Author: simon

Vinexpo Rebrands and Moves to Singapore in 2023

After twenty years Vinexpo Hong Kong is no more. The government’s covid restrictions on travel and the bar and restaurant trade have essentially forced the popular wine exhibition to leave Hong Kong for a location where over 1000 global exhibitors will be able to participate.

CEO of Vinexposium Rodolphe Lameyse commented on the move “Unfortunately I and my shareholders consider that Hong Kong is not where we want to be in the future.”

Vinexpo Asia will take place at Marina Bay Sands, Singapore from 23-25 May 2023.

The Wanch Reopens…

The Wanch Reopens… Or rather a new incarnation of The Wanch, which sadly due to current covid restrictions is without live music – just food and drinks.

The new larger location is the old Uptown 90, on the corner opposite Joe Bananas and the entrance is next to Amazonia with their popular cover bands.

When live music eventually returns will the ‘new’ Wanch be able to step beyond the legacies and memories of the old location and boldly go where no large-sized original live music venue has gone before…

https://bcmagazine.smugmug.com/Bcene-photos/2010/Bc-unpluggedthe-wanch-19/i-NWLRXSz

The Wanch
1/F, Henan Building, 90 Jaffe Road
Wanchai,
Hong Kong

image: The Wanch, bc magazine

Project 4th June, a 24-hour Online Dance Commemoration of Tiananmen

Singaporean artist Ming Poon, aka Ming Apur, likes as he puts it to use choreography as a “tool to interrogate, disrupt and re-organise the social and political relationality of the body in time and space.”

Poon’s latest work is Project June 4th a 24-hour online commemoration of the 1989 Tiananmen Square protests that looks to use dance to speak out against state censorship of peaceful dissent, criticism and the erasure and rewriting of history. For as Poon says “Once we forget, history repeats itself and the oppressors become emboldened”.

On 4 June 1989 the peaceful mass student protests in Tiananmen Square were ended by military force. Although more than 30 years have passed, the Chinese government still suppresses any mention or acknowledgement of the incident.

tankman 1989

On 5 June a single man stood against a column of tanks… Project 4th June commemorates those who were murdered, the movement and choreography of Tank Man represents as Poon puts it “the potential that lies within ordinary persons to stop the machines of violence and oppression. It is also a call-out to stand up against injustice, no matter how small we think we are and how insurmountable we think the task is.”

6 dancers will take turns performing Tank Man throughout the 24-hour commemoration. Each will attempt to interpret the choreography in a way that expresses their individual thoughts and relationship to the Tiananmen Square incident, state censorship and the fight for human rights and democracy.

The 6 dancers are:
1. Pink Tank: “Watch out, the world is not behind you.”
2. Tank Ghost: “Of Ghosts and Shells”
3. Tank Zheng: “No Tank On Rainbow”
4. Tank Sexy: “The Days Without Cigarettes / 沒有煙抽的日子“
5. Tank Plant: “Planting the Reality”
6. Tank Critique Critique: “Which Tanks Do You Need To Stand In Front Of?”

If you want to watch, join or participate (see the video above for the choreography) in the commemoration Poon has an event etiquette to help make it safe for everyone. Keep your identity, as well as others’ anonymous!

  • If you turn on your camera during the commemoration, put on a mask before doing so. Also, make sure that your background does not reveal any personal information, ideally sit with a blank wall as your background.
  • Microphones will be turned OFF by default throughout the commemoration, to avoid voice detection.
  • Before entering the commemoration room, replace your display name with an alias. Your alias should be written in the following manner: Tank ___ (e.g., Tank Person, Tank ABC, Tank 123, etc,). Do not include any personal information in it.

Project June 4th
Date: 4 June, 2022 (
Venue: live stream on Zoom and Youtube
Tickets: Free
More info: www.mingapur.com
live stream on Zoom and Youtube

Art Basel, Treasure or Trash

After a two-year absence, courtesy of covid Art Basel returns as a physical event… Although with travel quarantine measures still in place many of the regular Art Basel participants are not here.

If we’re being honest – among art aficionados, the amount of hot air often overpowers the strongest aircon – this year’s Art Basel was simply boring.

While art is very subjective and personal and what you like I may not. Art Basel usually has a fair number of pieces that even if you don’t like them they get you thinking or stimulate discussion. This year it was a bit like walking through Ikea it was all so bland, safe and derivative. Not to mention that most participating artists were of the idea that big, bigger and biggest will be ‘more better’ (and profitable).

