HKFC 32–5 Tai Po Dragons

Two years ago the Tai Po Dragons and HKFC Newedge Ice combined to field a single team for women’s 15-a-side rugby. This season, in a sign of the continued development of women’s rugby in Hong Kong, they fielded separate teams, though the camaraderie between them has never faded. Nevertheless, after two games and two losses, the Ice Ladies were determined to celebrate their first win of the season, even if it was at the expense of their old allies. And that put an extra edge on the game between the two sides that kicked off at 4:30pm on October 19 at the HK Football Club in Happy Valley.

The Ice Ladies got a boost to their confidence within the first five minutes when Royce Chan ran in a try for HKFC. That didn’t stop the Tai Po ladies putting up a strong fight, constantly competing for the ball but the Ice girls kept creating breaches in the Tai Po defensive line. Last week’s game had taught Ice that they needed more strength and aggression at the breakdown, and with that lesson firmly in mind, defending the ball in the ruck and keeping possession became the rule of the game: Daniella Means and Kim Kan scored additional tries and Helen Lee converted for a half time score of 17-0.

Going into the second half, the energy of the Ice team was peaking, and lessons learned in hard training sessions were obviously bearing fruit. But the Tai Po Dragons came back with a vengeance, determined to put some points on the board; which they did with a try. Then, as both teams started to tire, handling errors crept into the game resulting in frequent turnovers and some messy play in the middle of the half. Still, before the final whistle the Ice girls scored three more tries, two for Daniella Means (taking her to a hat trick) and another for Fiona Atkinson.

It might have been a pitched battle on the field but in true sporting spirit at the end of the tussle the two teams gathered to thank each other for a great game and hug old teammates. It was a fitting end to a competitive game of rugby.

HK Football Club
Kim Kan, Amy Kong, Ashley Dawson, Christina McLaughlin, Joelle Touchette, Fiona Atkinson, Diana Han, Allison Lee, Royce Chan, Helen Lee, Marie Gaschignard, Daniella Means, Daisy Miers, Anne McManus, Madeline Adcock, Adriana Garcia, Meghan Hayes, Caroline Lau, Bonita Leung

Tries: Daniella Means (3), Royce Chan, Kim Kan, Fiona Atkinson Conversions: Helen Lee

Francesco Baccini + Solar – 28 October, 2013

Francesco Baccini

As part of an ongoing promotion of all things Italian, The Italian Cultural Institute of Hong Kong (part of the Consulate General of Italy) are bringing singer-songwriter Francesco Baccini to Hong Kong for a free concert at the Sheung Wan Civic Centre Theatre on the 28th October, 2013. The support band are local favourites Solar and you can register for free tickets here http://bit.ly/1a0UKiL

Francesco Baccini – Piano and Voice
Support: Solar
When: 8pm, 28 October, 2013
Where: Sheung Wan Civic Centre Theatre
How Much: Free, ticket registration http://bit.ly/1a0UKiL

Sandro Botticelli’s Venus @ University Museum and Art Gallery – 18 October – 15 December, 2013

Art and it’s enjoyment is always personal, so unlike many publications and art critics who’ll ram their likes and preferences down your throat until you suffocate in agreement or face snide comments on your taste, at bc we suggest you go take a look and like what you like and enjoy it. In that vein it’s worth taking a wander over to the University Museum and Art Gallery (UMAG) of the University of Hong Kong sometime before the 15th December to take a look at Sandro Botticelli’s (1445–1510) Venus in person.
Sandro Botticelli’s Venus @ University Museum and Art Gallery

An iconic image of the high artistic achievement of the Renaissance (14th–16th centuries) Botticelli produced a number of unique Venus paintings, the carefully executed tempera painting on wood relates to ancient classical sculpture and the tradition of depicting the goddess Venus as a heroine, symbolising love, beauty, fertility and prosperity in Greco-Roman mythology.

A rebirth of Antiquity, the Italian High Renaissance is significant for the sophisticated stylistic and technical advances in science and art, and the methodical study of nature and the human body. Botticelli’s painting, a depiction of the nude, exemplifies these values in which the verisimilitude and beauty of the human condition as an ideal form is achieved by the finest artists in early modern Europe.

