Modern Heroines Set For World Cup Challenge

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The 9th December 2016 will live long in local rugby history, on a sensational night at King’s Park Hong Kong’s women rugby players beat Fiji 45-7 to effectively secure a place at the Women’s Rugby World Cup. Today after seven grueling months of training the 28, mostly amateur players, who will make that trip to Ireland to compete in the World Cup next month were announced.

The Hong Kong squad will depart on 4 August – head to airport to cheer them off – for Dublin, where they will play 2013 runners-up Canada (7 August), four-time champions New Zealand (13 August) and Wales (17 August), before heading to Belfast for the semi-finals, final and the placing matches.

“We are going to use every woman in the squad in Ireland, and that is a key to our larger goal and mission: to ensure that our first World Cup appearance isn’t our last,” said national coach Jo Hull.

“Qualification for the World Cup is a good start, but our objectives transcend wins and losses,” continued Hull “We also want to change the perception of the women’s game in Hong Kong and to show how tough you have to be, how dedicated and how resilient you have to be – rather than giving in or walking away when it gets tough.”

The squad features a healthy mix of experience and potential, as Hull looks to leverage the Rugby World Cup as a transformative event for the women’s game locally – where it’s been under-funded and often viewed by the male dominated HKRU hierarchy as an irrelevance.

“We have gone with our experience and some of our more physical players that can withstand the challenge of a World Cup, but we are really excited to see the number of young players who have raised their hands during the campaign,” Hull added, singling out emerging players like scrumhalf Chloe Mak, flyhalf Lee Tsz-ting, flanker Agnes Chan and 18-year old centre Kelsie Bouttle.

“These players have really come into their own and are improving every game. We have rewarded that potential and it is a fantastic opportunity for them to shine,” said Hull.

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Lock Chow Mei-nam captain’s the squad and the 29-year old physical education teacher is relishing the opportunity ahead for both herself and her side.

“My ambition is to be a world-class lock and the World Cup will provide a stage for me to try and achieve that. By the end of the tournament, I want the other teams to know about Hong Kong Rugby and respect us. That’s my main goal, earning that respect on the pitch.” Chow vowed.

Chow is joined by a core of experienced campaigners, particularly in the forwards, where former captain Royce Chan selection offers her a fitting highlight for Chan’s 13 years of endeavour in support of the women’s game.

Amelie Seure, Christy Cheng Ka-chi and Christine Gordon offer experience in the pack, alongside relative newcomers in flanker Agnes Chan and lock Chan Ka-yan.

“We have gone with some players that we know can get us out of trouble in a game,” confirmed Hull. “For a World Cup you need that balance, you have to have a team. It isn’t just about the players, the combinations have to work, on and off the pitch, to carry the team through those three weeks.”

“We have also given opportunities to some X-factor players. If they get things right, players like Agnes [Chan], Kelsie [Bouttle] and Rosie [Rose Hopewell-Fong] can help us break down defences. These players also help us have a multi-functional squad, with players that are comfortable playing in more than one position.”

“We are confident that we have that strength in depth we are going to need to take on three world-class teams in the space of two weeks,” Hull concluded.

The backline is anchored by vice captain and centre Adrienne Garvey, as well as experienced fly-half/fullback Rose Hopewell-Fong and sevens squad members Natasha Olson-Thorne (centre/wing), Aggie Poon Pak-yan and Colleen Tjosvold in the back three.

The emerging players among the backs are young scrumhalves 22-year old Chloe Mak, Ho-yee and 25-year old Jessica Ho Wai-on, while Lindsay Varty adds experience at the pivot. 21-year old ‘BB’ Lee Tsz-ting has been included at fly-half and will hope to add to her eight caps.

The youngest player in the squad is 18-year old centre Kelsie Bouttle who impressed in her first season of Premiership rugby and won her first cap last month.

“It’s been an eye opener for me to be involved and a great motivator to develop my rugby. The World Cup will be an incredible experience,” said Bouttle. “It’s good to be included because I am still young and hopefully have a long way to go in my rugby, so I will be in a position to share that experience and transfer my knowledge to other young players.”

