Cheung meets Pao – Mississippi Delta Blues
When: 8pm, 23 November, 2013
Where: Grappa’s Cellar
How Much: $200 (advance, 2521 2322), $230 (Door)
Category: performing arts
Unknown Pleasures – A Joy Division Celebration from Peter Hook & The Light – 31 March, 2014
Peter Hook & The Light will perform Joy Division’s ‘Unknown Pleasures’ and ‘Closer’ live in Hong Kong on the 31 March, 2014.
Unknown Pleasures – A Joy Division Celebration from Peter Hook & The Light
When: 8pm, 31 March, 2013
Where: Star Hall – KITEC
How Much: $580, $480, $380 – Advance tickets are available at Music Life (Sino Centre, Mongkok). For enquiry, please call +852-27830135
Details: www.peterhook.co.uk
Veronica Falls @ Backstage Live – 8pm, 12 November, 2013
What: Veronica Falls
Support: Jane Blondel DJ Set, Mike Mystery VJ Set
When: 8pm, 12 November, 2013
Where: Backstage Live 1/F Somptueux Central, 52-52 Wellington Street, Central
How Much: $200 (early bird), $230 (advance), $280 (door)
From: White Noise Records, 19/F, Workingview Commercial Building, 21 Yiu Wa Street, Causeway Bay.
Zoo Records, Shop 316, Level 3, No.608 Nathan Road, Mong Kok; 15 Square Street, 15 Square Street, Sheung Wan.
Online at www.wegottickets.com
From Wild Swans to the Empress Dowager Cixi – Jung Chang, in conversation
The Royal Geographical Society of Hong Kong welcomes ex-red guard Dr Jung Chang to speak on “From Wild Swans to Empress Dowager Cixi”, in conversation with James Riley. At the event, the world-famous author Dr Jung Chang discusses the themes of her celebrated book, Wild Swans, leading on to talk about the subject of her most recent book, the Empress Dowager Cixi: The Concubine Who Launched Modern China.
In Wild Swans, Dr Chang’s family autobiography, she tells the story of her family, primarily during the Cultural Revolution, an extraordinary tale which led her to international fame. While Empress Dowager Cixi: The Concubine Who Launched Modern China examines the life of one of the most important women in Chinese history, who ruled China for decades, bringing a medieval empire into the modern age. The 16-year-old Cixi was chosen as one of the emperor’s numerous concubines. Her five-year-old son having succeeded to the throne, Cixi at once launched a palace coup making herself the real ruler of China, behind the throne, literally, with a silk screen separating her from her male officials.
Book signing and complimentary drinks reception 6.30pm; lecture 7.30pm.
What: From Wild Swans to the Empress Dowager Cixi: Dr Jung Chang in conversation
When: 6:30pm, 29 October, 2013
Where: The Jardine Penthouse, 48/F Jardine House, One Connaught Place
How Much: $150 for Royal Geographical Society of Hong Kong members and $200 non-members, tickets from [email protected]
Francesco Baccini + Solar – 28 October, 2013
As part of an ongoing promotion of all things Italian, The Italian Cultural Institute of Hong Kong (part of the Consulate General of Italy) are bringing singer-songwriter Francesco Baccini to Hong Kong for a free concert at the Sheung Wan Civic Centre Theatre on the 28th October, 2013. The support band are local favourites Solar and you can register for free tickets here http://bit.ly/1a0UKiL
Francesco Baccini – Piano and Voice
Support: Solar
When: 8pm, 28 October, 2013
Where: Sheung Wan Civic Centre Theatre
How Much: Free, ticket registration http://bit.ly/1a0UKiL
Sinéad O’Connor’s open letter to Miley Cyrus, but relevant to all
Sinéad O’Connor wrote an open letter to Miley Cyrus after the 20-year-old claimed that Wrecking Ball’s controversial video was inspired by Nothing Compares 2 U, the Irish singer was compelled to warn Cyrus that she is being ‘pimped’ by the pop industry. This is the full text of O’Connor’s blogpost.
Dear Miley,
I wasn’t going to write this letter, but today I’ve been dodging phone calls from various newspapers who wished me to remark upon your having said in Rolling Stone your Wrecking Ball video was designed to be similar to the one for Nothing Compares… So this is what I need to say… And it is said in the spirit of motherliness and with love.
I am extremely concerned for you that those around you have led you to believe, or encouraged you in your own belief, that it is in any way ‘cool’ to be naked and licking sledgehammers in your videos. It is in fact the case that you will obscure your talent by allowing yourself to be pimped, whether its the music business or yourself doing the pimping.
Nothing but harm will come in the long run, from allowing yourself to be exploited, and it is absolutely NOT in ANY way an empowerment of yourself or any other young women, for you to send across the message that you are to be valued (even by you) more for your sexual appeal than your obvious talent.
I am happy to hear I am somewhat of a role model for you and I hope that because of that you will pay close attention to what I am telling you.
The music business doesn’t give a shit about you, or any of us. They will prostitute you for all you are worth, and cleverly make you think its what YOU wanted.. and when you end up in rehab as a result of being prostituted, ‘they’ will be sunning themselves on their yachts in Antigua, which they bought by selling your body and you will find yourself very alone.
None of the men oggling you give a shit about you either, do not be fooled. Many’s the woman mistook lust for love. If they want you sexually that doesn’t mean they give a fuck about you. All the more true when you unwittingly give the impression you don’t give much of a fuck about yourself. And when you employ people who give the impression they don’t give much of a fuck about you either. No one who cares about you could support your being pimped… and that includes you yourself.
