Valley And Gai Wu Victorious

Valley Black and Gai Wu Falcons advanced to their fourth straight Grand Final match-up after seeing off challenges from HKFC Ice and USRC Tigers respectively.

As form suggested, Valley returned to the Grand Final in style, beating HKFC Ice 41-5 to move one match closer to completing their third straight undefeated season.

Gai Wu were made to work hard for their 19-8 win over Tigers, coming back from an 8-0 deficit after a patchy first half display. Despite the bumpy start, Falcons coach Lai Yiu-pang was pleased his side pulled out the late win.

“Overall, I’m satisfied with the performance, we needed a game like that before next week,” he said, while crediting the Tigers effort. “It was a great performance today from Tigers. They are absolutely a quality side. It didn’t surprise me that they gave us a lesson in the first half,” said Lai.

The Falcons faltered in the face of some significant pressure early on by Tigers. “We gave up too much possession in the first half, especially at the breakdown,” said Lai. “It was a scrappy first half performance, with lots of turnovers and mistakes. They outplayed us.”

The Tigers turned their pressure into points with the opening try coming mid-way through the first half before a late penalty extended the lead to 8-0 as the halftime hooter sounded.

Befitting a side laden with Hong Kong internationals, the Falcons regrouped to score 19 points and keep the Tigers off the scoreboard in a blistering second half display. “I was really pleased that after half time, we really came on strong,” Lai said.

Gai Wu exerted steady pressure from the outset, chipping away at a tiring Tigers defence that soon started showing gaps. Tammy Lau Nga-wun was on hand to finish off two driving mauls for Gai Wu, as the Hong Kong hooker showed good vision around the fringes with darting runs for tries to give the Falcons their first lead 12-8 entering the final quarter.

Shortly thereafter, another Hong Kong international, scrumhalf Sham Wai-sum, made her mark as she extended Falcons lead to 17-8 with an opportunist try off a tap and go penalty against Tigers for collapsing the scrum.

It was just reward for some strategic play and sustained pressure by Gai Wu. “The team reacted well in the second half. We had a different mindset and kept the ball much better. The tries came from continuous pressure rather than individual brilliance,” Lai said approvingly.

One worrying sign for Falcons ahead of next week’s climactic battle with Valley was the loss of Aggie Poon Pak-yan who failed a late fitness test for a rib injury and was pulled from the squad shortly before kick-off. Hong Kong U18 sevens squad member, Joyce Chui Kam-chi, one of a promising generation of future Falcons ably filled in at full-back, performing well in a high-pressure tie.

The win sets up a tantalizing rematch of last year’s showcase match in the Women’s league when Valley came from behind to pip Gai Wu 12-10 at the hooter in a thriller.

With that battle in mind, Lai believes his side will be better for today’s stress test. “I’m glad we got a lesson like that in the semi-final. The challenge ahead will be even tougher. It was a good opportunity for us to play such a quality side in the semi-final.”

Valley romped home without much difficulty against Hong Kong Football Club with Bella Milo marking her return from injury and first action of the season with a brace of tries – a feat equaled by Amelie Seure and Jessica Eden. Kelsie Bouttle was the odd woman out in the Valley scoring stakes with only a single try on the afternoon.

Zoe Smith slotting her first three conversion attempts, as Valley extended a 21-0 lead at the break to 41-5 by the end of the match.

Women’s Premiership Grand Final 2016-17

Valley Black v Gai Wu Falcons
@ Kong’s Park, Kick-off 16:30

Additional reporting and image: HK Rugby

Art in March

The art world focuses on Hong Kong in March with four exhibitions bringing thousands of art pieces from emerging and established artists mainly from across Asia.

One man’s art though is another’s trash and you’ll wonder exactly what the attraction of some pieces are – but there’s enough variety that you’ll probably find a few things to discus and enjoy.

Art Central
A contemporary art fair at the Central Harbourfront from 20-25 March 2017 with exhibitors showcasing new talent alongside some of the most established galleries from across Asia and the globe.