While several of the squad are full-time athletes from the HKRU sevens programme at the HK Sports Institute, the majority are amateurs, who have put it massive amounts of time throughout the campaign to train.

“These are not professional players, but they train professionally,” said Hull. “They are doctors, teachers, social workers and students, and they deserve praise and respect for the commitment they have shown.”

This is Hull’s third World Cup “The opportunity to bring my own squad to the World Cup is a tremendous honour, especially with this group of players. I feel a lot of responsibility because of it.

“I’m looking forward to that buzz and excitement that surrounds a World Cup. I know from my own experience that this will be the most amazing three weeks of their sporting lives and to be able to lead them through that is a privilege,” said Hull.

HKRU Squad for Women’s Rugby World Cup 2017:

Forwards: CHOW Mei-nam (captain); CHAN Ka-yan; CHAN Leong-sze, Royce; CHAN Tsz-ching, Agnes; CHENG Ka-chi, Christy; CHEUNG Shuk-Han, Jasmine; Christine GORDON; LAU Nga-wun, Tammy; LEE Ka-shun; PUN Wai-yan; Amelie SEURE; SIU Wing-ni, Winnie; SO Hoi-ting, Karen; TSANG Sin-yan; WONG Yuen-shan.

Backs: Adrienne GARVEY (vice captain); CHONG Ka-yan; CHOR Lik-fung, Laurel; Kelsie BOUTTLE; HO Wai-on, Jessica; Rose HOPEWELL-FONG Siu-lan; LAU Sze-wa; LEE Tsz-ting; MAK Ho-yee, Chloe; Natasha OLSON-THORNE; POON Pak-yan, Aggie; Colleen TJOSVOLD; Lindsay VARTY.

https://bcmagazine.smugmug.com/Bcene-photos/2017/Hong-Kong-Womens-Rugby-Team/i-nJjrGMZ

Additional reporting and images: HKRugby

Sevens Ticket Prices Increase

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After last year forcing children to pay adult prices for their tickets. Those prices have gone up as the Hong Kong Rugby Union announced that tickets will increased by $50/day, approximately 8%.

Not that the general public can buy them anymore, but from 2018 a three-day ticket – except HK rugby are not calling them tickets anymore they’ve been rebranded as “event packages” – costs $1950, up from $1,800 in 2017.

There’s so much guff verbiage and faux justifications within the HKRU release announcing the price increase that you’d swear they’ve been taking lessons from Trump.

The guff includes that fans at the stadium have to pay more so that other people can watch the Sevens for free “HKRU is also expending significant funds to share the excitement of the Sevens with the wider community, with its free admission fan zones in Chater Garden and Lee Gardens”.

I wonder what the sponsors and suppliers who paid HKRU massive sums to have their brands linked to the Sevens and have a presence at those two locations think about that fiction.

The HKRU claims the Sevens are “still excellent value” but there was a lot less actual rugby played at the 2017 Sevens than in years past – so fans of rugby are being shafted twice… paying more for a lot less.

Robbie McRobbie, Chief Executive Officer of the Hong Kong Rugby Union states that “We have an obligation to generate as much revenue as possible from the tournament to support the growth of the game in Hong Kong.”

This from an organisation that is quite probably the richest rugby union in the world and has according to a recent annual return assets of well over $250 million.

The Sevens will still sell out because it’s a unique event and can trade on it’s name and reputation for years to come, but the atmosphere at recent events is not what it used to be and the fans disquiet and sense of being milked increases every year.

What the HKRU and World Rugby fail to understand is that fans do go to watch the rugby. The non-stop run of games throughout the day keeps fan energy high. Now with big gaps in the rugby, the atmosphere and energy sags. We don’t need bands with awful sound systems playing 5 songs. The energy from the rugby drives the Sevens fan experience which powers the rugby… More rugby, more women’s rugby and less of the insipid distractions.

Hong Kong Sevens
Date: 6-8 April 2018
Venue: Hong Kong Stadium
Tickets: $1,950.

Forbes Deletes Article on Asia Society Billionaire Chairman Ronnie Chan

After the Asia Society blocked Joshua Wong speaking at the launch of a book about Hong Kong recently Forbes published an article written by analyst Anders Corr about the Asia Society’s local chairman Ronnie Chan.

