Asian Film Awards 2018 – Red Carpet

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bc’s Arra Aranas and Jade Manalac checked out the red carpet at the 12th Asian Film Awards. Some very beautifully dressed ladies and elegant gentlemen and some people wearing outfits where you assume they had been paid a fortune to wear something so hideous or that they need some friends who will say “Really we know you love it, but it just doesn’t suit you”. The ‘beauty’ of fashion is we can all agree to disagree.
Click on any photo to see the full red carpet gallery.

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Louis Koo Wins Best Actor at Asian Film Awards

Hong Kong films had a big night at the 12th Asian Film Awards. Louis Koo won the Best Actor award while Paradox (2) and Legend of the Demon Cat (4) picked up multiple awards.

The 12th Asian Film Awards Winners List

Best Film: Youth (China)

Best Director: Ishii Yuya – The Tokyo Night Sky Is Always The Densest Shade of Blue (Japan)

Best New Director: Dong Yue – The Looming Storm (China)

Best Actor: Louis Koo – Paradox (Hong Kong)

Best Actress: Sylvia Chang – Love Education (China)

Best Supporting Actor: Yang Ik-june – Wilderness (Japan)

Best Supporting Actress: Zhang Yuqi – Legend Of The Demon Cat (Hong Kong)

Best Newcomer: Chutimon Chuengcharoensukying – Bad Genius (Thailand)

Best Action Film: Paradox (Hong Kong)

Best Screenplay: Mayank Tewari, Amit V Masurkar – Newton (India)

Best Editing: Shin Min-kyung – The King (South Korea)

Best Cinematography: Kim Ji-yong – The Fortress (South Korea)

Best Original Music: Hisaishi Joe – Our Time Will Come (Hong Kong)

Best Costume Design: Chen Tongxun – Legend Of The Demon Cat (Hong Kong)

Best Production Design: Tu Nan – Legend Of The Demon Cat (Hong Kong)

Best Visual Effects: Ishii Norio – Legend Of The Demon Cat (Hong Kong)

Best Sound: Tu Duu-chih – The Great Buddha (Taiwan)

 

Flavours of Ireland

Hong Kong and Macau turn green this month as March see’s a month long celebration of all things Irish culminating on the 17 with Saint Patrick’s Day.

Now in it’s third year the Hong Kong and Macau Irish Festival organised by the Consulate General of Ireland celebrates the very best of the Emerald Isle showcasing arts and craft, music, dance, sport, literature and of course Irish hospitality!

Among the events this year are two St Patrick’s Day Parades (11 March in Hong Kong at Tamar Park, 17 March in Macau), a Flavours of Ireland night at Tiffany’s New York Bar on the 8 March featuring Irish whiskey and food accompanied by traditional Irish songs from Bill Kong. An Irish music week and a free screening of a documentary about the Claddagh Boatmen who are the custodians of the Galway Hooker, the iconic fishing vessel from the West of Ireland. The boatmen will travel to Hong Kong and Macau to talk about their lives and share their unique skills and experiences.

See the full programme of events here

European Union Film Festival

This year’s European Union Film Festival features 16 award-winning films and documentaries released across the EU in the past year. The Festival will open with The Divine Order – screening at the new cinema MOViE MOViE Cityplaza – and close with Welcome to Germany. Valentin Hitz, director of Hidden Reserves will visit Hong Kong to meet with the audience after the screening of her film.

Directed by Petra Volpe, the opening Film The Divine Order is set in Switzerland in 1971 where women were still denied the right to vote. When housewife Nora is forbidden by her husband to take a part-time job, her frustration leads to her becoming the poster child of her town’s suffragette movement. Marie Leuenberger who played Nora won Best Actress at Tribeca Film Festival.

Welcome to Germany is directed by Simon Verhoeven. Recently retired teacher Angelika decides, against her skeptical husband Richard’s will, to take in a refugee. Soon afterwards, a whirlwind of complications ensue. The film explores the European refugee issue with humour while making you think.

Hidden Reserves (Austria)
Paradise Trips (Belgium)
Republic Home Care (Czech Republic)
Man and A Baby (Finland)
Montparnasse Bienvenüe (France)
Welcome to Germany (Germany)
Roza of Smyrna (Greece)
Kincsem — Bet on Revenge (Hungary)
The Farthest (Ireland)
Porn to Be Free (Italy)
Quality Time (Netherlands)
Gods (Poland)
All the Dreams in the World (Portugal)
1898, Our Last Men in the Philippines (Spain)
Eternal Summer (Sweden)
The Divine Order (Switzerland)

European Union Film Festival 2018
Date:
1-18 March, 2018
Venues: Broadway Cinematheque (Prosperous Garden, 3 Public Square Street, Yaumatei, Kln) & AMC Pacific Place (Level 1, Pacific Place, 88 Queensway, Hong Kong Island)
Tickets: $various
More info: https://issuu.com/broadwaycinematheque/docs/_issuu_20180206_booklet_euff2018

13th Hong Kong Asian Film Festival

The Hong Kong Asian Film Festival returns this month, now in it’s thirteenth year the film festival will run from the 31 October – 20 November and feature a wide range of modern and digitally remastered Asian films with numerous directors in town to talk about their work.

