Hung Hom Jaguars Win T20 Blitz

In a final that enshrined all of the best aspects of what has been an incredible tournament Hung Hom Jaguars gained revenge for their group-stage loss to Galaxy Gladiators Lantau, with Hong Kong stars Nizakat Khan and Kinchit Shah playing crucial roles, and Khan being rewarded with the man of the match trophy.

These two teams put on 450 runs between them on Friday, but in the final a score of 200/7 proved enough for the Jaguars to defend, as the Gladiators fell 6 runs short, despite the incredible efforts of captain and player of the tournament Kumar Sangakkara (76 from 47).

As has been the case throughout the week the Jaguars, captained by Shah, were able to rely on all of their overseas stars to chip in with valuable contributions when it really mattered.  Daren Sammy helped Shah to marshal his bowlers in the second half of the Gladiators chase, and it was Sammy himself who took responsibility for ensuring the Jaguars put on such an imposing total after Imran Arif had removed the well-set pair of Khan (93 from 52) and Johan Botha (36 from 22) with consecutive deliveries.

Khan had played impeccably at the top of the order and although Shah (9) and Riki Wessels (5) fell cheaply Sammy smashed a quick-fire 21 from 15 deliveries to set up the victory score, before falling late on to the bowling of Hong Kong youngster Arsham Mohammad.  Sammy’s wicket was the 18-year-old’s 10th of the competition, as he finished as the leading wicket-taker.

For a long time it seemed as though the Gladiators were in control of the chase, and whilst tournament top-scorer and player of the tournament Sangakkara remained at the crease the Gladiators were favourites.

Sagakkara had survived an excellent early examination from another young Hong Kong paceman Kyle Christie, only playing in the tournament after answering a call for players via Facebook.   However, by the end of the powerplay Sangakkara was well in to his stride and looked set to follow up his two previous innings of 92 and 94* by setting up victory in the final.  Gladiators were certainly right up with the rate to the point of losing their second wicket, Cameron Delport falling for just 6, as they reached 120/2 at the end of the 12thover.

During the next two overs – Botha’s last and Sammy’s first – only 13 runs were scored. With the run-rate climbing rapidly the pressure on Sangakkara was mounting and off the fourth delivery of the 15th over he mis-cued a Shah delivery right down Sammy’s throat, as he aimed to smash the 8th maximum of his innings.  With Sangakkara back in the sheds, it seemed for all the world that the contest was over, but the Kiwi pairing of Anton Devcich and James Franklin were not prepared to die wondering.

After Jade Dernbach fell to Sammy for just one, Devcich and Franklin went on the attack in the 18th over, smashing Christie for 21 and leaving Gladiators requiring only 31 from the final two overs.

Ordinarily, on a ground with relatively short boundaries, 31 might have seemed eminently achievable from 12 balls.  However, those deliveries were due to be bowled by last week’s Big Bash League winner Ben Laughlin and the main man himself, Sammy.

Laughlin used all of his experience to restrict the Gladiators to just 9 off the 19th over, and after Sammy only conceded two singles from the first three deliveries of the final over, the game and the tournament was effectively done and dusted.

Before the match the Blitz Tournament Director Max Abbott had told me all he wanted was a close finish.  Well, he certainly got his wish, as both teams put on the sort of spectacle that the tournament deserved, and it was fitting that the Jaguars team – so well balanced between global superstars and emerging Hong Kong-based starlets – emerged as champions.

Congratulations Jaguars!  No doubt the party will be long and loud tonight!

Additional reporting and images: HK Cricket

Red Roses March On

On a wet and freezing Twickenham station platform, a young girl articulately explains to her dad the options for closing the gender pay gap in rugby. Outside the Stoop, more fans vividly re-enact their favourite moments from the game. One wonders if these moments, where their inspiration is so obvious, mean as much to the players as on field results, as the women’s game continues to grow. In this post-World Cup season, there is evidence of this growth, not least in attendance numbers. A record crowd of 4,023, including bc magazine’s Sarah Higgins filled Twickenham Stoop Stadium to watch England take on Wales in the Women’s Six Nations.