The feature has since ‘disappeared’ from the Forbes website with Chan’s influence suspected to be behind Forbes decision to remove article. For those who missed it here’s Corr’s article in full.

The Asia Society recently barred a student democracy activist, Joshua Wong, from speaking at a Hong Kong literary event. It caused a wave of critical online comments and reporting on the Asia Society, and its influential billionaire donor Ronnie Chan. Chan is Co-Chair of the Asia Society in New York, and Chair of its Hong Kong Center, which has been likened to Chan’s private club.

Chan is known for his anti-democratic views, involvement in foreign policy think tanks, and extensive investments in mainland China. Those investments, as well as his investments in Hong Kong, give him an incentive to ingratiate himself with mainland authorities by promoting China’s foreign policies. Those authorities, after all, have the power to make or break Chan’s business. The issue is broader than Asia Society, though, as Chan and his family are major donors at influential institutions in the US, including Harvard University and the University of Southern California (USC).

Orville Schell of the Asia Society, and Susan Shirk, on the Board of Scholars at the Chan-affiliated USC US-China Institute among other roles, co-chaired an influential study of US-China Relations in February. Had Hillary Clinton won the US presidency, some in the Schell-Shirk task force, such as Shirk herself and Kurt Campbell of the Asia Group, would have been poised to seek influential positions in US government. The focus of Chan’s attentions on institutions that are politically influential on US-China relations raises the question as to whether China is seeking to use Chan, a dual US-Hong Kong citizen, to influence US foreign policy on China.

While the Hong Kong office of the Asia Society released a statement that said the decision to bar the democracy activist was “an error in judgment at the staff level”, several individuals with whom I communicated suspected Ronnie Chan’s influence to be behind the decision. That influence may or may not have been explicit. When a major funder shows a general preference against a class of people, for example democracy and freedom of speech advocates, then staff who counter that preference do so at the peril of their own organisation and jobs.

“Sounds like someone will take a bullet for Ronnie (that is, after all, what he pays them for),” said Joe Studwell, author of How Asia Works and The China Dream. “Ronnie will retain all powers and be left to figure out new ways to avoid any ‘controversy’ at Asia Society HK [Hong Kong]. I’d go for a pure, unspoken focus on ‘cultural’ issues, just like Beijing would want. No contemporary sociology, politics, economics, etc. More oracle bones and Ming vases.”

That prediction would be consistent with recent trends at Asia Society Hong Kong against politically controversial figures stretching back to at least 2009. At least four persons who support democracy and freedom of speech, in addition to Joshua Wong, may have been barred from the Hong Kong chapter of the Asia Society, including Martin Lee, Evans Chan, James Mann, and Renee Chiang.

Martin Lee is the founding Chair of the Democratic Party in Hong Kong. He was arrested during the 2014 democracy protest. According to one source, he has never been invited by the Asia Society in Hong Kong to an event.

Evans Chan filmed a documentary on the 2014 democracy movement in Hong Kong. He said that, “last October, Asia Society cancelled a screening of my film, Raise the Umbrellas, for an ‘unbalanced’ post-screening discussion with Martin [Lee] & Benny Tai.” The New York Times covered the cancellation without apology from the Asia Society, which indicates that the action was probably noted by its leadership without change in policy, since Asia Society Hong Kong repeated itself with Joshua Wong and in at least one other case.

James Mann of the Los Angeles Times commented on Facebook on July 6, “I was asked to speak in Hong Kong a few years ago, and Ronnie Chan vetoed my appearance. The only surprise to me here is that the Asia Society in NY, which professes a belief in liberal values, should allow this sort of thing to happen again and again and again. I guess they must need his money desperately.”

Renee Chiang, the wife of publisher Bao Pu, commented on Facebook that, “I can also confirm being turned down by Asia Society Hong Kong when the Zhao Ziyang book (Prisoner of the State) was published in 2009. Meanwhile, Asia Society in New York hosted a panel talk about the book, at which Orville Schell admitted getting a phone call from Chinese authorities voicing their disapproval, yet they did what they should do: they ignored the threat and held the talk anyway. In Hong Kong, no such call is needed, as they appear to have in-house censors.”

