Opera Director Greg Eldridge Looks to Inform and Entertain Hong Kong Audiences

Opera has always balanced tradition with reinvention. While the great works of the repertoire may be centuries old, each new production depends on artists who can reinterpret them for modern audiences. For Australian-born opera director Greg Eldridge, that balance between history and contemporary performance has shaped a career that now spans major opera houses, universities, and international collaborations.

This week, audiences and students in Hong Kong will have a rare chance to hear directly from Eldridge when he appears as part of the Distinguished Lecture Series presented by the English Department at the University of Hong Kong. His visit will include a public lecture and a series of workshops with emerging performers — offering insight into the evolution of acting for the operatic stage from early history through to today.

For anyone curious about the craft behind opera, the event promises a practical look inside one of the performing arts’ most complex collaborative forms.

A Connection to the Asia-Pacific Region.

Although much of Eldridge’s career has been spent working in Europe and North America, he maintains strong ties to the Asia-Pacific region.

“I’m so excited to be visiting Hong Kong for these workshops”, Eldridge says. “Not just because it brings me closer to my home in Australia, but also because there is such a wealth of talent in this part of the world”.

Those connections are one of the reasons he is looking forward to engaging directly with Hong Kong’s performing arts community during his visit.

“I’m so looking forward to working with the University for my workshops, and can’t wait to meet the next generation of opera talent right here in Hong Kong.”

An International Career in Opera

Opera directing today is an inherently international profession. Directors often move between projects and companies, adapting to different artistic traditions and performance cultures. For Eldridge, that global environment has become a defining part of his professional life.

Eldridge began his career in Australia before moving into the international opera circuit, where he has now worked on over 80 productions in 14 countries. Early recognition came when he joined the prestigious Je:e Parker Young Arst Programme at the Royal Opera House in London, and, following several 5-star productions, in 2015 the Royal Opera created the position of Jette Parker Associate Director especially for him.

Greg Eldridge- 2026

Since then, Eldridge has collaborated with opera companies and festivals throughout Europe, North America and the Asia-Pacific region. His work has included projects in countries ranging from Germany and Iceland to Australia and the United States, and at major international theatres including Teatro Real in Spain, Glyndebourne Festival Opera in England, LA Opera in the USA and Den Norske Opera in Norway. Eldridge will come to Hong Kong fresh from working on Sir David McVicar’s new Ring Cycle at Teatro alla Scala in Milan, before returning to Germany to direct a new production of The Lodger for Oper Wuppertal.

Looking Ahead to 2027

The lecture and workshops will also offer a preview of a much larger project already planned for the city.

In 2027, Eldridge will return to Hong Kong to direct a new production of L’Incoronazione di Poppea by Claudio Monteverdi. The opera will be staged by OperaBox and is expected to mark a historic milestone: the first time a Baroque opera has been staged in Hong Kong.

Premiered in 1643, L’Incoronazione di Poppea is widely regarded as one of the earliest masterpieces of the operatic repertoire. Its story — chronicling the rise of Poppea to become the wife of the Roman emperor Nero — blends political ambition, romance, and moral ambiguity in ways that still resonate with modern audiences.

Baroque opera places particular demands on directors and performers, requiring a careful balance between historical style and contemporary storytelling. Eldridge’s work on the production will introduce Hong Kong audiences to a repertoire that is increasingly popular on international stages but rarely performed locally.

Greg Eldridge- 2026

A Rare Opportunity to See the Creative Process Up Close

Because of that upcoming production, Eldridge’s visit to the University of Hong Kong carries added significance – this lecture and workshop series will be the only opportunity for the public to see him at work in Hong Kong before he returns in 2027.

For audiences, it offers a glimpse into the creative thinking that goes into staging opera — long before a production reaches the theatre.

The University of Hong Kong presents Greg Eldridge as part of its 2026 Distinguished Lecture Series. For full details and to book a place for the lecture and workshops, please visit: www.english.hku.hk.

For information about Opera Box’s 2027 production of L’Incoronazione di Poppea, please visit: www.operabox.org

Text: Alexis Speed
Images: Edmond Choo

Distinguished Lecture Series 2025-26: Greg Eldridge
Date: 4:30pm, 17 March 2026
Venue: HKU Black Box, Room 54, LG/F, Centennial Campus
Tickets: Free with registration here

Mandela Exhibition

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Nelson Mandela has been central to every stage of South Africa’s epic struggle against apartheid – from formulating a new approach in the 1940s to leading the mass struggles of the 1950s, from the formation of Umkhonto weSizwe in the early 1960s to imprisonment for 27 years. He initiated and led negotiations in the 1990s, and served as the first President of a democratic South Africa, building a new nation from the fragments of conflict.