Art Central
Date: 20-25 March, 2017
Venue: Central Habourfront
Tickets: $500, $230 from HKTicketing
More info:
20 March: 5-9pm
21 & 22 March: Noon–5pm
23 March: Noon–9pm
24 March: Noon-7pm
25 March: 11am-7pm

Art Basel
Many of the world’s leading Modern and contemporary art galleries will exhibit paintings, drawings, sculptures, installations, prints, photography, film, video, and digital art by over 4,000 artists.

Art Basel
Date: 22–25 March 2017
Venue: HK Convention and Exhibition Centre
Tickets: $850, $650, $450, $350, $250 from HKTicketing
More info:
22 March: 5-9pm
23 March: 1-8pm
24 March: 1–9pm
25 March: 11am–6pm

Asia Contemporary Art Show
Artworks from Asia and the world at the 10th edition of the Asia Contemporary Art Show, March 17-20 at the Conrad Hong Kong. Browse and buy original paintings, limited editions, sculpture and photography by artists from around the world.

Asia Contemporary Art Show
Date: 17-20 March, 2017
Venue: 40/F-43/F, Conrad Hong Kong
Tickets: $220
More info:
18 March: Noon–9pm (5- 9pm Friday ART Night)
19 March: Noon–8pm
20 March: Noon–6pm

Harbour Art Fair
A new hotel art fair at the Marco Polo Hongkong Hotel from 24-26 March. Riding on the current trend of Korean culture, the Harbour Art Fair will be exhibiting nearly 60 emerging Korean galleries and over a hundred art works. The fair will also feature art talks, workshops, and tasting sessions.

Harbour Art Fair
Date: Noon-8pm, 24-26 March, 2017
Venue: 7/F, Marco Polo Hongkong Hotel
Tickets: $100

Updated: 6 March, 2017

Sandy Lam Pranava World Tour @ Cotai Arena – 4 March, 2017

https://bcmagazine.smugmug.com/Bcene-photos/2017/Sandy-Lam-Pranava-World-Tour-Cotai-Arena-4-March-2017/i-J9TrZmn

Sandy Lam bought her Pranava World Tour to the Cotai Arena in Macau on the 4 March and entertained her fans with a ‘best of’ repertoire of classic love ballads and upbeat dance tracks.

https://bcmagazine.smugmug.com/Bcene-photos/2017/Sandy-Lam-Pranava-World-Tour-Cotai-Arena-4-March-2017/i-BB2rkCZ

Astro Live @ MacPherson Stadium – 3 March, 2017

https://bcmagazine.smugmug.com/Bcene-photos/2017/Astro-Live-in-Hong-Kong-3-March-2017/i-K7dw5x2

Korean boy band Astro held their first concerts in Hong Kong at MacPherson Stadium in Mongkok. The shows were followed by a “high five” session for fans to get to know the band better.

https://bcmagazine.smugmug.com/Bcene-photos/2017/Astro-Live-in-Hong-Kong-3-March-2017/i-2Dbkjqf

Braids, Deep in Hong Kong

“In my position I’m the slut/ I’m the bitch/ I’m the whore/ The one that you hate” Raphaelle Standell-Preston’s lyrics on Braids‘ Miniskirt are blunt and to the point, but with strong vocals and some mesmerising beats from friends and fellow band members Austin Tufts and Taylor Smith they hit home.

Ahead of the Montreal based three piece’s much anticipated return to Hong Kong for a gig at Hidden Agenda on the 7 March, bc spoke to Raphaelle Standell-Preston about success and the future.

With the immense impact and success of Miniskirt and Companion, how difficult is it /was it to begin writing again?
I don’t really feel like we have that much outside pressure acting on us so it’s been very easy to begin writing again. It’s our favourite thing to do so it’s what we most look forward to doing! Also we have a DIY label and are self-managed so there is no big shot label or team that we have to impress or provide for. It’s very chill 😉

How is the progress going on a new album? Where will it move musically and lyrically?
It’s been an interesting journey thus far. A lot has happened in the world since starting the record 6 months ago that have impacted all of us deeply. Being next to America we feel their struggle and it highlights here in Canada issues that have been left unattended to like immigration and Aboriginal rights, to name a couple.