Local Directors – Opening/Closing Films

Somewhere Beyond the Mist directed by Hong Kong Film Awards and Golden Horse Awards winner Cheung King-wai is one of the festivals two opening and closing films. Starring Stephy Tang, the film explores humanity and goodness through a teenage girl’s chilling murder of her parents. The other opening film is In Your Dreams written and directed by new female director Tam Wai-ching. You Mei is a teacher who falls in love with a secondary school student (Ng Siu-hin). In depicting the relationship between the two, the film reveals the loneliness experienced by many in society.

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Closing the festival will be The White Girl directed and written by Christopher Doyle and Jenny Suen. Set in Hong Kong’s last fishing village and starring Angela Yuen, Odagiri Joe, Michael Ning and Tony Wu, the film is about a girl who is allergic to the sun and is kept cooped up at home by her father.

The other closing film is Love Education, whose script took director Sylvia Chang 4 years to write, is about the relationships and struggles of 3 generations of women in a family.

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Gala Presentation – Hong Kong Action Films

The HKAFF’s Gala Presentations this year are The Empty Hands and The Brink. Both will have their Hong Kong premiere at HKAFF. The Brink is directed Jonathan Li and stars Zhang Jin, Shawn Yue, Janice Man, Wu Yue and Gordan Lam. With the film rumoured to cost over 100 million to make, the expectations are for some dynamic action scenes!

The Empty Hands, whose title is a translation of the literal meaning of karate, has it’s World Premiere at HKAFF and is produced, written and directed by Chapman To. Stephy Tang, previously known for her romance films, tries out a new role as karate practitioner. Her co-stars include Japanese karate master Kurata Yasuaki and local actor and martial artist Stephan Au. Dada Chan has a guest appearance.

First-time feature film director Chan Tai-lee’s Tomorrow Is Another Day tells an urban tale about an ordinary housewife. After enduring her husband’s secret affair for the sake of her autistic son, Mrs Wong (Teresa Mo) finally decides to take revenge against her husband. The film is an affecting look at how a middle-aged mother finds a new path for herself after being shaken by domestic crisis.

Deniece Law’s documentary debut Light Up captures a year in the life of an artistic troupe that welcomes performers with disabilities to show that mental and physical barriers can be broken with pure passion for performance and self-expression.

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Director in Focus – Suzuki Seijun

Suzuki Seijun, avant-garde filmmaker and one of the most important figures of Japanese New Wave, passed away in February this year. In a career spanning over 60 years since his directorial debut in 1956 Seijun has directed over 50 movies. Infused with elements of violence, gangsters the avant-garde, they include classic like Branded to Kill, Zigeunerweisen and Kagero-za. His approach and style of film making has inspired generations of filmmakers including Quentin Tarantino and Jim Jarmusch. This year’s HKAFF features several of his classic film, digitally restored, to commemorate an outlaw master of Japanese cinema.

The festival also features a selection of lighthearted films able to slow down the hustle and bustle of the city. A showcase of Taiwanese film includes Hou Hsiao-hsien’s Daughter of the Nile, Pakeriran by Lekal Sumi Changasan and The Last Painting from Chen Hung.

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13th Hong Kong Asian Film Festival
Date: 31 October – 20 November, 2017
Venues: Broadway Cinematheque, Broadway The One, Palace APM, My Cinema Yoho Mall, AMC Pacific Place and Palace IFC
Tickets: www.cinema.com.hk

10th Chinese Documentary Festival

The 10th Chinese Documentary Festival, which runs from 9th September to 19th October, is screening 34 films across several programmes: Competition (Shorts and Features); Hong Kong Selection; The New Taipei City Documentary Awards Selection; International Selection; and Retrospective. The documentaries encompass a wide range of themes including art, politics, religion and current affairs. Several directors will be attending the Festival to share their experience with the audiences either after the screenings or at seminars.

A festival prelude on the 6 August features two films and a talk from Shen Ko-shang. The director’s critically acclaimed documentary A Rolling Stone and feature film End of A Century: Miea’s Story will be screened and after the screenings, Shen will give a talk about his creative life during which he will present his short film A Nice Travel.