Both teams came into this game off opening weekend victories; England waking up in the second half against Italy and Wales inching an absorbing contest 18-17 against Scotland. Starting how they left off, England attacked with intent, a first foray over the line prevented by a try-saving tackle from Wales wing Jess Kavanagh-Williams before lock Poppy Cleall finished off a line out move in the right hand corner.

For Wales, existing injury woes worsened, Hannah Jones replacing outside centre Kerin Lake who came off clutching her elbow in only the third minute. And basic handling errors cost them, with more experienced members of the squad just as culpable as the fresher faces. By the 21st minute, England were three tries to the good, Abigail Dow and a sniping run from scrum half Leanne Riley adding to their tally. The bonus point was secured inside 30 minutes, through rising star Ellie Kildunne, though this time Katy Daley-McLean’s conversion attempt bounced off the left post and out.

Wales looked particularly vulnerable down the right, but they put up a spirited defence in the forwards, and competed well in the scrum. And it was all defence – Wales’ first meaningful foray into the England 22 didn’t happen until after the break.

As the weather worsened, Wales got a little brighter, with some expansive runs and their first real period of sustained possession. But an overthrown attacking line out from captain Carys Phillips, allowed England to then recover possession on the edge of their own 22, exemplifying their day. Fly half Robyn Williams was replaced after only 50 minutes by Llecu George, but it did little to stem the tide.

England’s pack was redoubtable if unflashy; flanker Marlie Packer (a typically forthright performance necessitating a fresh shirt for the second half) driving over in the 45th minute, then playing on in one shoe momentarily as Swing Low rang out around the stadium. The backs provided the fireworks – Daley-Mclean penetrating strong Wales defence with a neat grubber, Rachel Burford’s resulting try her last contribution to the game. And a brief pause for treatment for Kildunne clearly worked, as moments later a scintillating solo run from just inside the England half resulted in try number 7 and the best moment of the game.

Cleall rounded out the half century in the final minutes, earning Player of the Game to go with her two tries. Daley-McLean, influential throughout, converted and England marched on with a successive shut-out, 52-0. On this performance, it would be unwise to bet against consecutive Grand Slams. Wales next face Ireland, where they will be looking to cut out the errors and convert their forward power and resilience into points.

In the Men’s Game, England completed the sweep over Wales, a much tighter contest ending 12-6 thanks to two Jonny May tries and a game-saving tackle from Sam Underhill.

England: (backs) Waterman, D; Dow A; Kildunne, E; Burford, R; Pearce, C; Daley-McLean, Riley; (forwards) Clark, R; Cokayne, A; Bern,S; Scott, A; Taylor, T; Cleall, P; Packer, M; Hunter, S (Captain)
Replacements: Davis, L; Cornborough, V; Lucas, J; Burnfield, R; Noel-Smith, I; Mattinson, C; Cattell, L; Tuima, L

Wales: (backs) Snowsill, E; Bluck, H; Lake, K; De Filippo, R; Kavanagh-Williams, J; Wilkins, R; Parker, R; (forwards) Thomas, C; Phillips, C (Captain); Evans, A; Lillicrap, S; Clay, M; Butchers, A; Lewis, B; Harries, S (50th cap)
Replacements: Jones, K; Pyrs, G; Hale, C; John, N; Davies, N; Knight, J; George, L; Jones, H

Images: Courtesy of England rugby

Love is an Experience

Love is not a thing, it’s an experience. A shared experience!

The ongoing obsession with brand name things and the competitive who’s boyfriend or girlfriend buys them the most expensive flowers or gift is hardly romantic.

Ditch the pressure of the expensive restaurant, you can get the same meal or better far cheaper on a different day and do something that’ll create memories that’ll last longer than the taste of the $888 one mouthful dessert. Get out and have fun, create experiences and shared memories.

The Great European Carnival at Central Harbourfront offers the chance to share rides, enjoy the thrill and energy of the circus, play and win prizes for each other. The atmosphere of the carnival midway and the energy of all those around you having fun make it a great place to create memories.