We’ve been talking a lot in the studio about our position and what our responsibility is to our community and our planet. Lyrically these conversations have been coming out in little bits and pieces, it’s too early to tell what angle the record will take.

Also with the world feeling so tumultuous right now we’ve been using our music as a way to improve the mood or as a way to scream out or play out some of our frustrations. We’re writing better music than we ever have before, and I’m really excited to see how some of the songs change and grow after this tour in Asia.

Did you find that ‘success’ has created new pressures and expectations for the new album. Have those expectations/ pressures made it harder to create new material?
No pressures felt currently from any outside sources. It’s really just from ourselves and that we want to write better music because we all have it in us to.

Why do so many of your songs last 6 minutes plus (not complaining as I think they’re great, just curious.)
Hmmmm, I think it’s because we like going on musical journeys together. Also we never have a shortage of ideas. I think our difficulty is choosing which ideas to get rid of. We tend to be a little to precious with keeping things. This is something we’re trying to get better at… If it’s just good get rid of it! It needs to feel excellent!

Why do you think your lyrics resonates so well with men and women? Thank you, that’s kind of you to say. I think because I tend to write about the human experience a lot, and I often try to write in a gender neutral way, except for in Miniskirt… I took the angle that I am a woman talking about the female experience.

Do you find the increased options for music Spotify, Bandcamp, Facebook etc make it easier for a band to survive financially?
Absolutely not. Streaming music is the worst thing you can do for the financial survival and really the survival of a band. If you aren’t making money you can’t rent a space or pay for mixing or pay for the costs of putting out a record. It sucks that people think music should be free or $9.99 for ALL THE MUSIC IN THE WORLD. Do you realise how cheap this is!? With Spotify the average musician who isn’t Taylor Swift and can negotiate a higher price, is paid$0.006 and $0.0084.per stream of a track.

Meaning that in order to pay for one record which is $10, someone would have to listen to the tracks 1667 times. Have you ever listened to a track 1667 times!? It’s honestly the worst paying system ever. I can’t believe it’s gotten as big as it has. Yes it increases the bands ability to connect with a larger audience but then you are expected to spend the rest of your life touring as this is the best way to make money as a musician now.

It’s very different for artists like Drake or Rhianna, they make millions off of Spotify and Apple music, but the average band that pulls in 200-1000 people per show isn’t making the bulk of their money from people purchasing their music, it’s from touring their asses off! The best way to support musicians is to purchase their records at the show or to order it from their record label or to head to a local record shop. Also the more we support online streaming the fewer record stores are going to be able to survive, and record perusing is seriously fun and really important for local communities.

Touring globally do you find that audiences like the same songs or do you find different songs popular in different parts of the world?
I find our louder songs go over really well with American audiences. Our music can get very visceral and physical in America. Europeans tend to be superb listeners so we can get away with playing really delicate songs there. That’s really all I’ve noticed !

I read an interview (Consequence of Sound) where you said the songs on Deep In The Iris were written to allow you more freedom when playing them live. Are you enjoying touring Deep In The Iris/Companion more because they allow for more live expression, energy and emotion?
Absolutely! Touring Flourish // Perish was so hard because we wrote these really on the grid electronic songs that were so difficult to feel free when playing. A goal with Deep In The Iris was to be able to be lose and free with it. To be able to push and pull it and be human with it.

We don’t use any click tracks and nothing is on the grid. There are no long samples or loops so though we have a lot of digital gear on stage, all the playing is done in real time. It makes it not feel the same night after night. It’s very liberating.