Studwell noted that “the HK government gave Ronnie a very valuable piece of public property (the old arsenal), which he was then allowed to refurbish… and operate as a sort [of] quasi private members club. But the whole thing, surely, only worked because the Asia Society in the United States of America let him use its brand to get his hands on the place.”

The question is then whether the Asia Society headquarters in New York, including its Co-Chair and 66 trustees, are complicit in what appears by its repeated programming decisions in Hong Kong, to be amplification of Chinese government propaganda. What do the Asia Society Co-Chair and trustees, some of whom do business in China, get out of the deal? Is the Chinese government seeking to use Chan to politically influence these trustees and others? Are the trustees seeking access or favors from Chan in China? Chan and staff of the Asia Society Hong Kong office did not reply to requests for comment.

Chan has connections, sometimes very weighty ones, at Harvard University in Cambridge Massachusetts, the University of Southern California in Los Angeles, the Peterson Institute for International Economics in Washington D.C., the World Economic Forum in Switzerland, the East-West Centre in Hawaii, and the Council on Foreign Relations in New York and Washington D.C. These connections are facilitated by donations or the hope of donations, according to a source. The Chan family, through its Morningside Foundation, donated $350 million to Harvard University. This is the largest ever single donation to Harvard.

The latest Asia Society controversy has “renewed questions about the influence that China, and people with deep business interests in China, hold over universities, nongovernmental organisations and other groups that rely on wealthy donors,” wrote Austin Ramzy at The New York Times. Ramzy noted that Ronnie Chan was an “outspoken supporter of Leung Chun-Ying, the pro-Beijing former chief executive [of Hong Kong] who was a target of the 2014 protests.”

Studwell said, “Doesn’t the Asia Society just show the problems of having corporate-led NGOs anywhere in the world? As an organisation it has totally failed to set up a governance system that could deliver freedom of speech. I don’t blame a Ronnie Chan-run Asia Society (HK) for that as his behaviour is entirely predictable based a) on his track record of kowtowing to all Establishments and b) on his vested interests in having a large mainland property portfolio. I personally think that the corporate US interests behind the Asia Society have more to answer for, though not much more because, as I said, corporate-led NGOs don’t work when push comes to political shove.”

Chan’s influence and connections, fueled by profits dependent on the Chinese government, could be used to promote China’s foreign policy interests among elites in the US And the elitism that Chan promotes is consistent with what elites in China think. Victor Shih said, “many in the elite stratum of China, even the younger generation, believe that most people in China, except for the elite, are incapable of making sound political decisions.” With President Trump’s election, that anti-democratic message could resonate among elite Democrats and Republicans alike, whose establishment political connections, for example through the Clinton and Bush families, were ruptured by Donald Trump’s election.

“Ronnie Chan is one of a small number of Hong Kong tycoons who are US-educated or had extensive US experience,” said Edith Terry, former opinion editor at the South China Morning Post in Hong Kong. “The most prominent members besides Ronnie are Tung Chee-hwa and Victor Fung. They regularly hold senior public roles in Hong Kong and most are also members of the Hong Kong delegation.” The CPPCC is a mainland Chinese government body.

Terry said, “The question of influence, however, is a subtle one. They represent a highly privileged class in Hong Kong that has huge vested interest in stability, a continuation of the status quo, not changing it. I believe that for this group, the game is more about keeping senior US policy makers and institutions engaged with the Hong Kong question. There is of course some exertion of soft power both ways. In this case, I would say the tycoons and the multinational elite here talk off the same page. Free speech only goes so far when talk of independence invites intervention by Beijing.

You could say they are all practical billionaires. Whatever their personal feelings are about free speech and Ronnie is notorious for speaking whatever is on his mind, and can be blunt to the point of rudeness in public before large audiences. They know that talk of independence is toxic and are convinced that the only way to stop it is to criminalise it by introducing a national security law, which would be in accordance with the Basic Law and is long overdue in their view. Ronnie and his cohort are extremely sophisticated and understand the usefulness of soft power through back channels and elite institutions. They are very good at it, and it is about being in position to deflect or argue points, not broadcasting simple, black and white messages.”

