India by the Bay

india-by-the-bay-2016

India by the Bay returns from the 25 February – 1 March with a range of events that look to bring India’s cultural dynamism to Hong Kong. There’s a mix of classical and contemporary including music, theatre, dance, food, film and literature as the festival reflects India’s artistic depth and diversity. According to the organisers the India by the Bay aims to celebrate the common cultural strands shared by Hong Kong and India and their multi-ethnic populace.

India by the Bay – 24 February to 1 March 2016

24 February – Festival Opening

7:15pm, 25 February – Film – Sharmila Tagore at Asia Society Hong Kong Center
Indian film actress Sharmila Tagore in conversation with Festival Director Sanjoy Roy.

7:15pm, 26 February – Literature – Shobha De at Asia Society Hong Kong Center
Best- selling author of 18 books and widely-read columnist Shobhaa De in conversation with Sanjoy Roy.

6:45pm, 27 February – Music – Rajasthan Josh at Asia Society Hong Kong Center
World music band which combine the folk traditions of the North Western region of India with vocal styles ranging from mystic Sufi traditions, bhajans to the popular folk songs of Rajasthan.

12:30pm, 27 February – Lunch – Karen Anand at Ovolo Southside Hotel

6:45pm, 28 February – Dance – Nityagram at Asia Society Hong Kong Center
The Nrityagram Dance Ensemble are one of the foremost dance companies in India. Although steeped in and dedicated to ancient techniques, the Nrityagram dancers also look to carry Indian dance into the twenty-first century.

7:15pm, 29 February – Theatre – C Sharp C Blunt at Asia Society Hong Kong Center
C Sharp C Blunt is based on the concept of the loop. An electronic musician, live on stage creates and layers loops from live sound. The loop in its nature reflects the training of the singer through endless repetition and also the process of cultural and social programming. This cultural programming also defines the specific way girls and women are supposed to behave.
The play looks at traditional gender roles as engrained by culture versus the woman as the globalised consumer living in a new market that caters to her wants and needs. We look at the performer as a site of battle between purity and consumption, between servitude and ego, between being-looked-at-ness and self-determination.

7pm, 1 March – Buddhist Day – Shantum Seth at Ovolo Southside Hotel

Tickets for all events are available at www.indiabythebay.com

Sundance Film Festival: Hong Kong 2016

Sundance-Hong-Kong-2016

The third Sundance Film Festival: Hong Kong will take place from 22 September – 2 October 2016. The festival will again feature films from the 2016 Sundance Film Festival in Utah, U.S.A. as well as Q&A sessions and panel discussions with Festival programmers and visiting filmmakers. Screening and ticketing information will be summer 2016.

Sundance Film Festival: Hong Kong
Date: 22 September – 2 October, 2016
Venue: The Metroplex
Tickets: tbc

Sundance Film Festival: Hong Kong Short Film Competition
Many talented directors have made their mark and kick started their career via a short film. Looking to nurture the creativity of local independent filmmakers the first Sundance Film Festival: Hong Kong Short Film Competition is open Hong Kong permanent residents age 18 or above. There are no limitation on genres or themes however all entries must be completed on or after January 1, 2015, with a duration between 3 to 15 minutes.

The jury panel includes representatives from the U.S. and Hong Kong film industry:
John Cooper, Director of Sundance Film Festival
Trevor Groth, Director of Programming, Sundance Film Festival
Kim Yutani, Senior Programmer, Sundance Film Festival
Mike Plante, Senior Short Film Programmer, Sundance Film Festival
Adam Wong, Hong Kong independent filmmaker; Director of She Remembers, He Forgets
Sam Ho, Film Historian
Jan Lam, Program Manager, The Metroplex

Official selected shorts will be screened at the 2016 Sundance Film Festival: Hong Kong in September. The winner of the Jury Award will receive a HKD$30,000 cash prize as well as an invitation to attend the Sundance Film Festival in Utah in 2017 (roundtrip air ticket and hotel accommodation inclusive).