As you’ve toured have you found that any of the songs have evolved in ways you didn’t expect?
Yes all the songs have grown in big and beautiful ways. I always wish we could rerecord the record after touring them for a 2 years. I guess that is the point of a live record! Something that I hope we do at some point 🙂

Some of my favourite Braids recordings are the live gigs from Knitting Factory, KEXP and CJSW. With the ease of releasing live recordings of gigs, why don’t you release your live shows? Especially as the performances are more likely to be different each show?
I think we will release something we are proud of at some point that is live.

What other artist’s song would you like to cover / record, play live?
I would love to play some Dolly Parton covers. But we’re not much of a cover band. I don’t think we will ever cover a song live. You’re only playing for 45 minutes – 1 hour usually and with our songs being as long as they are sometimes it doesn’t make for much time to spare 😉

Catch Braids live at Hidden Agenda on the 7 March, 2017

Braids
Support: So It Goes
Date: 8pm, 7 March, 2017
Venue: Hidden Agenda
Tickets: $320, $260 (Advance) from Ticketflap

Women’s Premiership Grand Championship Semi-final Preview

Valley Black host HKFC Ice (Happy Valley, 6pm) and Gai Wu Falcons take on USRC Tigers at KGV (4.30pm), in this weekend’s Women’s Premiership Grand Championship semi finals.

The Falcons and Tigers will meet in their winner-take-all match to see who advances to the grand final. Confidence levels at both clubs are high ahead of the match with Falcons spirits lifted by a strong performance in an 8-7 loss against Valley on the final league weekend. While Tigers dispatched Football Club, 52-12, on their last outing. Both teams enter the penultimate round well rested after walkovers in the quarter-final stages.

“Our confidence is high after the game against Valley. We enter this weekend with a lot of self-belief,” said Falcons coach Lai Yiu-pang.

“Defensively we improved a lot. Our structures were working, our skills, our tackle rate, everything – we performed really well. We put them under pressure and were able to keep the ball for long periods. We knew what we had to do and went about it in the right way.

“That is the style we have been after all season. We have to keep our phase play going, whether in the forwards or backs, and above all we have to keep hold of the ball,” said Lai.

That performance against Valley has Tigers on notice. “Gai Wu have improved a lot recently,” said Tigers coach Liu Kwok-leung. “I watched them play Valley. They’re strong mentally, and strong in contact. It will be a tough game.

“We need to work hard to build our phases and once we get the ball, it’s crucial that that we keep it in hand and make the most of it,” added Leung.

Gai Wu have beaten the Tigers twice in the league this season but Lai knows that league performances no longer matter. “It’s knockout rugby now, and we can’t underestimate anyone. Last year we lost out to Tigers for second place in the league so we know how strong they are.

“You can’t underestimate any opponent, especially Tigers. They’ve got the ability and they’ve got the players like Natasha Olson-Thorne and Nam Ka-man. Even though they finished third in the league, we know that anything can happen,” added Lai.

“We have to make sure our structure holds like it did against Valley. We have to play the territory game. We want to create momentum, but if we can’t, we need to be accurate in our kicking game to secure good field position.

“We have to enforce that understanding across the whole squad, to make sure everyone understands how to respond in different situations, in defence and attack,” Lai added.

Tigers are also entering the weekend ready for a full-throated roar. “We’ve played good rugby recently, and improved throughout the season. In our last game, we performed well. So the team is confident and our defence is going to be key,” Liu noted.

“We need to be strong at the back, and build from there. The entire Gai Wu forward pack are Hong Kong players; their conditioning is superb and they are very experienced.

“But we’ve got younger players who are coming up and learning fast. In the Grand Championships you don’t know what to expect. People can perform beyond even their own expectations. If we keep mentally strong, anything can happen,” Liu added.

Both teams will be impacted by injury or unavailability this weekend, for the Falcons, Melody Li Nim-yan is out of action due to an injury picked up on the recent sevens team training tour in New Zealand while another of Gai Wu’s trio of sevens stars, Candy Cheng, is also unavailable this weekend. Tigers’ injury concerns include stalwart Lindsay Varty, who is also out with an injury picked up in New Zealand,while emerging star Jessica Ho is still recovering from a shoulder injury and will have to pass a late fitness test to play.