There are a series of lectures and talks to complement the exhibition

Sandro Botticelli’s Venus – An Italian High Renaissance Masterpiece
When: 18 October – 15 December, 2013
Where: University Museum and Art Gallery (UMAG) of the University of Hong Kong
Time: 9:30am to 6pm, Monday to Saturday; 1 pm to 6pm on Sunday
How Much: Free
Details: Call 2241 5500 or http://www.hkumag.hku.hk/main.html

Extras:
Lectures:
7pm, 18 October – Sandro Botticelli’s Venus and the Italian Renaissance
Speaker: Dr. Opher Mansour, Fung Ping Shan Gallery, Fung Ping Shan Building, UMAG

2:30pm, 23 November – Botticelli and the Bonfire of the Vanities
Speaker: Dr. Kathryn Blair Moore – Fung Ping Shan Gallery, Fung Ping Shan Building, UMAG

Workshops:
1 December – Introduction to ‘Western’ painting -specifically oil techniques

(content from UMAG was used in the production of this article)

 

Katrina Sutherland – New Zealand Winemaker

Katrina Sutherland has spent seventeen years making wine and is currently Production Winemaker and Quality Manager at Kim Crawford Wines in New Zealand. Katrina was in Hong Kong recently to promote her wines and bc asked her about the life of a winemaker.

Katrina Sutherland

I’m sure most of our readers think they know what / who a winemaker is, but how would you describe your job?
You need to be a little bit of a scientist, a little bit of an artist, be a little bit of a mechanic and have a little clown in you as no single day is the same!

What are the most challenging aspects for you of being a winemaker?
Working with a product that is subject to a variety of conditions is challenging; no matter how hard you work or prepare, nature will always send a curve ball. But for me that is also half the fun!

What gives you most pleasure (in winemaking terms)?
After all the hard work seeing someone at a restaurant or bottle shop buying your wine – in New Zealand, Shanghai and Hong Kong! There is a lot choice out there so that always gives me a buzz.

Working for a global wine producer, do you have much flexibility in what you produce and the changing flavours – or is more produce x of this, y of that with this flavour?
Working for a global producer allows me to make wines in a wide range of styles for markets all around the world and for people who are wine savvy as well as those who are just starting on their wine journey. We are able to make wines that may only make up 500 cases but can also able experiment a little with new product development and testing new concepts.

In Asia beyond the problems of fake wines there’s a lot of “love of a pretty bottle”, “It’s expensive, so it must be good”. As a winemaker what can you do to change these perceptions?
It is all about getting out and talking to people and challenging those concepts. Wine is a very individual thing and by giving people the confidence to make their own choices – by taking them first hand on my adventure and explaining what goes into the bottle, and how it came about is the best way to do that.

What does the future hold for New Zealand wine?
Continuing to develop the fantastic flavours that make our Sauvignon Blanc so exciting, and introducing people to other varieties that we make in New Zealand and that are as equally as distinctive as our Sauvignon Blancs such as Pinot Gris, Chardonnay and Riesling.

What trends would you personally like to see evolve within the wine industry over the next decade?
Getting rid of the pomp and circumstance, the snobbery and flowery language and breaking down the perception that you need to know a lot about wine to enjoy it. Wine should be accessible to everyone to enjoy without those barriers. Winemakers can help this by contributing to the rapid growth in practical wine education around the world.

www.kimcrawfordwines.com

www.kimcrawfordwines.com

Triple Trio, Season Opening Rugby @ Kings Park – 5 October, 2013

The 2013-14 Hong Kong rugby season got off to a highly entertaining start at Kings Park with three Premiership matches featuring a slew of familiar if rebranded teams, a new trophy and most importantly some good rugby – lots to look forward to over the next few months.
http://bcmagazine.smugmug.com/Bcene-photos/2013/2013-10-05-Triple-Trio-Rugby/32338189_3XhLjL#!i=2814786008&k=V8NwnfR

http://bcmagazine.smugmug.com/Bcene-photos/2013/2013-10-05-Triple-Trio-Rugby/32338189_3XhLjL#!i=2814804962&k=fqDXg6h

http://bcmagazine.smugmug.com/Bcene-photos/2013/2013-10-05-Triple-Trio-Rugby/32338189_3XhLjL#!i=2814830618&k=xdsTjCD

 

Sinéad O’Connor’s open letter to Miley Cyrus, but relevant to all

Sinéad O’Connor wrote an open letter to Miley Cyrus after the 20-year-old claimed that Wrecking Ball’s controversial video was inspired by Nothing Compares 2 U, the Irish singer was compelled to warn Cyrus that she is being ‘pimped’ by the pop industry. This is the full text of O’Connor’s blogpost.