The 2016 Sundance Film Festival: Hong Kong Short Film Competition is open for submission from March 21 to June 30, 2016. For further information on submission procedures and rules and regulations see hk.sundance.org

Sundance Film Festival: Hong Kong Short Film Master Class
Short film have been an important part of cinema, storytelling, and culture since the first days of the moving image. The 2016 Sundance Film Festival: Hong Kong Short Film Master Class looks to empower the next generation of film-makers. The half-day seminar focuses on narrative short-form storytelling, offering insight into story development, writing, production, working with cast and crew, what to do with your short once it is complete, and how to get the most out of making a short film. Participants will also learn how the Sundance Film Festival finds short films, and filmmakers will share their experiences in making shorts.

The Master Class speakers include:
Mike Plante, Senior Short Film Programmer, Sundance Film Festival
David Zellner, U.S. independent filmmaker, Director of Kumiko, the Treasure Hunter
Adam Wong, Hong Kong independent filmmaker; Director of She Remembers, He Forgets

Sundance Film Festival: Hong Kong Short Film Master Class
Date: 19-20 March
Venue: The Metroplex
Tickets: $150
More info: hk.sundance.org.

Cathay’s Cantonese Tour de Force

sorrowful lute

In 1954 to cater to the local predominately Cantonese-speaking audience the Motion Picture & General Investment Co Ltd, later known as Cathay, began making Cantonese language films in Hong Kong. Recruiting, amongst others, the directorial talents of Tso Kea, Wong Tin-lam and Wong Toi, these films included adaptations of literary classics, airwave novels (stories originally told over the radio) and foreign films.

As part of the retrospective Angels over the Rainbow – Cathay’s 80th Anniversary Celebration the LSCD is screening several Cantonese films from that era at the HK film Archive over the weekend of the 12-13 March. All films are black and white and in Cantonese with, sadly, no English sub-titles.

The romantic tragedy Love Lingers On (1957) is based on Emily Brontë’s gothic novel Wuthering Heights. Concentrating on the characters’ simmering mental troubles, Tso Kea shepherds the tale of profound passion, thwarted love and bitter vengefulness with broad narrative strokes and delicate orchestration of mise-en-scène.
Love Lingers On: 1pm, 12 March, 2016 at HK Film Archive, $40

love lingers on - film still

Based on the Hollywood film Love Me or Leave Me (1955), The Sorrowful Lute (1957) features the rooftop entertainment scene of Guangzhou and portrays love and careers, and fame and power, in the Cantonese opera world. Tso Kea brilliantly depicts a crazed relationship balanced with extreme and subtle emotions. Ng Cho-fan embraces his role as a crippled sponsor with a shady side, while Fong Yim-fun counters with a riveting turn as a Cantonese opera diva struggling in lust and fame.
The Sorrowful Lute: 5pm, 12 March, 2016 at HK Film Archive, $40

second spring - film still

Second Spring (1960) is adapted from a typical airwave novel by Li Ngaw and tells of the reunion of two miserable lovers (Law Kim-long and Christine Pai Lu-ming) after going through ordeals. Wong Tin-lam’s skilful mise-en-scène brings out the strong script structure and introduces a humorous servant (Leung Sing-po) and a defiant maid (Chan Ho-kau) to provide much comic relief.
Second Spring: 7:30pm, 12 March, 2016 at HK Film Archive, $40

Also adapted from a Li Ngaw airwave novel, The Song of the Nightingale (1961) follows a poor young man (Woo Fung) and an ill-fated village girl (Christine Pai Lu-ming) being forced to leave their home village and toil away to rise from despair. Wong Toi fluently lays out the twist-filled plot, in which Pai shows her resilience with measured precision and depth. In a role that moves from wealthy heir to poor and desperate scammer, Cheng Kwan-min utterly inhabits a loathsome character, and is paired in a duo of classic melodrama villains with Lee Hong-kum playing his two-faced partner in crime.
The Song of the Nightingale: 7:30pm, 13 March, 2016 at HK Film Archive, $40

the song of the nightingale

Star Wars: The Force Awakens Opens in Hong Kong on 17 December, 2015

star wars opens in Hong Kong

The Force Awakens, the latest instalment in the Star Wars saga opens in Hong Kong on the 17 December, one day before the US opening.

The film stars Harrison Ford, Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Peter Mayhew and Max Von Sydow.

