EmptyBottles In Complete Sentences

Cha Siu Bao, Thomas and Lok are not dishes at a cha chaan teng, but ingredients that combined are Emptybottles. The local three-piece are about to release a second EP In Complete Sentences at Focal Fair on the 19 August and bc caught up with Lok to find out more.

Some of our readers may not have heard of Emptybottles, could you tell us a little about the band and it’s music.
The band began in 2013 when the three of us met in university. The type of music we play sways between mid-west emo, math-rock and post-rock but we generally stick to the music we’ve written. We believe in the DIY-ethos and had been fortunate enough to tour Taiwan and China in recent years.

The new EP In Complete Sentences, where did the inspiration for the songs come from?
Some of the songs were written in 2016 or earlier but the overall sound was determined after the tour in China last year with Taipei indie-punk band Touming Magazine. We were listening to some jazzier bands such as Shark Keeps Moving and Colossal at the time, which impacted the way we wrote our music – more space and openness.

Was it a hard EP to record or was the process very organic with the music and lyrics coming together smoothly?
Recording the EP was easier as we’ve gained studio experiences after making our first EP. The writing itself was also very organic and not in anyway forceful. The hardest part was finding time to go into studio and track the music – our guitarist is a med student and that complicated things. Our engineer Wilmer was very understanding and flexible and the EP would not have came together without his help.

Live, will the songs be as on the EP, or are they written and structured to be open for interpretation live?
We did some dubbing on the EP but in general I think the sound is very close to what we do live.

How do you feel Emptybottles’s music has evolved since your debut release?
I think there is more spaces and silences in the newer songs – instead of a barrage of riffs to pack the songs. I feel the dynamics between the intense and calm parts came together more naturally in this second EP.

With music having fully embraced digital distribution do you get the same sense of completion from releasing a digital only release, or is there a more satisfying feeling from having a physical release in your hand and seeing people buy a cd/cassette?
I also run the label Sweaty & Cramped and its a definite yes – It is a huge difference seeing someone pick up a physical copy of any music. Digital releases are somewhat incomplete and intangible, but an actual CD is complete with artwork and inserts. It is much more satisfying as an audience to be able to go through the liner notes than read off of a screen, I feel.

Live music venues locally have been having some problems recently, what could our new Chief Executive do to boost the local live music scene.
My answer, as always, is just do nothing – leave the musicians alone, let us work with the limited space we’ve found in the deserted buildings in deserted corners of the city.

What next for Emptybottles?
We will likely take a break from playing live after August to focus on other things in life, but you can still catch what we do via Sweaty & Cramped.

Emptybottles new EP In Complete Sentences is out now on Bandcamp or you can buy a physical copy at the CD release gig at Focal Fair on 19 August when Hurok and Chinese Football will be in support.

Emptybottles – In Complete Sentences EP Launch
Support: Chinese Football, Hurok
Date: 7:30pm, 19 August, 2017
Venue: Focal Fair
Tickets: $280, $200 (Advance)

 

SMTown Live!

https://bcmagazine.smugmug.com/Bcene-photos/2017/SMTown-Concert-HK-Coliseum-5-August-2017/i-4HRdqDq

As part of the e-Sports and Music Festival SMTown performed live at a sold out HK Coliseum concert featuring artists: Super Junior; DE; Yesung; Shinee; fx Luna; Exo; Red Velvet; NCT127 and NCT Dream.

https://bcmagazine.smugmug.com/Bcene-photos/2017/SMTown-Concert-HK-Coliseum-5-August-2017/i-5GFsh3J

https://bcmagazine.smugmug.com/Bcene-photos/2017/SMTown-Concert-HK-Coliseum-5-August-2017/i-bPQZM3q

https://bcmagazine.smugmug.com/Bcene-photos/2017/SMTown-Concert-HK-Coliseum-5-August-2017/i-vmw4tcr

https://bcmagazine.smugmug.com/Bcene-photos/2017/SMTown-Concert-HK-Coliseum-5-August-2017/i-4TKR6zX

 

Ayako Oshima Live in Hong Kong

Clarinetist Ayako Oshima makes her Hong Kong debut at the Shouson Theatre on the 13 July. The Japanese artist and clarinet professor at the renowned Juilliard School will be accompanied by Joe Zhou (clarinet) and Carrie Fung (piano) in a French music program.