(FILES) A picture taken on September 5, 1990 shows anti-apartheid leader and African National Congress (ANC) member Nelson Mandela raising fist while addressing in Tokoza a crowd of residents from the Phola park squatter camp during his tour of townships. A new collection of Nelson Mandela's private papers reveals his years of heartache at missing his family while in prison and his wariness at becoming idolised, in excerpts published on October 10, 2010. The book "Conversations with Myself" goes on sale Tuesday, but passages printed in British and South African papers show his thoughts on everything from the danger of corruption in power to his personal grief at the death of his son. AFP PHOTO FILES / TREVOR SAMSON (Photo credit should read TREVOR SAMSON/AFP/Getty Images)

Mandela’s life is explored through six themes – character, comrade, leader, prisoner, negotiator and statesman. In each theme, the narrative is presented through dramatically visual wall displays, supported by films, books and photographs.

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Mandela Exhibition in Hong Kong
Date: 12-28 September, 2016
Venue: 2/F Main Library, the University of Hong Kong
Tickets: Free
More info:
Monday – Friday: 9am-10pm
Saturday: 9am-7pm
Sunday: 10am 7pm

Joint Statement in relation to the rejection of the appointment of Professor Johannes Chan

Joint Statement by the 18 Professional Groups in relation to the Council of the University of Hong Kong’s rejection of the appointment of Professor Johannes Chan as the Pro-Vice-Chancellor

On 29 September 2015, the Council of the University of Hong Kong (the “Council”) rejected (by 8 votes in favour and 12 votes against) the Selection Committee’s sole recommendation to appoint Professor Johannes Chan as the Pro-Vice-Chancellor. We hereby express our anger and condemnation in respect of this baffling decision. At the same time, we regret that the Council has still not given a specific explanation in connection with its decision.

But what is concerning is that, according to Mr. Billy Fung Jing-eh, student representative of the Council, members of the Council who advocated the rejection of Professor Chan’s appointment spoke nonsensically at the Council meeting by citing baseless reasons. At one point they even cited reasons such as the lack of search results for Professor Chan on Google Scholar (but one would know that law scholars or law students use specific search databases and rarely use Google Scholar as a search engine), or that Professor Chan does not have a PhD degree. Even absurd reasons such as whether Professor Chan has sent his regards to Professor Lo Chung Mau was cited as a condition for becoming the Pro-Vice-Chancellor.

Professor Chan has served the University of Hong Kong for 30 years. He was the Dean of the Faculty of Law of the University of Hong Kong for 12 years. Professor Chan was also appointed by Andrew Li, the former Chief Justice of the Court of Final Appeal in 2003, as the only Honorary Senior Counsel in Hong Kong in recognition of his achievements in education. It can be seen that the various “reasons” quoted by the members of the Council who rejected the appointment of Professor Chan are in fact unjustified. In addition, in the past few months, following the unceasing and baseless personal attacks by newspapers that are mouthpieces of those in power towards Professor Chan, the Council continued to delay its resolution to appoint the Pro-Vice-Chancellor and even used ridiculous reasons such as “waiting for the appointment of the Provost and Deputy Vice-Chancellor”. All these incidents inevitably cause us to sense that an external force in the form of Beijing is intervening with the appointment of Professor Chan as the Pro-Vice-Chancellor. We have therefore become pessimistic as to whether academic freedom can be maintained in Hong Kong.

We must also mention that it was Mr. Fung who, despite the risk of being subject to disciplinary action by the Council, disclosed what took place in the Council meeting. It was him who uncovered the various excuses made by those Council members against the appointment. In this regard, we greatly appreciate Mr. Fung’s moral courage and sense of responsibility.