Dear Miley,

I wasn’t going to write this letter, but today I’ve been dodging phone calls from various newspapers who wished me to remark upon your having said in Rolling Stone your Wrecking Ball video was designed to be similar to the one for Nothing Compares… So this is what I need to say… And it is said in the spirit of motherliness and with love.

I am extremely concerned for you that those around you have led you to believe, or encouraged you in your own belief, that it is in any way ‘cool’ to be naked and licking sledgehammers in your videos. It is in fact the case that you will obscure your talent by allowing yourself to be pimped, whether its the music business or yourself doing the pimping.

Nothing but harm will come in the long run, from allowing yourself to be exploited, and it is absolutely NOT in ANY way an empowerment of yourself or any other young women, for you to send across the message that you are to be valued (even by you) more for your sexual appeal than your obvious talent.

I am happy to hear I am somewhat of a role model for you and I hope that because of that you will pay close attention to what I am telling you.

The music business doesn’t give a shit about you, or any of us. They will prostitute you for all you are worth, and cleverly make you think its what YOU wanted.. and when you end up in rehab as a result of being prostituted, ‘they’ will be sunning themselves on their yachts in Antigua, which they bought by selling your body and you will find yourself very alone.

None of the men oggling you give a shit about you either, do not be fooled. Many’s the woman mistook lust for love. If they want you sexually that doesn’t mean they give a fuck about you. All the more true when you unwittingly give the impression you don’t give much of a fuck about yourself. And when you employ people who give the impression they don’t give much of a fuck about you either. No one who cares about you could support your being pimped… and that includes you yourself.

Yes, I’m suggesting you don’t care for yourself. That has to change. You ought be protected as a precious young lady by anyone in your employ and anyone around you, including you. This is a dangerous world. We don’t encourage our daughters to walk around naked in it because it makes them prey for animals and less than animals, a distressing majority of whom work in the music industry and it’s associated media.

You are worth more than your body or your sexual appeal. The world of showbiz doesn’t see things that way, they like things to be seen the other way, whether they are magazines who want you on their cover, or whatever… Don’t be under any illusions… ALL of them want you because they’re making money off your youth and your beauty… which they could not do except for the fact your youth makes you blind to the evils of show business. If you have an innocent heart you can’t recognise those who do not.

I repeat, you have enough talent that you don’t need to let the music business make a prostitute of you. You shouldn’t let them make a fool of you either. Don’t think for a moment that any of them give a flying fuck about you. They’re there for the money… we’re there for the music. It has always been that way and it will always be that way. The sooner a young lady gets to know that, the sooner she can be REALLY in control.

You also said in Rolling Stone that your look is based on mine. The look I chose, I chose on purpose at a time when my record company were encouraging me to do what you have done. I felt I would rather be judged on my talent and not my looks. I am happy that I made that choice, not least because I do not find myself on the proverbial rag heap now that I am almost 47 yrs of age… which unfortunately many female artists who have based their image around their sexuality, end up on when they reach middle age.

Real empowerment of yourself as a woman would be to in future refuse to exploit your body or your sexuality in order for men to make money from you. I needn’t even ask the question… I’ve been in the business long enough to know that men are making more money than you are from you getting naked. Its really not at all cool. And its sending dangerous signals to other young women. Please in future say no when you are asked to prostitute yourself. Your body is for you and your boyfriend. It isn’t for every spunk-spewing dirtbag on the net, or every greedy record company executive to buy his mistresses diamonds with.

As for the shedding of the Hannah Montana image… whoever is telling you getting naked is the way to do that does absolutely NOT respect your talent, or you as a young lady. Your records are good enough for you not to need any shedding of Hannah Montana. She’s waaaaaaay gone by now … Not because you got naked but because you make great records.

Whether we like it or not, us females in the industry are role models and as such we have to be extremely careful what messages we send to other women. The message you keep sending is that its somehow cool to be prostituted… its so not cool Miley… its dangerous. Women are to be valued for so much more than their sexuality. we aren’t merely objects of desire. I would be encouraging you to send healthier messages to your peers… that they and you are worth more than what is currently going on in your career. Kindly fire any motherfucker who hasn’t expressed alarm, because they don’t care about you.
As posted on www.sineadoconnor.com
http://www.youtube.com/watch?v=iUiTQvT0W_0