Ayako’s style of playing is very expressive, with a clear sound which suits the evening’s concert program. As well as being a judge in music competitions Ayako founded the Kita Karuizaw a music seminar which attracts clarinet students from all over Asia and with her husband, Charles Neidich, she has written a book on the fundamentals of clarinet technique.

Program:
Francis Poulenc: Sonata for Two Clarinets
Ernest Chausson: Andante and Allegro
Eugene Bozza: Bucolique
Claude Debussy: Première Rhapsodie
Charles Neidich: Tempest
Darius Milhaud: Scaramouche
Luigi Bassi: Gran Duetto Concertato from Bellini’s La Sonnambula

Ayako Oshima – Clarinet Recital
Joe Zhou, Carrie Fung
Date: 8pm, 13 July, 2017
Venue: HKAC, Shouson Theatre
Tickets: $250 from Urbtix

Presented by Music Plus

G-Dragon @ Cotai Arena – 17 June, 2017

https://bcmagazine.smugmug.com/Bcene-photos/2017/G-Dragon-CotaiArena-17-June-2017/i-TmgkN9r

South Korean star Kwon Ji-Yong better known as G-Dragon performed many of his hits at two sold out concerts in Macau’s Cotai Arena as part of his Act III Motte World Tour.

https://bcmagazine.smugmug.com/Bcene-photos/2017/G-Dragon-CotaiArena-17-June-2017/i-kwXC9mf

Dagger Release Debut EP

Earlier this month on their facebook page, Riz Farooqi officially announced the break-up of iconic local hardcore band King Ly Chee after 17 years of gigs, tours and albums. You might not be into hardcore music, but the band not only entertained it’s fans it inspired many across all music genres about what a Hong Kong band could achieve.

It wasn’t an end though, rather the beginning of something new. Dagger – a new more metallic hardcore band formed by Riz and former King Ly Chee bandmate Ivan with James and To – who released their debut EP Dagger on Bandcamp this week. bc spoke to Riz about Dagger.

Best start with the obvious one from many fans will King Ly Chee return, the band has after all undergone many lineup changes over the years?
No – I can’t imagine the band will ever play shows again. Originally in January we decided to take a break. Right around that time I was already getting the itch to play guitar in a band again which was the whole catalyst for Dagger. So King Ly Chee was most definitely put on the back burner to be revisited again maybe at the end of the year or even next year.

I started Dagger with the current King Ly Chee drummer Ivan so it kinda left the other three guys in this weird kinda place where they didn’t know what was going to happen. Eventually those guys decided they didn’t want to be left in limbo and made the announcement that they were leaving.

Once they did that there was NO way I was going to put myself through searching for THREE people! That’s just insane…plus these three guys aren’t replaceable. These are all guys who’ve put in a LOT of time, effort and heart into the band. How do I just ignore that and “replace” them? It just doesn’t work that way… So when they made that announcement I was at peace to just end it.

We’ve done everything that we possibly could do with the band over the 17 years we’ve been around. We’ve released albums that have impacted Hong Kong and our scene of heavy bands here. We’ve toured Asia countless times. We’ve played in the States opening for our heroes Sick of it All on their 30 year anniversary!

How do we top any of this? If anything – I might record the demos that I had written for what was going to be the next King Ly Chee album and put it up for free download or something. But for now the band’s done. We had a good run. It wasn’t easy ever that entire time. But we were able to accomplish some great shit…

Why a new band, rather than a side project / collaboration?
Well it was supposed to just be a side project. Then when King Ly Chee ended it became my main band.

What do you want/need to say with Dagger that you felt you couldn’t do with King Ly Chee?
Lyrically it’s all on the same wave length. With Dagger the focus is certainly more on riffs and musicality. I wouldn’t say lyrics are a second thought – but it’s certainly the music that is the driving force in this band.

Long time fans are going to see ghosts of the past, how are you going to get people to see Dagger for what it is something different?
People already see it as a different beast because our EP is up and they can hear that the music is completely different, not to mention that I’m not the main vocalist. The music is just much heavier.

The response for the EP has been beyond our expectations because to be a new band in 2017 it’s pretty much impossible to get people’s attentions cause there are millions of bands in existence. But people have been giving it their attention and it’s unbelievable that it actually resonates with people! That’s insane to me…

Where did the name Dagger come from?
No real back story…just searching for a one word name that was short. I was considering how the name would look on merch. 17 years of trying to lay out “King Ly Chee” across a variety of merch has taught me to never use a long name again Hahahaha

The new EP Dagger, tell us about it?
The band started in January and I already had a couple demos just to get the ball rolling. But once the four of us got together it was easy to get more ideas out and change parts, rewrite parts, start new songs, move parts around etc. It all came together super quick.