The perception of undemocratic influence that elites in Hong Kong have on international and domestic politics may be one cause for increasing political instability in Hong Kong. Michael Davis, former professor of law at the University of Hong Kong, said, “in the Hong Kong context this is more than just a free speech issue. I have long felt that the radicalisation of Hong Kong politics is due in no small part to the perception that the Hong Kong government and the pro-establishment business elites do not make much effort to represent the core concerns of Hong Kong people to the Central government and more generally. It seems to be a culture where they regularly lecture Hong Kong on Beijing’s requirements.

So if a prominent organization such as the Asia Society is thought to be leading the charge as Beijing’s mouthpiece in Hong Kong then that is a serious problem and contributes to the sense of futility among our young –not the sort of community service you would expect from such an organisation. Does the society have any mechanism at all to review its policies and practices?”

Studwell thinks that the Asia Society in New York should ask Chan to decrease his influence over programming in Hong Kong. Studwell writes, “I lay responsibility for all of this at the door of the Asia Society in the United States. If the Asia Society believes in free expression and debate, it should very politely, and gratefully given all the money, offer Ronnie two choices: 1. Ronnie steps down, and allows the Asia Society to put in place a governance structure that means that the Asia Society HK operates according to a clearly stated set of principles. Given the government ownership of the premises, I don’t think the HK operation can or should be run from the US. What is needed is a local system that operates according to transparent rules, preferably with an elected board. 2. The Asia Society removes its imprimatur and its moniker, Ronnie picks a new name (Asian Values Society(TM)?), and does things his way.”

Given Chan’s Co-Chairmanship of the Asia Society in New York, such a decision would likely have to be made by his Co-Chair, Henrietta Fore, along with at least half of the 66 trustees. Fore is former Administrator of US AID, and a member of the boards of Essilor International SA, general Mills, Exxon Mobil Corporation, and Theravance Biopharma Inc. The trustees include such personages as Ambassador John Negroponte, currently a Senior Fellow at Yale University, talk show host Charlie Rose, former Australian prime minister Kevin Rudd, and Stephen Schwarzman, CEO of Blackstone Group. Blackstone does extensive business in China, and has $368 billion in Assets Under Management. Chan may not be the only one seeking favor in Beijing.

These and other trustees should take action per Studwell’s advice, or risk their own reputations. The Asia Society, democracy, and free speech will be the better for it, though the trustees’ commercial access in China could suffer. That, like Asia Society’s decision to bar Joshua Wong, is a judgment call.

https://www.forbes.com/sites/anderscorr/2017/07/10/chinese-influence-at-the-asia-society-elitism-and-radicalisation-in-hong-kong/#69700cf53910

Lynch, The Nightmare Maker – A Retrospective

The return of Twin Peaks to our TV screens after a gap of 25 years has David Lynch’s name on everyone’s lips. Especially as the new series is perhaps even better than the original – not something that can be said of many, if any, of the current wave of revivals or reboots.

The 40th anniversary of Lynch’s debut film Eraserhead is this year, the iconic Blue Velvet was released 30 years ago… With this in mind and looking to introduce a new generation to Lynch’s worlds, and the fact that many of Lynch’s film have been digitally remastered, Broadway Cinematheque has organised a David Lynch retrospective entitled The Nightmare Maker which runs from 21 July to 31 August.

Who is David Lynch?

Lynch is much more than just a director. He is also a painter, artist, musician and coffee expert. It’s been over ten years since the release of Inland Empire, the last film he directed. Yet now Lynch is back in the director’s chair, ready to change the landscape of TV again with the new series of Twin Peaks, which became the first TV drama ever to premiere at the Cannes Film Festival.

Subconsciousness, nightmare, anxiety, memory, surrealism, darkness, absurdity, the gaze… are all keywords for Lynch’s cinema. As strange as the weirdest of your dreams, his cinematic world blurs the line between reality and fantasy. His manipulation of the uncanny and unconventional narrative structures create the most unsettling yet absorbing viewing experiences.

Lynch’s films and tv shows are not easy viewing, but he creates such unique multi-layered worlds full of interesting characters that the reward is worth the effort. Whether you ultimately like the film or not.