Kathleen Kennedy, J.J. Abrams and Bryan Burk are producing with Tommy Harper and Jason McGatlin serving as executive producers. The screenplay is by Lawrence Kasdan & J.J. Abrams and Michael Arndt.

KINO/15

We Are Young. We Are Stong

This year’s KINO/15 film festival features 10 recently released German films. Organised by the Goethe Institut the festival takes place from 22 October to 2 November.

A major issue currently facing Germany as well as other European countries is the tide of refugees. ‘Rescuing’ refugees is the humanitarian thing to do, but doing so can cause social pressures and anti-refugee sentiment in existing communities. KINO/15’s opening film We are Young. We are Strong looks at this controversial issue by recounting the violent xenophobic riots in Rostock in 1992, a time when hundreds of thousands of refugees arrived in Germany from the Balkans. Taking the helm is Burhan Qurbani, who’s family fled Afghanistan in 1979 to seek political asylum in Germany.

b srasseIn October this year Germany celebrates the 25th anniversary of its reunification. Christian Schwochow’s film Bornholmer Straße (director of KINO/14’s Opening Film Westen) recounts the moment the Berlin Wall falls on 9 November 1989 when officers at the border checkpoint in Bornholm Street were absolutely clueless on how to handle the situation.

Germany in the 80s is also in the focus of the documentary film B-Movie: Lust & Sound in West Berlin. To quote The Hollywood Reporter, “B-Movie: Lust & Sound in West-Berlin is a clumsily titled but highly engaging documentary about Berlin’s vibrant post-punk underground scene, as filtered through the personal story of British-born Berliner Mark Reeder.”

tour de fource filmKINO/15 also includes Christian Zübert’s Tour de Force which gracefully combines a road movie with an incurable disease as an example of how to embrace and celebrate the fullness of life. Uwe Janson’s To Life! sees Jonas, a young man on the run, and Ruth, an ageing Jewish cabaret singer tortured by her past, helping each other to stand on their own feet again.

Other films: A Godsend, Jack, Who am I –No System is safe, Sanctuary, Concrete Love – The Böhm Family

Kino/15
Date: 22 October – 2 November, 2015
Venue: HK Arts Centre, HK Science Museum, the Grand Cinema, the University of Hong Kong and Comix Home Base.
Tickets: variou$
More info: screening schedule www.goethe.de/ins/cn/en/hon/ver/hon15.html

Sundance Film Festival: Hong Kong

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The second Sundance Film Festival: Hong Kong featuring 11 films from the US Festival runs from 17-27 September, screenings will take place at The Metroplex in Kowloon Bay.
Click on any photo to see the full gallery of images

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Netflix to Launch in Hong Kong in Early 2016

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Netflix press release 8 September 2015 – Netflix, Inc. announced today it will expand into South Korea, Singapore, Hong Kong and Taiwan in early 2016 as it moves to complete its global rollout by the end of next year.

Once launched, Internet users will be able to subscribe to Netflix and instantly watch a curated selection of popular TV shows and movies in high-definition or even Ultra HD 4K on nearly any Internet-connected screen. Netflix first became available in Asia earlier this month with the start of service in Japan.

“The combination of increasing Internet speeds and ubiquity of connected devices provides consumers with the anytime, anywhere ability to enjoy their favorite TV shows and movies on the Netflix service,” said Reed Hastings, chief executive officer of Netflix. “These four markets well represent those trends.”

With a constantly improving user experience, advanced personalization technology and a curated selection of TV shows and films, Netflix members are able to create their own viewing experience and can easily discover new favorites, while reconnecting with popular characters and stories.

Netflix members connected to the Internet can watch whenever, wherever they like, and on any device they choose. Members can start watching on one device, pause, and then pick up where they left off on another, at home or on the go.

Netflix will be available at launch on smart TVs, tablets and smartphones, computers and a range of Internet-capable game consoles and set-top boxes. Additional details on pricing, programming and supported devices will be available at a later date. Consumers can sign up to be alerted when Netflix is available on www.netflix.com.

We can only hope the full range of shows and films will be available!!!

