning of the process, I was still depressed, experiencing anxiety attacks, and having bouts of suicidal behaviour. But as the research and interviewing stages progressed, the more I noticed I was making a difference. Creating this piece gave me something to be passionate about, which is ultimately a large part in my recovery. As I do mention in the poem, however, I relapsed. I was suicidal and I didn’t see the point in what I was doing, but fortunately at this point, I had come to differentiate the healthy voice in my head from the unhealthy voice. I knew what I was thinking was untrue, and I recognised I had the strength to change it. I doubt I would have been able to reach this point of self-awareness if it were not for the insane amount of self-reflection and somewhat philosophical introspection that came with the writing process.

Has the creation of this piece benefitted you in any way?
Like I said, it was a huge part of my recovery. Of course it is not the sole way I recovered (recovery is a long-ass process with many different variables involved), but it gave me a sense of closure. I was able to learn a lot about myself as I describe in stanzas “These scars don’t make me me” to “I am the only thing I will have in my life permanently” [you can change these to the stanza numbers]. Those stanzas speak for themselves. Although it sounds pretentious, creating this piece made me wiser since project like this requires you to think not just about what you have gone through, but also how that has impacted you. I also discovered the enlightening sense of fulfilment I get from being able to help others and contribute to something more than myself.

Do you believe that creating this piece has changed your mental wellbeing in any way?
As I said it helped me cope and gave me closure. I now recognise when I’m sad or happy or doubting myself. I’ve gotten into the habit of double checking the things I say to myself. Is my negative thinking justified? What can I change about me or my environment to change this? Thankfully it hasn’t returned to the point where I think it is actually justified, or there’s nothing I can do. This is all because I was able to reflect deeply enough, that I was able to realise I actually do know when I’m being irrational.

What do you hope readers will get out of reading or listening to your poem?
With Unmasked, I hope to influence three types of people.
1) People who have no experience or sympathy to those suffering with depression, anxiety, and/or suicidal behaviour,
2) those who are suffering from the aforementioned shitty things,
3) those who have been able to overcome it.

For the first type of reader, I hope they gain a better understanding of what someone with depression goes through, and possibly even heighten their emotional intelligence and empathy. I hope that they don’t view people with mental illness as weak or that depression is something that should easily be overcome. This is important because usually a person’s support system consists of people who haven’t gone through the same kind of emotion, and you need to understand an experience of a person in order to support them.

For those who are currently treading the waters of their mental illness, I hope they find the motivation to keep fighting and that they know they’re not alone.

For everyone, I hope they recognise the honesty, heart, and soul of everyone involved. Everything goes wrong when your brain isn’t functioning healthily. I can safely say that living with and overcoming depression is the most difficult thing I, and many others, have ever had to do, and one of the things I am most proud of overcoming. If a reader can take away this message and develop their sense of empathy, then I would have succeeded.

Has expressing yourself in this way changed you as a person?
Self-expression through writing is not something foreign to me. It hasn’t changed me, it’s who I am and how I do things.

Outside of your personal experiences, how did you learn more about the effects of depression?
As mentioned in the poem, I interviewed 10 Hong Kong teenagers who suffer or have suffered with depression, anxiety, and/or suicidal behaviour (as well as myself). I told everyone I knew about my project and that I needed people to interview, as well as posting about it on my social media. I think an interesting thing about my interviewees is that all the females volunteered, whereas the males needed a little push, which clearly says something about the stigma of men and mental health. Besides the interviews, I did extensive research on the science behind mental illness, as well as frequently met with my school counsellor about mental health issues, particularly depression, anxiety, and suicidal tendencies, among teenagers.

If there is one thing that you could say to those who are currently diagnosed with depression, what would that be?
I think the hardest parts for someone with depression is admitting they need help and being able to get help, and to that, I would say that your mental health comes first so you do everything humanly possible to take care of yourself. I don’t know how to convince someone to live. That’s the hardest part that must be done by yourself, but building a support system will get you through it. Whether that support system be good humans or your Netflix account, find at least one thing worth making it through the day. Recovery is a step-by-step process which is different for everybody, but there is no tutorial. You do what works for you, and all I can say is I hope you find the strength within you to not only make it through this, but live a life that makes you happy, no matter how impossible that seems.