The actual idea was to release a demo of these tracks. But as we started talking about recording and how high our standards were for even the quality of the demos…we realized that with the amount of money we’re throwing into this, the demos really are more like an EP. The tracks were all mixed and mastered in the US so this isn’t really a “demo” by any means. That’s it…things have moved at a quick pace. Now we’re ready to play a bunch of shows and start working on brand new tracks for our debut full length.

689’s disdain for the arts reached absurd levels recently with riot police deployed to prevent a gig taking place and international bands detained at the border. What would you like incoming Chief Executive Carrie Lam to do to support local music and especially live music in Hong Kong?
I don’t know what expectations I have for her or any CE coming in. The CCP continues to force the idea that we are not autonomous – they will always be the masters. So what can any CE really do when they’ve been hand selected by the masters? All they can do is follow their orders.

My only wish is for the CCP to one day see Hong Kong for what it is, a city with a strong set of values for right and wrong. A city that doesn’t accept nor follow blind worship of any specific political system nor party. A city that doesn’t need nationalism shoved down our throats to keep people in line.

Hong Kong has always been an international city. All this stupid talk about putting more ethnic Chinese people in places of power such as the judiciary, the government and police force (as if that already isn’t the case!!!) sets this city down a very dangerous path where we will lose all its international character.

We’re only years away from seeing all our signs with traditional Chinese characters being replaced with simplified characters, you’ll hear more Mandarin on the streets, there’ll be more of those stupid red propaganda banners along the roads…

So all of this is deeper then just the woes of us musicians. The character and beauty of the real Hong Kong is at stake.

The SAR turns 20 at the end of the month, what are your personal musical highlights of those twenty years?
20 years is a long time to talk about…off the top of my head seeing Metallica, Megadeth and Sick of it All on our shores was simply unbelievable…

The bands that I grew up listening to while walking the streets with big ass headphones and my Walkman trying to make sense of my place as a Pakistani kid in a Chinese society…for the bands who provided the soundtrack for that part of my life to finally play here in Hong Kong was unbelievable.

In the words of Taylor Young at California’s The Pit who remixed Dagger’s debut EP “RIP King Ly Chee, long live Dagger!”

Dagger’s debut 6 track EP is out now on Bandcamp and will be released on cassette at Dagger’s debut gig – the Unite Asia Showcase on the 1 July at Focal Fair

Photo: Mike Sakas

BTS Live Trilogy Episode III The Wings Tour @ AsiaWorld Expo – 13 May, 2017

https://bcmagazine.smugmug.com/Bcene-photos/2017/BTS-Live-Trilogy-Episode-III-The-Wings-Tour-AsiaWorld-Expo/i-3FZT9dF

South Korean boy band BTS held two sold out show’s at AsiaWorld Expo on the 13 and 14 May. The ecstatic crowd were shows were treated to 24 songs, here’s the set list and some photos. Click on the photos to see more images

BTS Live Trilogy Episode III The Wings Tour @ AsiaWorld Expo – Set List

Opening Video + Performance
Not today
Am I Wrong
Silver Spoon
Dope
Begin
Lie
First Love
Lost
Save ME
I NEED U
Reflection
Stigma
MAMA
Awake
BTS Cypher 4
Fire
Title Medley
21st Century Girls
Boy Meets Evil
Blood, Sweat & Tears
WINGS
2! 3!
Spring Day

https://bcmagazine.smugmug.com/Bcene-photos/2017/BTS-Live-Trilogy-Episode-III-The-Wings-Tour-AsiaWorld-Expo/i-HqbGrhM

Golden Sounds of the Platters & Johnny ‘Elvis’ Thompson @ AsiaWorld Expo – 13 May, 2017

https://bcmagazine.smugmug.com/Bcene-photos/2017/Golden-Sounds-of-the-Platters-Johnny-Elvis-Thompson/i-XpxQMKF/A

Over 2,000 people enjoyed an evening of classic songs from Elvis and The Platters.

https://bcmagazine.smugmug.com/Bcene-photos/2017/Golden-Sounds-of-the-Platters-Johnny-Elvis-Thompson/i-4MkLLqD