Valentine’s Day package ($600) includes 2 Premium-seat tickets for the Great Circus of Europe, single entry to the AIA Great European Carnival on the same day and 20 e-tokens. The package is only available from 9-11 and 13-14 February 2018 at the door.

https://bcmagazine.smugmug.com/Bcene-photos/2017/Great-European-Carnival-Central-Harbourfront-21-December/i-QCCz6g4

Water Taxis on Victoria Harbour

Victoria Harbour, even today’s current shrunken version, is one of the most beautiful in the world. Something that we all enjoy looking at, yet beyond the Star Ferry very few people ever get to travel upon or use it.

There are increasing attempts and initiatives to make the harbour more available and user friendly among these is the concept of re-introducing ‘water taxis’.

Worcester Polytechnic Institute (WPI), sponsored by Designing Hong Kong and the Harbour Business Forum is conducting a survey gauging the demand for a water taxi system for Victoria Harbour.

On-demand small boats, often known as walla-wallas or kaidos, offer rides in some of the typhoon shelters such Aberdeen and Shau Kei Wan and to-or-from destinations around Lantau and Sai Kung.

What are your views on a water-taxi service between destinations along Victoria Harbour? Take a few minutes to fill in this survey

Survey: https://goo.gl/hhW4g1

New Asian Focused Dance Music Label – Liquid State

EDM festivals are drawing massive crowds across Asia and music sales and streaming are booming… Something Sony Music Entertainment and Tencent Music Entertainment Group are looking to capitalise on with the launch of a new electronic dance music label, Liquid State.

Launched locally in Hong Kong, the new imprint will focus mainly on electronic and EDM artists from Asia but will also incorporate live touring and club events.

“These are exciting times for the music industry and Liquid State has been created to support and enhance the discovery and development of electronic and EDM talent across the Asia region,” Sony Music Australia CEO and Chairman Denis Handlin said. “Together we will make Liquid State the destination for a wide range of highly talented new and established global and local artists.”

20-year-old Norwegian Alan Walker,who headlined the launch party, is set release a string of collaborations through the label in 2018. “Asia has always been such a special place for me so I’m thrilled to help Sony Music and Tencent with the launch of Liquid State,” Walker said.

Walker will be joined on Liquid State by Nicholas Tse, China’s Chris Lee and Senugri, a member of South Korean collective BIGBANG.

https://bcmagazine.smugmug.com/Bcene-photos/2018/Liquid-Launch-Play-31-January-2018/i-r3K25gs

Dongfeng Grabs Second Place Into Hong Kong

Leg 4, Melbourne to Hong Kong, arrivals. 19 January, 2018.

Dongfeng was the second Volvo boat to arrive in Hong Kong to a pontoon full of the crew’s young children and the ‘Horace’ fan club down from Shenzhen for the evening.
bc was there to see all the joy, click on any photo to see the full gallery.

https://bcmagazine.smugmug.com/Bcene-photos/2018/Volvo-Ocean-Race-Hong-Kong-Arrivals/i-wjj329r

https://bcmagazine.smugmug.com/Bcene-photos/2018/Dongfeng-Second-Into-Hong-Kong/i-c6Fx4LD

https://bcmagazine.smugmug.com/Bcene-photos/2018/Dongfeng-Second-Into-Hong-Kong/i-HsVJ9MD

https://bcmagazine.smugmug.com/Bcene-photos/2018/Dongfeng-Second-Into-Hong-Kong/i-TtfLknv

https://bcmagazine.smugmug.com/Bcene-photos/2018/Dongfeng-Second-Into-Hong-Kong/i-Znj32Rn

https://bcmagazine.smugmug.com/Bcene-photos/2018/Dongfeng-Second-Into-Hong-Kong/i-sZGMSSh

https://bcmagazine.smugmug.com/Bcene-photos/2018/Dongfeng-Second-Into-Hong-Kong/i-2RLnNhL

Volvo Ocean Race, Scallywag Wins Hong Kong Leg

Scallywag sails up Victoria Harbour to win Leg 4 of the Volvo Ocean Race, and lead the fleet into their home port. It’s an historic win for team that grabbed the lead with a bold tactical call out of the Doldrums last weekend.