The The Nightmare Maker retrospective features: Eraserhead (1977), The Elephant Man (1980), Blue Velvet (1986), Wild at Heart (1990), Twin Peaks: Fire Walk with Me (1992), Lost Highway (1997), The Straight Story (1999), Mulholland Drive (2001), Inland Empire (2006), Twin Peaks: The Missing Pieces (2014), Blue Velvet Revisit (2016) and assorted short films.

David Lynch: The Nightmare Maker
Date: 21 July – 31 August, 2017
Venue: Broadway Cinematheque, Palace IFC, My Cinema Yoho
Tickets: $95, $85

Japan Retain Asian Crown With 60-19 Victory

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Japan retained the Asia Women’s Rugby Championship title easily beating Hong Kong 60-19 at Kings Park to complete a two game sweep. The home side made too many individual errors and gifted points to the Sakura with missed tackles galore.

Hong Kong coach Jo Hull tried hard to put a positive spin on her side’s last competitive match before the Women’s World Cup in Dublin next month. “It was another disappointing result, and obviously we aren’t happy with that, but there was some positives compared to last week’s loss in Japan,” said Hull.

“Our defence was good for parts of the game, as was our commitment and physicality in the contact area. Our performance at the breakdown was good and I think we improved in the set piece and were carrying the ball a bit better than last week.”

“At times we were building good momentum in our attack, but there were some real individual errors that cost us quite dearly. We are disappointed, but at the same time we needed that game,because the next time we play it will be against Canada at the World Cup,” added Hull.

Japan centre Riho Kurogi opened the scoring, converting her own try as visitor’s size and speed came to the fore. Further tries to fullback Ai Tasaka, second rower Aoi Mimura and Captain Seina Saito pushed the score out to 24-0 after 30 minutes.

One-on-one tackling is still a massive problem area for Hong Kong with players outright missing tackles or just not being strong enough in the tackle to bring the player down. There was an improvement on last week at the breakdown, but this was largely achieved by having more players in and around the breakdown – which left space out wide which Japan consistently exploited.

The home team struggled to gel on attack in the opening stages with the interchange between scrumhalf Ho Mak-yee and fly-half Rose Hopewell-Fong an issue early on. Consistently though Hong Kong contrived to put themselves under pressure. All too often with the ball around the half-way line and the backs angled deep. The passing was slow, to players who were static and within seconds from looking to be on the attack the ball was back inside the HK twenty-two and having to be kicked away…

Captain Chow Mei-nam put Hong Kong on the board in the 30th minute, finishing off a solid patch of play by crashing over the line from second phase ball, after Hong Kong won an attacking line-out on Japan’s five-metres. Winger Aggie Poon Pak-yan added a difficult conversion from along the right touchline, 24-7.

But Hong Kong failed to push on from their score, defending poorly to allow Japan to add another try shortly before half-time, 31-7.

In the second half, scrumhalf Sham Wai-sum came on to good effect, helping to inject some fluidity into the attack. Winger Chong Ka-yan capped that early momentum by opening up the Japanese defence in the 42nd minute to score the host’s second try which Hopewell-Fong’s converted, 31-14.

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Tries to Takano and winger Honoka Tsutsumi pushed the score along to 43-14, effectively ending the contest. Although Maki Takano’s 56th minute yellow card for repeated infringement allowed the veteran Sham to exploit the extra space as she darted over for a try in the right corner in the 58th minute. Poon missed the touchline conversion, leaving Hong Kong trailing 38-19.

Japan confirmed their superiority with tries to Sachiko Kato, Yumeno Noda and Yuki Oyokawa in the final 20 minutes to secure a comfortable victory 60-19, and claim a second straight Asian title.

The loss left Hull with much to think about ahead of next month’s World Cup. “Full credit to Japan, they played very well and are coming along nicely. They are always clinical but today they were very accurate and played at good pace. I think they will do well at the World Cup,and we hope they do, as we are all representing Asia at the end of the day.”

“For us, we have a good idea of our squad selection for the World Cup and today and last week was about getting those players some game time.”

Hull singled out two up and coming young players in 21-year old flanker Agnes Chan Tsz-ching and 18-year old centre Kelsie Bouttle. “Agnes played well, as did Kelsie. That was the second cap for both of them and I think we have a couple of exciting young players coming through there,” said Hull.