The good news for Falcons fans is that Hong Kong international Aggie Poon Pak-yan is set to return from an ankle injury this weekend. “I’m looking forward to seeing how she contributes. She hasn’t played XVs for nearly a month,” said Lai.

Additional reporting and image: HK Rugby

Match Report: HK Scottish Kukris 26-5 USRC Tigers – 25 February, 2017

The Women’s National League 1 quarter final between Hong Kong Scottish Kukris and USRC Tigers had all the makings of a classic encounter, but the form was difficult to predict. Andrew Robertson reports as the teams who finished fourth [Kukris] and fifth [Tigers] in the league, faced-off in the Grand Championship.

Head to head Kukris had narrowly beaten Tigers at King’s Park, while in their most recent clash, the Tigers had easily beaten Kukris at The Rock. So much for home advantage. And the noise from the stands showed that the visiting Tigers supporters had every intention of being the loudest.

The match started at a frantic place, with both teams giving away penalties. Over eager or nervous? It was hard to tell. After a period of stout defending, the Kukris drove up the field. With ball in had LI Sze-ting passed the 22, and found two defenders between her and the try line. A classy double sidestep put her clean through, and she scored under the posts. Karis Cheng converted; 7-0 to HK Scottish.

The Tigers responded well, only for Kukris to soak up the pressure. Then HK Scottish won the ball and displayed excellent team work. Twice the ball carrier was tackled, only to execute an offload, putting Chung Hau-yi through to score. Karis Cheng converted; 14-0.

With halftime approaching Tigers looked to reduce their deficit, but Nieve Heskin gained the ball, drove through the defense and score Kukri’s third try. No conversion; 19-0 at halftime.

After an exceptionally thorough motivational briefing, Tigers came out with intent. But they reckoned without the Kukris defensive wall. Time and again the Tigers surged forward. Time and again the Kukris repelled. Then, with Kukris in possession, the ball was worked wide to winger Hui Man-ling, who sprinted from the halfway line to score under the posts. Karis Cheng converted again; 26-0.

The Tigers refused to give up and resumed their assault getting ever closer to the try line. A penalty against them seemed to have cleared the danger. But a hasty, as opposed to quick, tap left the Kukris unsupported. The Tigers pounced, stole the ball and easily scored in the corner. No conversion; 26-5. Kukris responded with another attack, while Tigers sought to regain the ball.

Neither team was able to trouble the scoreboard again before the referee blew full-time. The victorious Kukris will meet Tai Po in the semifinals, while the Tigers will be disappointed with the end to their season.

Hong Kong And The Commonwealth

Although Hong Kong ceased to be a member of the Commonwealth in 1997, it still has strong links through its business, legal and sports community.

The modern Commonwealth is a free association of 52 independent nations with historical links and shared values of democracy, rule-of-law, tolerance and diversity. With a population of 2.3 billion (nearly a third of humanity, with the majority under 25) it represents a very strong soft-power network or ‘Platform for the Future’. It is also characterized by the use of the English language. In the light of Brexit the Commonwealth may be ripe for a renaissance

Hong Kong has an active branch of the Royal Commonwealth Society (RCS) which provides a network for citizens of Commonwealth countries (especially Australia, Canada, India, New Zealand and South Africa) and their Consuls-General to come together at speaker lunches, cocktails, exhibitions and concerts. There is also an annual Essay Competition and Charity Ball.

The RCS (HK Branch) is particularly keen to attract more young people as members and has therefore introduced more informal, fun events.

This year, Commonwealth Day falls on 13 March and there will be a reception in the Garden Lounge of the Hong Kong Club with British Consul-General, Andrew Heyn, reading the Queen’s Commonwealth Message at 7.30pm. Anyone in Hong Kong is welcome join the RCS. Annual subscription is $500 and $250 for those under 35. See www.rcshk.com