If you have suicidal thoughts don’t keep them to yourself speak to someone. The Samaritins 24hour hotline number is 2896 0000

Unmasked

Every three minutes, five people commit suicide.
By the end of this poem, 12 people would have died.

I could’ve been one of those people.

When I first heard the word “depression” I didn’t know what it meant.
Then as time passed by acquaintances turned to friends.
Day by day, side by side
Depression became the closest friend I had in my life.
Always there to tell me I messed up.
Always there to tell me my best isn’t good enough.

The weight of my failures and flaws and weaknesses
crushing me until I couldn’t breathe.
Pushing people away to see who really cares.
Loneliness haunting, trust always lacking.

My sense of self-worth has always been low.
Being the cause of disruption at home.
Staring at my reflection hating everything I see.
Realising that everything I think will end up killing me.

For me, I guess this started with family.
And when parents parted ways
I was blamed for discrepancy.
“If it weren’t for you, we could still be together”
“You’re too much like her”
“You’re the reason he hates me”

The idea of love,
a happy family,
confidence
disappeared.
But it doesn’t matter where it came from,
it matters that it stayed.

Now almost two years ago
was the first time I wanted to die.
It was also my 14th birthday.
The day had gone just fine,
spent with friends who I am now thankful to call mine
but coming home and believing that
they are worth more.
That I did not deserve them.

I lay in bed ’til 3am crying my eyes out
because I knew I couldn’t handle it.
I couldn’t handle comparing myself to them in every way shape and form.
I couldn’t handle how fragile I was and how easy I would break.
I couldn’t handle living with and being
a monster.

I wasn’t a good enough daughter,
or a good enough friend.
My looks weren’t good enough.
My grades weren’t good enough.
My brain is not good enough.

You see, what goes on inside my mind
doesn’t correspond to work with the daily grind.
Because I am a bottle of uncertainty, psychosis, and insecurity.
When picked up, I’m only destined to fall.
When shaken, everything inside me becomes a tornado,
wrecking chaos into everything I touch and feel.

I would empty my insides so small there was only room for butterflies.
Decorate my plates so it would look like I had ate.
Exercise to the point where I would faint,
simply because I listened to what the devils had to say.
Trapped in my bubble of self-consciousness,
feeling like my chest was going to explode,
like my lungs were going to collapse.

Carving the word worthless into the armature that is my body,
purposely trying to feel pain because I felt so much of it,
I felt nothing at all.

I would starve myself for days,
paint my skin with a blade,
sit alone with smoke in my lungs,
suicide consuming my brain.

And what is worse,
is that I would hate myself for it.
Hate what I had become;
drunk on my depression.
Letting it take over my life and
ruin me.

This depression is a tidal wave.
Starting small then destroying all
sanity, judgement, and hope.
Meltdowns coming in surprise floods of anxiety,
sinking in the depths of my fears and desolation.
With the only comforting feeling in the world being
staring down at the concrete, letting addiction come over me.
Seeing that I’m drowning,
but not knowing if I ever wanted to breathe.

And god damn it,
I wanted to kill myself and you were yelling about dirty dishes.
Where am I supposed to hide these thoughts of mine
for everything I feel has been stigmatized?
For too long I’ve had to keep these demons inside
my wretched mind, but now it’s best to end my time.

“I don’t want to have so much anxiety that my throat gets sore,
I forget how to walk,
and I want to destroy all that I touch.
I don’t trust my emotions because they change so much,
but I trust the insanity because it’s always been there.
I’m tired of feeling happy and sad and insane in the span of one year.
I’m tired of thinking there’s hope for me
because I’ll always come back to this.
I don’t want to live a life where I’m predisposed to feeling sadness.”

This is the part where I’m supposed to
write about recovery.
This was quite hard for me because
I was four months clean.
Not a single suicidal thought
disguised as a daydream.
I relapsed, welcomed the darkness back
into my fragile, broken soul.
But a relapse is nothing to be ashamed of. This is nothing to be ashamed of.
I made it once before and I damn sure trying again.