Yes, I’m suggesting you don’t care for yourself. That has to change. You ought be protected as a precious young lady by anyone in your employ and anyone around you, including you. This is a dangerous world. We don’t encourage our daughters to walk around naked in it because it makes them prey for animals and less than animals, a distressing majority of whom work in the music industry and it’s associated media.
You are worth more than your body or your sexual appeal. The world of showbiz doesn’t see things that way, they like things to be seen the other way, whether they are magazines who want you on their cover, or whatever… Don’t be under any illusions… ALL of them want you because they’re making money off your youth and your beauty… which they could not do except for the fact your youth makes you blind to the evils of show business. If you have an innocent heart you can’t recognise those who do not.
I repeat, you have enough talent that you don’t need to let the music business make a prostitute of you. You shouldn’t let them make a fool of you either. Don’t think for a moment that any of them give a flying fuck about you. They’re there for the money… we’re there for the music. It has always been that way and it will always be that way. The sooner a young lady gets to know that, the sooner she can be REALLY in control.
You also said in Rolling Stone that your look is based on mine. The look I chose, I chose on purpose at a time when my record company were encouraging me to do what you have done. I felt I would rather be judged on my talent and not my looks. I am happy that I made that choice, not least because I do not find myself on the proverbial rag heap now that I am almost 47 yrs of age… which unfortunately many female artists who have based their image around their sexuality, end up on when they reach middle age.
Real empowerment of yourself as a woman would be to in future refuse to exploit your body or your sexuality in order for men to make money from you. I needn’t even ask the question… I’ve been in the business long enough to know that men are making more money than you are from you getting naked. Its really not at all cool. And its sending dangerous signals to other young women. Please in future say no when you are asked to prostitute yourself. Your body is for you and your boyfriend. It isn’t for every spunk-spewing dirtbag on the net, or every greedy record company executive to buy his mistresses diamonds with.
As for the shedding of the Hannah Montana image… whoever is telling you getting naked is the way to do that does absolutely NOT respect your talent, or you as a young lady. Your records are good enough for you not to need any shedding of Hannah Montana. She’s waaaaaaay gone by now … Not because you got naked but because you make great records.
Whether we like it or not, us females in the industry are role models and as such we have to be extremely careful what messages we send to other women. The message you keep sending is that its somehow cool to be prostituted… its so not cool Miley… its dangerous. Women are to be valued for so much more than their sexuality. we aren’t merely objects of desire. I would be encouraging you to send healthier messages to your peers… that they and you are worth more than what is currently going on in your career. Kindly fire any motherfucker who hasn’t expressed alarm, because they don’t care about you.
As posted on www.sineadoconnor.com
http://www.youtube.com/watch?v=iUiTQvT0W_0
Alicia Keys “Set The World on Fire” Tour @ CotaiArena, Venetian – 8pm 22 November, 2013
What: Alicia Keys “Set The World on Fire” Tour
When: 8pm, 22 November, 2013
Where: CotaiArena, Venetian
How Much: HKD/MOP$1,580, 980, 480. Tickets on sale: 10am, 4 October, 2013 from www.CotaiTicketing.com, or by phone at +853 2882 8818 (Macao) / +852 6333 6660 (HK) / 4001 206 618 (China)
Rihanna @ CotaiArena, 13 September, 2013 – Review
An admission – I have no Rihanna tracks in my iTunes library, so beyond knowing she had a penchant for arriving late on stage I had no real expectations heading to her concert in Macau. And afterwards, well I have to admit to being confused as to why she’s so popular… The overseas media hype for the Diamonds tour reached the front pages and beyond the complaints of arrogance about arriving on stage so late (as she did here) spoke of mega production values, dynamic costume changes… – the Venetian and local fans paid good money for the ‘Rihanna experience’ so why do so many artists still think it’s ok to come to Asia and short-change their fans. 
The 80 minute mostly lip-synced concert was continually broken up as the diva disappeared for what obviously a costume change in places she values more – but here it meant she spent almost 25% of the show off-stage. If you’re going to do a stripped-down show, then at least make the effort to create a ‘proper show’ rather than run the same show but forget the clothing changes etc. Oddly enough Rihanna, courtesy of the global media which panders to your ego and made you very rich – your fans around the world are fully aware of what the full ‘Rihanna Diamonds Tour experience’ is… and the CotaiArena has the facilities so that can’t be used as an excuse.
With her ladyship lacking any sort of stage presence and slipping off stage after almost every song, the first hour of concert was bitty and dire, sitting stage right the mix was so bass heavy that Rihanna’s supposedly strong voice was completely lost in the mix. Sadly not one song had me going, ooh that’s good, need to go buy the album. The energy levels picked up around the hour point when a medley of hits/songs the fans knew had the CotaiArena rocking and oddly rather than leaving the audience on a high the encore was a semi-ballad, where yet again from my seat her vocals were less than impressive.
One fan bemused me though, he’d spent lots of money on his ticket then stuck his ipad infront of his face for most of the concert as he used the not very good ipad camera to record the show and watched the show on his ipad screen.
It’s great for music lovers that the Venetian as part of its ‘integrated resort’ commitment is bringing such events to Macau, but they should insist – for the premium they’re obviously paying to do so – that artists bring their full show rather than some bastardized version of it.
In truth it wasn’t much of an ‘experience’ from a supposed global superstar, nor I think was it one that satisfied many of her wildly expectant fans. The bus queues outside after the show weren’t buzzing with sounds of happy fans discussing their favourite parts of the show, more the practicalities of reaching the border/ferry before it closed. Many artists complain of Asia’s attitude to music piracy, but when artists screw their fans at live shows as Rihanna did, pot kettle black/hypocrisy comes to mind.
Thank you to the Venetian Macau who provided bc’s ticket free of charge.