“We’ve identified what is working well and what isn’t, and we aren’t going to change what we are doing. We will keep emphasizing the things that are important to us. We’ve been working hard on our game and our fitness and now we need to start transferring that to actual matches.”

“Over the next few weeks, we just need to try and improve in those little areas that are holding us back. We just need to keep believing in ourselves and keep working on what we can control,” said Hull.

Hong Kong are pooled with Canada, runners-up at the last World Cup, as well as four-time champions New Zealand and Wales in the Women’s Rugby Cup which starts in Dublin, Ireland on the 9 August, 2017.

Additional reporting and images: HKRugby

Hong Kong Search for Self Respect

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After last week’s comprehensive 58-0 defeat in Japan, coach Jo Hull has named an experienced starting XV for the home leg of the Asia Rugby Championship against Japan at King’s Park.

“This is a crucial hit-out absolutely,” said Hull. “This is our last international before the World Cup and whether we win or lose, we want to perform the way we know we can. Last week was about getting players game time and looking at some new combinations, but this week we have gone with an experienced squad.”

“It is an experienced group, but it is also a performance group; a lot of these senior players have been performing to standards throughout the build-up, not just in games but in training. It will be good to have players like Christy [flanker Cheng Ka-chi] and Natasha [centre Natasha Olson-Thorne] back.”

Hull expects to need every bit of that experience with Japan, coming off a big win last week, likely to further bolster their squad with their own senior players.

“They will bring back some of their key players, as well. They have their own objectives building up to the World Cup and will come out even harder than last week,” Hull added. “We are prepared for that.”

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“It has been a massive re-focus week this week for us, and I’m proud of the level of accountability in the camp. We have worked a lot on eliminating the high number of individual errors from last week, even amongst the senior players; that has been a focus area, as well as the set piece.”

“We’ve had a good week of training and have been replicating a World Cup week where we will be looking to back up again for another big performance like we have to do in Ireland. But all of that doesn’t count for anything, it’s about putting it out on the pitch and the players are aware of that.”

“If they get their individual and team jobs right, we could have a special performance and that is our focus. If we get those things right, the results will follow,” Hull said.

Captain Chow Mei-nam leads an experienced group of forwards with the front row anchored by props Wong Yuen-shan and Lee Ka-shun with Karen So at hooker. Chow will assume her normal second row spot, partnering with Amelie Seure, who moves into the tight five to create room for Christine Gordon at No.8. Gordon will pair with sevens captain Cheng and Chan Tsz-ching at flanker.

Mak Ho-yee gets a run at scrumhalf and will combine with Rose Hopewell-Fong, who came of the bench last week to good effect, at fly-half. “Ho-yee can inject a bit of pace into the game which is something we are after,” said Hull.

Out wide, an all-sevens line-up of backs will also be keen to perform. Vice captain Adrienne Garvey will pair with Natasha Olson-Thorne in the centre with Aggie Poon Pak-yan and Chong Ka-yan on the wings and Colleen Tjosvold at full-back.

The bench has experience and depth with Royce Chan Leong-sze, Cheung Shuk-han, Lau Nga-wun and Pun Wai-yan as the front row reserves. Scrumhalf Sham Wai-sum, Lee Tsz-ting and Ivy Kwong Sau-yan as backs reserves, alongside Kelsie Bouttle, who has earned a second appearance after making her debut last weekend.

“Kelsie didn’t get much of an opportunity last week, so we wanted to give her another run. She brings a different dynamic to the centres for us, which is what we are after,” Hull added.

The match against Japan will offer the selectors a final opportunity to examine their charges in a match environment before naming the final 28-strong squad a week from Saturday at Kings Park.

Hong Kong v Japan
Womens Asia Rugby Championship
Date: 6pm, 15 July, 2017
Venue: King’s Park
Tickets: Free

Additional reporting: HK Rugby

Ayako Oshima Live in Hong Kong

Clarinetist Ayako Oshima makes her Hong Kong debut at the Shouson Theatre on the 13 July. The Japanese artist and clarinet professor at the renowned Juilliard School will be accompanied by Joe Zhou (clarinet) and Carrie Fung (piano) in a French music program.