Here are a few pieces that were less ordinary than the rest, more can be found here:

https://bcmagazine.smugmug.com/Bcene-photos/2022/20220526-Art-Basel/i-wnPCBkm

https://bcmagazine.smugmug.com/Bcene-photos/2022/20220526-Art-Basel/i-r5RN4cF

https://bcmagazine.smugmug.com/Bcene-photos/2022/20220526-Art-Basel/i-mh9PWSW

https://bcmagazine.smugmug.com/Bcene-photos/2022/20220526-Art-Basel/i-Q4K6J29

https://bcmagazine.smugmug.com/Bcene-photos/2022/20220526-Art-Basel/i-JzdkgxJ

David Bowie – Imagine, Live in Hong Kong 1983

The final concert of David Bowie‘s Serious Moonlight Tour was in Hong Kong at the HK Coliseum on 8 December 1983. It was also, sadly, the third anniversary of John Lennon’s murder and after performing Fame Bowie and spoke to the audience about Lennon.

“I co-wrote that song with John Len­non.And I asked him one day ‘How do you write your songs’, and he said ‘lt’s easy, you just say what you mean, and you put a back-beat to it’.
I said ‘What do you think of my kind of rock & roll’. He said ‘It’s great, but it’s just rock & roll with lipstick on’”.

Bowie pauses for a moment, as the audience cry out, “Last time I saw John Lennon was in Hong Kong, we went to a Hong Kong market and there was a stall that sold old clothes, and there was a Beatles jacket on the stall, and I did something that is not usually in my character – I asked him to put it on so that I could take a photograph, I took a photograph, and I’ve still got the photograph. The jacket doesn’t fit properly, it looks like John had outgrown it”.

Bowie then performs a beautiful version of Imagine in honour of his late friend. An upgraded 4K version of this iconic performance has been uploaded to Youtube – enjoy.

https://youtu.be/yo5W9ByBbrQ

There’s also an audio bootleg of the whole concert.

https://youtu.be/mKf2T1chytQ

image: screenshot

Ghost Bikes Memorial

James Ockenden’s “ghost bikes” project remembers the nine cyclists who lost their lives on Hong Kong’s roads last year. White painted bikes with white silk flowers and a memorial card with details of the person who died were placed at each of the fatal accident spots.beware of bicycles

Ockenden, who organised the ghost bike memorial after the annual Ride of Silence 2022 was made a virtual event, said of the people who died – I think it is important to remember that these accident victims were not racing, but just getting around in an easy and environmental-friendly way, and we should be supporting that as a community.

The Ride of Silence is an annual international bicycle ride that pays tribute those killed or injured when cycling on public roads. The ride had been held in Hong Kong on the third Wednesday of May for the last 16 years.

After the 2021 memorial ride organised by the Hong Kong Cycling Alliance, the police accused riders of violating Covid-19 social distancing rules and ticketed everyone.

hk ghost bikes 2022

The Ride of Silence 2022 livestream https://www.youtube.com/watch?v=9NBihAt2Pao

Ghost Bikes Memorial 2022

Ghost Bikes Memorial 2022

Ghost Bikes Memorial 2022

Ride of Silence 2022
Date: 7pm, 18 May, 2022
Venue: Hong Kong
Tickets: Free

images: hkghostbikes

Press Freedom Plunges….

Hong Kong’s ‘press freedom’ has plunged 68 places to 148th (out of 180) since the implementation of the National Security Law as government critics are jailed and publications silenced.

The 20th World Press Freedom Index published by Reporters Without Borders (RSF) reveals a large increase in polarisation amplified by information chaos – that is, media polarisation fuelling and feeding divisions within and between countries.

The spread of ‘opinion media’ and disinformation are amplified by the way social media functions and are creating extreme polarisation of views with an unrepresented and unlistened to middle ground.

“At the international level, democracies are being weakened by the asymmetry between open societies and despotic regimes that control their media and online platforms while waging propaganda wars against democracies.”

Reporters Without Borders defines press freedom as “the effective possibility for journalists, as individuals and as groups, to select, produce and disseminate news and information in the public interest, independently from political, economic, legal and social interference, and without threats to their physical and mental safety.”

In order to reflect press freedom’s complexity, five indicators are used to compile the Index: the political context, legal framework, economic context, sociocultural context, and security.

image: The Korea Herald