For all I know this is going to be a part of me.
A shadow forever following,
thoughts forever lurking
at the back of my sick mind,
but I am alive.

And these scars don’t make me, me.
I am me because of my morals,
my hopes, my dreams,
and everything in between.
But I am not going forget about this.

Through the madness that has defined two years of my life,
I am coming out stronger.
With the ability to notice others’ emotions,
more sure of my ability to survive,
aware of the shitty people,
aware of the great.
More aware of what hope looks like,
fighting with myself to find myself
and if I stumble I have people to smack me in the face
and tell I’m insane.
That I am loved and it’s okay to be sad.

Venting, movies
poetry, music,
friends, family
whatever makes you calm
do more of it.
Petty “relationships”,
familial and societal expectations,
the never-ending pressure from school
are not worth risking your sanity.
Your mental health comes first.

Doesn’t matter if it will take a week or a month or a year,
when they say it gets better
it is so hard to believe, but it’s true.
Believe me, I’d know.
I am the only thing I will have in my life permanently
so I better take damn care of myself.
If you think it’s impossible to find hope,
just know you’re not alone.

Because there are kids like me like you,
all over the world
all over the country
all over this godforsaken town.

And before you come to any conclusions
This is not just me.
This is not just my story.
This is the story of the broken, beaten, and damned.
Of the 11 students I interviewed, one including myself.

A sneak peak of all the suffering, stress, and scars
represented in one story.

This is for the kids who are too scared to try.
This is for the kids who are afraid of their own mind.
For the kids who look at themselves in the mirror
and can’t help but cry.
For the kids who wear long sleeves in the summer.
For the kids who tread the waters of their mental illness
with the weight of the world on their shoulders bringing them down
but they keep going whether they like it or not.

This is for you,
and for me.
For the parents who don’t understand,
and for the parents who do.

For Patch, August, Grace,
Luc Ly, Caitlin, Cage,
Suffocated, Eli
Band Aids & Bravery,
Dazed and Confused.

For the kids who get a little red marker on their wrist
and decide to keep drawing scars
because they think it’s funny.
For the kids who drag scissors across their arm in my science class
because they wanted to know why people cut themselves
then laugh when they don’t get it.

If you think I’m weak,
you clearly don’t understand the point of this piece.
The world is a dark place, and sometimes
it’s hard to see the sunshine
I know what I want to live for,
and I refuse to get in the way of myself.

UNMASKED, a commentary by Gari De Ramos
“I created this – whether it be for the students who didn’t think these problems were prevalent among their peers, or those with similar feelings to those in this video – with the hopes that it exposes the depth, tragedy, and complexity that many live with, to shed light on the stigma of adolescent problems, and to reach out to those struggling who remain in the dark.

I initially set out for my Personal Project, a collection of interviews I had with anonymous students and their tales of depression, to be in the form of a book. As you can see, this isn’t a book. This is a spoken word poem. I was forced to change my final product because I was not informed that I would need to have legal forms signed by my interviewees and their parents, as well as having to undergo a psychological evaluation regarding the ethics of my interviews.

Things got incredibly explicit and raw, eventually to the point where my supervisor could not read more than a page. Even if I had all the legal problems sorted, I still would have been advised to change my final product because my advisor(s) deemed the ethics behind my product to be poor. I would have had to censor my product in case it emotionally hurt my audience, gave ideas to persons in similar situations, and risked revealing the identity of the anonymous interviewees.

After all of this, I was given an extension and changed my product to this spoken word poem. It mainly tells my story, but there are glimpses of the 10 other students I interviewed.

I hope to give my viewers a deeper look into the lives of students, for we are more than just numbers and percentages. We deal with these emotions, behaviors we can’t control, and pain, on a day-to-day basis. But many people don’t seem to understand the gravity of the situation. It is also important to understand that people like me existing with you, achieving with you, striving with you. We are very much like you, we just have a little heavier baggage.

Dedicated to Patch, August, Grace, Luc Ly, Caitlin, Cage, Suffocated, Eli, Band Aids & Bravery, Dazed, and Confused.”

Read an interview with Gari De Ramos here