Chinese Documentary Festival 2015

Chinese Documentary Festival 2015

The Chinese Documentary Festival 2015 featuring 31 documentaries from China, Hong Kong, Taiwan and France starts on 8 September with 40 screenings running until the 5 October. There’s an Award Ceremony on the 19 September to announce the winners in the three competition categories Hong Kong Documentary, Documentary Features and Documentary Shorts.

Hong Kong Documentary
This year the Festival again includes a Hong Kong Documentary Award with an aim to promoting local films. There were over 30 Hong Kong entries with eight making it to the festival. ‘Search for one’s identity’ is a popular theme among Hong Kong entries, this includes Tsang Tsui Shan’s Flowing Stories and Wong Siu Pong’s Connection. Karl shows us the social and familial pressure faced by a student movement leader. Taiwanese director Kuo Shiao-yun’s inspiring film, Adversity Challengers, follows a group of Hong Kong youth competing in Taiwan cycling contest. A new work by agricultural activist Chan Hao Lun, Open Road after Harvest, focuses on three contemporary farmers. Van Drivers by Kanas Liu is the story of a group of volunteer van drivers who transported supplies back and forth to the protestors during the Umbrella Movement.

Lee Po

Features
Competition is fierce in this year’s features category. Celebrated Taiwanese director Yang Li Zhou’s The Moment – Fifty Years of Golden Horse narrates in a light-hearted manner the history of Taiwan’s Golden Horse Awards. Bridge Over Troubled Water is filmed in a small village where a tug of war competition by primary school students takes place. It also looks at the issue of immigrant brides. It is uplifting without being sentimental. Ninth Uncle and Heaven’s Will from China allow us a glimpse of the country’s social condition through the eyes of two ‘nobodies’. Su Beng, the Revolutionist, is the biography of the 90 year old political activist. Wu Kang: The Village Committee is a remarkable documentation of the resistance in Shantou’s Wu Kang village and the changes that followed. The Taste of Apple follows Next Media, from its move to Taiwan to its sell-off which has sparked off a fierce discussion on Taiwan’s freedom of the press.

Bridge Over Troubled Water

Shorts
The short films include Taiwan’s Water is Life, a film about conservation whose underwater filming is absolutely stunning. Old Soul looks at five people from different fields who share the same commitment to conservation and the future of Taiwan’s agriculture. One of the protagonists is the director of Water is Life Ke Chin-yuan. In Southland Soldier, a group of soldiers who once fought in Burma for the Chinese Nationalist Party find themselves forgotten by the government and are left to face the plight of forced relocation and land reclamation in a foreign land. Fishing Life, Lingering Sound documents Taiwan’s soon to be extinct fish fry counting technique. Cantonese Rice is an attempt by a French born Chinese-German woman to understand the longing for their homeland of the older generations living overseas.

New Taipei City Documentaries
The New Taipei City Documentaries features six award-winning works with different topics and styles. Some of the Taiwanese directors will attend the festival’s seminars to share their experience on filming and how to promote their works.

Seminars
The festival includes four seminars including Go Hong Kong or Mainland China where two directors from Hong Kong and Taiwan whose works all focus on ‘the search of identity’ talk about their own views on immigration. Freedom of press in Hong Kong and Taiwan hosted by The Taste of Apple’s director Kevin H.J. Lee where local journalists discuss the freedom of press and the hegemony of large corporates. Hong Kong and Taiwan Agricultural Documentaries”invites several speakers including directors Ke Chin-yuan and Chan Ho Lun who are strongly committed to agricultural issues to share their views on agriculture in Hong Kong and Taiwan.

Special Selection
There are three special selections at the 2015 festival. Sunflower Occupation is about Taiwan’s Sunflower Movement. The other two are in a genre less familiar for audiences –the mockumentary. Taiwan’s We Are Happy Family and Hong Kong’s The Aqueous Truth blur the line between fiction and reality and are meant to provoke discussion and self-reflection.

Chinese Documentary Festival
Date:
8 September to 5 October, 2015
Venue:
HK Arts Centre, agnès b. CINEMA (2 Harbour Road, Wanchai)
HK Space Museum, Lecture Hall (10 Salisbury Road, TST)
HK Science Museum, Lecture Hall (2 Science Museum Road, TST)
Tickets: $65 from Urbtix
More info: www.cdf.asia

Additional reporting: Visible Record