“We had a bit of a plan and we stuck to it. Sometimes it works, sometimes it doesn’t and this time it worked for us.”

In an extended Doldrums crossing Scallywag came from behind to what appeared to be a strong position, only to fall behind the fleet again late in the crossing. Witt and navigator Libby Greenhalgh made the decision to cut the corner, and turn to the west earlier than the rest of the fleet who kept pressing north in search of stronger winds.

The move paid dividends nearly immediately on the leaderboard as Scallywag had less miles to sail to the finish line, but the armchair pundits cautioned that the teams in the north would almost certainly overhaul them as the tradewinds filled in from the northeast…

It never happened.

Even when the team dropped miles recovering a man overboard after Alex Gough was swept off the boat by a wave, after executing a flawless recovery, Scallywag returned to racing and extended to nearly a 100-mile lead.

But then, the chasing boats began chipping away at the lead. Two days out from the finish, the margin had been cut significantly and the pressure mounted.

“I was really impressed by the way we operated over the past couple of days,” Witt said. “We had a pretty big lead and then through no fault of our own, about two-thirds of it got taken away. But we stuck to our guns, did what we thought was right and it’s worked out.”

Leg 4, Melbourne to Hong Kong, arrivals. 19 January, 2018.

With the Leg 4 win, Scallywag picks up 8 points (7 points for first place plus a one point win bonus). It will vault the team up to mid-fleet on the overall leaderboard, in a very respectable fourth place.

“It was always going to take us longer than the others to get up to speed as we were the last to enter,” Witt said. “All teams need a bit of confidence and I think one thing that is underrated in sport is momentum and this will certainly give the Scallywags plenty of that… We’re all still learning and we’re going to keep getting better as we go on.”

Witt has acknowledged the significance of the win as the local team leading the fleet into the first ever Volvo Ocean Race stopover in Hong Kong. For the team owner, Seng Huang Lee, who has supported Scallywag sailing over the years, it’s a big moment.

“We’re a privately owned team and our owner Mr. Lee has poured his passion and enthusiasm and vision into this project and this win will be very special for him… Winning this leg will be a massive platform for Scallywag going forward.”

https://bcmagazine.smugmug.com/Bcene-photos/2018/Scallywag-Wins-Volvo-Ocean-Race-Leg-to-Hong-Kong/i-KnNcbRD

Additional reporting and images: Volvo Ocean Race, bc magazine

All Night Fong – Khalil’s Journey

Ahead of his concert with Diana Wang under the Big Top at the Great European Carnival bc magazine spoke to musician and entrepreneur Khalil Fong.  The singer-songwriter and producer, who started his own label Fu Music a couple of years ago, is renowned for his innovative style onstage and off.

Who is Khalil Fong today? How would you describe yourself… musician, entrepreneur? Musically how do you think your sound has evolved over the years?
I started off introducing the genre of soul and R&B to the mandarin market. Eventually I adapted a more eclectic and experimental mentality. Nothing too unusual or avant garde but just about reflecting my personal background and experiences in life and music. I guess you could say I’m one of the people in the industry trying to break boundaries and promote creativity.

Growing up who were the artists you listened to, inspired you and why? Who do you listen to now?
In my younger years I would listen to Ritchie Valens, Buddy Holly, John Lee Hooker, Fats Domino, Charles Brown, Eric Clapton, Eddie Jefferson, Chet Baker, John Coltrane, Ivan Lins, Antonio Carlos Jobim, Stevie Wonder, EWF, James Brown, Little Richard, Elvis, Jimi Hendrix, MJ, Prince, Bill Evans, Steely Dan, Boyz II Men, Babyface, D’Angelo, Musiq Soulchild, N.E.R.D to name a few. These days I listen to Haim, Frank Ocean, Childish Gambino, John Mayer, Gary Clarke Jr., Chris Dave, Robert Glasper and the list goes on.