Regrettably, we observe that there were numerous public criticisms directed at Mr. Fung. Concerning this matter, we must point out that according to Paragraph 5.3 of The University of Hong Kong Guide and Code of Practice for Members of the Council, Council members shall abide by Seven Principles of Public Life, including:

(1) Council members should take decisions solely in terms of the public interest;
(2) Council members should not place themselves under any obligation to outside organisations that might influence them in the performance of their official duties;
(3) In making public appointments, Council members should make choices on merit;
(4) Council members are accountable for their actions to the public;
(5) Council members should be as open as possible about all decisions and actions that they take. They should give reasons for their decisions and restrict information only when the wider public interest clearly demands;
(6) Council members have a duty to declare any private interests relating to their public duties and to take steps to resolve any conflicts arising in a way that protects the public interest; and
(7) Council members should promote and support these principles by leadership and example. We consider that Mr. Fung had acted in manifestation of the above Seven Principles of Public Life, in particular in upholding Principles No. (1), (3), (4) and (5).

Furthermore, in this context it is well-established at common law that when the Court determines whether there is a breach of confidence, public interest should be taken into account. Unless the secret documents disclosed endangers public interest, the Court will not protect to such secret documents (Commonwealth v Fairfax (1980) 147 CLR 39; R v Ponting [1985] Crim. L. R. 318).

Academic freedom is one of Hong Kong’s core values. We will continue to seek accountability from those Council members who improperly interfered with the independence of the University. We are considering further actions in following-up on this incident involving the Council, and will provide the public with more details once such proposed actions have been finalised.

Act Voice
Action Accountants
At-grade
ArchiVision
Artists Action
Financier Conscience
Frontline Tech Workers
Hong Kong Psychologists Concern
Insurance ARISE
IT Voice
Médecins Inspirés
Nurses Political Reform Concern Group
Planners’ Voice
Progressive Lawyers Group
Progressive Teachers’ Alliance
Radiation Therapist and Radiographer Conscience
Reclaiming Social Work Movement
Surveyor Conscience

精算思政 Act VoiceAction Accountants 進步會師At-grade 園境 • 願景思政築覺 ArchiVision藝界起動 Artists Action前線科技人員良心理政 HK Psychologists Concern保險起動 Insurance ARISEIT Voice杏林覺醒 Medecins Inspires護士政改關注組Progressive Lawyers Group 法政匯思進步教師同盟 Progressive Teachers’ Alliance放射良心社工復興運動 Reclaiming Social Work Movement量心思政 Surveyor Conscience

2 October 2015

Sandro Botticelli’s Venus @ University Museum and Art Gallery – 18 October – 15 December, 2013

Art and it’s enjoyment is always personal, so unlike many publications and art critics who’ll ram their likes and preferences down your throat until you suffocate in agreement or face snide comments on your taste, at bc we suggest you go take a look and like what you like and enjoy it. In that vein it’s worth taking a wander over to the University Museum and Art Gallery (UMAG) of the University of Hong Kong sometime before the 15th December to take a look at Sandro Botticelli’s (1445–1510) Venus in person.
Sandro Botticelli’s Venus @ University Museum and Art Gallery

An iconic image of the high artistic achievement of the Renaissance (14th–16th centuries) Botticelli produced a number of unique Venus paintings, the carefully executed tempera painting on wood relates to ancient classical sculpture and the tradition of depicting the goddess Venus as a heroine, symbolising love, beauty, fertility and prosperity in Greco-Roman mythology.

A rebirth of Antiquity, the Italian High Renaissance is significant for the sophisticated stylistic and technical advances in science and art, and the methodical study of nature and the human body. Botticelli’s painting, a depiction of the nude, exemplifies these values in which the verisimilitude and beauty of the human condition as an ideal form is achieved by the finest artists in early modern Europe.

There are a series of lectures and talks to complement the exhibition

Sandro Botticelli’s Venus – An Italian High Renaissance Masterpiece
When: 18 October – 15 December, 2013
Where: University Museum and Art Gallery (UMAG) of the University of Hong Kong
Time: 9:30am to 6pm, Monday to Saturday; 1 pm to 6pm on Sunday
How Much: Free
Details: Call 2241 5500 or http://www.hkumag.hku.hk/main.html

Extras:
Lectures:
7pm, 18 October – Sandro Botticelli’s Venus and the Italian Renaissance
Speaker: Dr. Opher Mansour, Fung Ping Shan Gallery, Fung Ping Shan Building, UMAG

2:30pm, 23 November – Botticelli and the Bonfire of the Vanities
Speaker: Dr. Kathryn Blair Moore – Fung Ping Shan Gallery, Fung Ping Shan Building, UMAG

Workshops:
1 December – Introduction to ‘Western’ painting -specifically oil techniques

(content from UMAG was used in the production of this article)