The Shorts and Features Competition includes 13 films from China, Hong Kong, and Taiwan. Local productions in the Shorts Competition include Call Me Mrs Chan, co-directed by Chan Hau Chun and Chui Chi Yin about the endless toil of a cleaning lady, and This is The Man Fu directed by Tse Nga In, in which the filmmaker tries to get to know her estranged father by filming his life. Other shortlisted entries include four works from Taiwan: Happy Birthday advocates the benefits of natural childbirth; About the Maritime Drifters records the struggles of foreign fishermen; Cheng Hsing Tse’s 48 hours chronicles a death row prisoner’s release after a decade-long struggle for freedom, and BRIGADE27, portrays a Taichung voluntary brigade that resisted the Kuomintang army after the 2.28 Massacre. Craftsmen of Coffin is an entry from Gansu, China that shows the increasingly obsolete craft of coffin-making.

The Features Competition has six titles, two from Taiwan and four from China. The Taiwanese entries are Small Talk, a mother-daughter dialogue on mom’s sexual orientation, and Boys in Pixelation, a story about juvenile delinquents from Taoyuan’s Halfway House. Competing Mainland titles include We the Workers, a report on union struggles in a wharf; Old Couple and Old House, a tale of an old villager’s effort to save his village from demolition orders; Factory Youth, an examination of the everyday lives of factory workers in Shenzhen, and Songs from Maidichong, a testimony of the Miao ethnic group’s strong Christian faith under brutal repression.

The Festival’s 10th anniversary sees the addition of two new programmes: International Selection and Retrospective. The International Selection features the local premiere of documentaries from Europe, India, Thailand and Myanmar respectively: A Family Affair is a story about complicated family history; We Come as Friends depicts how the African continent is exploited by foreign countries; Cities of Sleep portrays the destitute homeless in India; Sinmalin follows a Myanmarese migrant family working in Thailand, and My Leg documents a group of disabled army veterans-turned prosthesis makers in Myanmar.

The Retrospective programme presents popular titles from previous Festivals including: Though I Am Gone, Survival Song, Emergency Room China, Farewell BeijingSomeday, My Fancy High Heels and The Moment.

Continuing it’s collaboration with The New Taipei City Documentary Awards the festival will screen four of their award-winning films.

The seminars at this year’s festival are The Craft of Storytelling (10 September) with Taiwanese producer Gary Shih and winners of The New Taipei City Documentary Awards as guest speakers. On 12 October, The Future of Chinese Independent Documentary invites mainland directors to discuss the future prospects of the genre under the influence of state politics. On the 15 October, On the Road with Taiwanese Documentary sees directors in a dialogue about the relationship between commercialism and artistic creation in Taiwan.

10th Chinese Documentary Festival
Date: 9 September – 19 October, 2017
Venue: Hong Kong Arts Centre’s agnès b. CINEMA, Hong Kong Space Museum’s Lecture Hall, Hong Kong Science Museum’s Lecture Hall, The Grand Cinema.
Tickets: $100, $70, $60
More info:
www.visiblerecord.com

Paradox Highlight of Summer Film Fest

This year’s Cine Fan Summer International Film Festival 2017 (SummerIFF17) programme has been released. Opening a festival that will showcase 33 films next month is the world premiere of Wilson Yip’s new film Paradox.

Paradox, the third in Yip’s popular SPL action drama series, stars Louis Koo as a police negotiator searching for his abducted daughter in Bangkok. With action choreography by Sammo Hung, the film should have some dynamic martial arts scenes featuring Tony Jaa.

Closing the festival is 24 Frames, the posthumous final work of Iranian director Abbas Kiarostami, which intriguingly gives life to still images in a collection of 24 short four-and-a-half minutes film.

Mohsen Makhmalbaf

One of the founders of the new wave of Iranian cinema, director Mohsen Makhmalbaf will visit Hong Kong for the screening of his controversial 1990 critique of Iranian society The Nights of Zayandeh-rood, which was not officially screened in Iran for 26 years after it’s release. He will also present Salaam Cinema, a documentary about the casting and screen tests of would-be actors who respond to a casting call advert for a new film. The director will meet the audience after the screenings.

Festival Films

Roy Szeto’comedy-drama Shed Skin Papa, stars Francis Ng as a dementia-ridden father who regains his youth, and explores themes of rebirth and reconciliation through a father-son relationship.

Deadpan comedy master Aki Kaurismaki’s The Other Side of Hope is a refugee story intertwined with absurdity that took home the Berlinale Best Director Award.