Of the many songs you’ve written what is your favourite and why? Which song would you most like to cover?
Don’t really have a favorite song. I enjoy the experience of making music but I never enjoy listening to my own music since I’m heavily involved in the production and arranging of it all, there are no surprises left in it for me. I’d much rather listen to someone else’s material. There are an array of songs I’d love to cover someday. I have always had a plan to release an album of jazz standards later on.

You were fairly prolific in releasing songs and albums (and concerts) in the early part of your career, but they’ve dried up recently with almost nothing for two years. Why’s that?
I have maintained an average of releasing an album about every 1-2 years. The last LP, Journey To The West, was released at the end of 2016. It was a double album of 20 plus songs that marked the start of a temporary hiatus from releasing full albums of original material. I had just established my own label Fu Music and wanted to focus on fostering our own artists. For the past year and a half I have been working on Diana Wang’s second LP which was just released in November. She herself is a talented songwriter and we worked closely on her album with two of the other producers within Fu Music, Derrick Sepnio and Fergus Chow. She is a Dutch born Chinese who like me grew up with a passion for R&B music and through her latest album you can hear where we are going with Chinese R&B and the fusion of different schools of thought.

Do you see the Fringe Backer campaign as a success or failure? You were targeting $10m but after two years you’ve been backed for barely $350,000?
I went in to it with a totally experimental mentality. I thought well, Jessica Alba gave it a try as well as a few others and why not have a go at it. I thought it would be a fun way to celebrate and announce that I was starting my own label. If I got the funding, great, if not at least I tried. In some ways it would have been romantic if all the fans and music lovers hopped on board and made it easier for me to accomplish my label goals but I’m also a realist so I never had any expectations. I do want to thank the fans that believed in the project and supported it to the best of their abilities. In case anyone is wondering, that campaign ended long ago. As for my label, nothing is too easy and nothing is too difficult to accomplish but I think in the last year, it’s obvious to people that we are serious about what we are doing.

Do you think the relatively small amount of backing relative to your target shows a lack of appreciation for your music, or a lack of confidence in the viability of the business?
At the end of the day, not everyone who loves listening to music are passionate about making music or are aware of the current challenges that face artists and musicians. I ask myself everyday, why am I still in this business that is suffering in so many ways? Because it’s my passion and it is what I believe in.

Is writing new songs a very organic process with the music and lyrics coming together smoothly or do you find one easier than the other?
Writing and producing, is just like being in the kitchen. If you enjoy it, it’s rewarding, if you don’t it can be taxing and tedious. I enjoy both songwriting and cooking. I don’t write all of my lyrics as it is a common practice for Chinese music that there will be a designated lyricist for the task. Chinese lyrics are much more poetic and sometimes require more finesse than English.

Have you found the creative process easier or harder since you set up FU Music? Can you truly release what you want as you aspired when you set the company or are you even more commercially sensitive about what you release?
Definitely easier. I want every artist or producer at Fu Music to collaborate and contribute their own ideas and be a part of creating the Fu brand.

Live, will the songs be much as you recorded them, or are they written and structured to be open for interpretation live?
It really depends. There is no rule of thumb but often times the live versions are upgraded for a more colorful interpretation on stage.

With music having fully embraced digital distribution do you get the same sense of completion from releasing a digital only release, or is there a more satisfying feeling from having a physical release in your hand and seeing people buy a cd/cassette of your music?
I will always love the thought of buying the latest record in a record store. However, as traditional as I am in that sense, I am absolutely aware of the implications and the actual reality of where things are headed. My only hope is that digital can evolve to be a more sustainable model for the music creators. Every album I have listened to in recent years is an album I have purchased digitally.

What can readers and fans expect from you show in the Big Top?
Khalil Fong x Diana Wang and a unique carnival experience.

You can listen and follow to Kahlil Fong here:
facebook: www.facebook.com/soulboykhalilfong
instagram: www.instagram.com/soulboykhalilfong
website: https://fu-music.com/ http://khalilfong.com/en/

Khalil Fong & Diana Wang
BillBoard Radio Live in Hong Kong
Date: 8pm, 20 January, 2018
Venue: Central Harbourfront
Tickets: $850, $750 from HKTicketing