Ayako’s style of playing is very expressive, with a clear sound which suits the evening’s concert program. As well as being a judge in music competitions Ayako founded the Kita Karuizaw a music seminar which attracts clarinet students from all over Asia and with her husband, Charles Neidich, she has written a book on the fundamentals of clarinet technique.

Program:
Francis Poulenc: Sonata for Two Clarinets
Ernest Chausson: Andante and Allegro
Eugene Bozza: Bucolique
Claude Debussy: Première Rhapsodie
Charles Neidich: Tempest
Darius Milhaud: Scaramouche
Luigi Bassi: Gran Duetto Concertato from Bellini’s La Sonnambula

Ayako Oshima – Clarinet Recital
Joe Zhou, Carrie Fung
Date: 8pm, 13 July, 2017
Venue: HKAC, Shouson Theatre
Tickets: $250 from Urbtix

Presented by Music Plus

Japan Thrash Error Prone Hong Kong 58-0

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Hong Kong’s Asian Rugby Championship campaign got off to a disastrous and error prone start with a 58-0 loss to Japan in the first of the two-match series in Odarawa.

From the outset, the Sakura dominated the set piece and contact area in a clinical performance that caused real problems for Hong Kong coach Jo Hull’s squad. Japan jumped out to a 22-0 lead, and claimed the bonus point for scoring four tries, in the opening 25 minutes. The Sakura went on to score ten tries in total, five on either side of half time.

“It was a disappointing performance obviously, but fair play tothem, they came out hard and fast and dominated in all areas really,” said Hull.

“We played some okay rugby in parts and forced them into some mistakes defensively, but we let ourselves down, particularly at the contact area, and our set piece is underperforming at the moment,which is hurting us,” Hull added.

“We are bitterly disappointed, but no one is feeling sorry for themselves in that locker room. We know we had a bad day at the office. We need to learn from that and also put it behind us now,” said Hull.

“Collectively, we need to look inward, and ask ourselves what weare going to do as a team, as the entire squad including the girls at home, for next week. That is my challenge to the players the management, to everyone,” Hull said.

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For Hull, the side now has an important opportunity to test it’s mettle for the last time in a match environment ahead of the world cup next month.

“We have seven days before our next test, so we need to review and get back to work on what we need to get right. That will be a good preparation for us for the World Cup, where we are going to have to be able to contest back-to-back tough matches,” added Hull.

“We are a month out from our biggest ever challenge and the players are aware that today was an unacceptable performance when we are wearing the Hong Kong jersey, but it doesn’t change what we are doing, or our belief in ourselves, our training and what we are working on. This is another opportunity now for us to get better,” said Hull.

Hong Kong’s best passage of play came early in the second half after reverting to a forward-heavy pick and roll style, but lost out on their best opportunity to add points and gather some momentum after a knock-on on the try-line.

Other than that, it was heavy going for the visitors, but Hull did take some positives from the encounter: “We exposed more players to this level and tried out some new combinations. That ability to get players this experience is a massive plus for us. If we continue to play the same girls, we risk taking a very limited squad in terms of our experience to Ireland,” noted Hull.

“BB Lee [Tsz-ting] played well at fly-half today. Her kicking game was very good and she managed the ball well despite being under pressure,” Hull added.

Hull was also pleased to see the subs bench make an impact, including 18-year old Kelsie Bouttle who earned her first cap.

“She did well; it’s tough for an 18 year old to debut in that scenario: being away versus Japan and coming on with a big deficit, but she showed composure and had some good ball in hand moments.”

Hull also complimented Rose Hopewell-Fong who came on for the second half and contributed to the positive start after the break by pairing well with captain Adrienne Garvey in the centre, before dropping back to fullback as positional cover.

“Rosie did well in a tough spot after coming on at 12 but having to move back, I think she showed how she has matured as a player today.

“We’ll continue to make changes this week to expose more players and combinations. My challenge to the team is to come back and show how we are going to collectively regroup and move forward,” said Hull.

Hong Kong v Japan
Date: 6pm, 15 July, 2017
Venue: King’s Park
Tickets: Free

Additional reporting: HKRugby
Photos: Japan RugbyToru Ikegami