The festival also features three competition films from this year’s Cannes Film Festival. Korean director Hong Sang-soo had the rare distinction of having two films selected for Cannes, including The Day After, his adept play about infidelity and mistaken identity. Academy-Award-winning director Michel Hazanavicius (The Artist) pays a stylistic homage to the great maestroJean-Luc Godard in Redoubtable. In the Safdie Brothers’ heist thriller Good Time, Robert Pattinson hits a career high playing a scuzzy bank robber.

Great actresses can illuminate a film with their performances. Isabelle Huppert is back in Hong Sang-soo’s orbit to play “a tourist in Cannes” in Claire’s Camera, partnering with Berlinale Best Actress Kim Min-hee. The chameleonic Cate Blanchett plays 13 wildly different characters in Manifesto, bringing fresh possibilities to ideas that rock the world. Nacho Vigalondo’s monster movie Colossal sees Anne Hathaway give one of her her fiercest performances as a killer kaiju.

From legendary rockers to promising outfits, films about musicians can be very hit or miss. Music fan Jim Jarmusch traces the destruction and survival of iconic rock star Iggy Pop and the Stooges in Gimme Danger. While Michael Wintervottom’s On the Road follows British neo-grunge outfit Wolf Alice during its UK-Ireland tour, intertwined with a fictional love story. Liberation Day is perhaps the most interesting film of the three chronicling as it does ex-Yugoslavian art-metal band Laibach as they become the first foreign rock band to tour North Korea.

Kings of Comedy – The Art of the Comedians

Is a series of six films where comedians like Charlie Chaplin and Jerry Lewis showcase the serious art of being funny in The Freshman, Steamboat Bill, Jr., City Lights, A Night at the Opera, Some Like it Hot and The Nutty Professor.

Monty Python’s surreal comedies are both popular and cult favourites but it’s been a long time since they were on the big screen in Hong Kong. Their influence on the style of modern comedy is profound, so take a seat and enjoy Monty Python and the Holy Grail and Monty Python’s The Meaning of Life on the big screen again.

Also returning to local screens are two droll masterpieces from two of America’s best directors. Woody Allem’s Love and Death explores life with a playful touch of Russian philosophy, while Martin Scorsese’s The King of Comedy, featuring Robert De Niro and Jerry Lewis helped create the current vogue of “anti-comedy.”

Local Classics Restored

Two local classics, Derek Yee’s C’est la Vie, Mon Cheri and Peter Ho-Sun Chan’s Comrades, Almost a Love Story seem to have taken on extra meaning when seen today.

The Cine Fan Summer International Film Festival runs from 15-29 August, tickets are only $28 and you can find the full list of films and screening schedule here http://cinefan.com.hk

Cine Fan Summer International Film Festival
Date: 15-29 August, 2017
Venue: Various
Tickets: various

Lynch, The Nightmare Maker – A Retrospective

The return of Twin Peaks to our TV screens after a gap of 25 years has David Lynch’s name on everyone’s lips. Especially as the new series is perhaps even better than the original – not something that can be said of many, if any, of the current wave of revivals or reboots.

The 40th anniversary of Lynch’s debut film Eraserhead is this year, the iconic Blue Velvet was released 30 years ago… With this in mind and looking to introduce a new generation to Lynch’s worlds, and the fact that many of Lynch’s film have been digitally remastered, Broadway Cinematheque has organised a David Lynch retrospective entitled The Nightmare Maker which runs from 21 July to 31 August.

Who is David Lynch?

Lynch is much more than just a director. He is also a painter, artist, musician and coffee expert. It’s been over ten years since the release of Inland Empire, the last film he directed. Yet now Lynch is back in the director’s chair, ready to change the landscape of TV again with the new series of Twin Peaks, which became the first TV drama ever to premiere at the Cannes Film Festival.

Subconsciousness, nightmare, anxiety, memory, surrealism, darkness, absurdity, the gaze… are all keywords for Lynch’s cinema. As strange as the weirdest of your dreams, his cinematic world blurs the line between reality and fantasy. His manipulation of the uncanny and unconventional narrative structures create the most unsettling yet absorbing viewing experiences.

Lynch’s films and tv shows are not easy viewing, but he creates such unique multi-layered worlds full of interesting characters that the reward is worth the effort. Whether you ultimately like the film or not.

The The Nightmare Maker retrospective features: Eraserhead (1977), The Elephant Man (1980), Blue Velvet (1986), Wild at Heart (1990), Twin Peaks: Fire Walk with Me (1992), Lost Highway (1997), The Straight Story (1999), Mulholland Drive (2001), Inland Empire (2006), Twin Peaks: The Missing Pieces (2014), Blue Velvet Revisit (2016) and assorted short films.

David Lynch: The Nightmare Maker
Date: 21 July – 31 August, 2017
Venue: Broadway Cinematheque, Palace IFC, My Cinema Yoho
Tickets: $95, $85