Twenty Second Hong Kong Jewish Film Festival

After going online last year the Hong Kong Jewish Film Festival (HKJFF) returns to theatres for its 22nd year.

The HKJFF will screen 32 films, documentaries and shorts, over 8 days and nights from 13-21 November at the Asia Society Hong Kong Center in Admiralty and the Golden Scene Cinema in Kennedy Town.

Opening the festival is Mano Khalil‘s Neighbours a film full of humour and satire based on the experiences of Sero, a Kurdish boy dealing with border wars and anti-Zionist rhetoric, in 1982 Syria.

In 2021 the HKJFF teams up with the Hong Kong French Film Festival on the 18 November at Golden Scene cinema for a night of French films including Aurélie Saada’s Rose, and Sandrine Kiberlain‘s A Radiant Girl (Une fille qui va bien).

The Auschwitz Report
The Auschwitz Report – 15 November, HKJFF

Twenty Second Hong Kong Jewish Film Festival
Date:
13-21 November, 2021
Venue: Asia Society Hong Kong Center, Golden Scene Cinema
Tickets: $100
More info: www.hkjff.org

James Bond’s Aston Martin DB5

Perhaps the most legendary of Bond‘s cars the DB5 is now on display at The Peninsula Hotel until 29 October and it can be yours for £2.75 million.

The DB5 on display is an Aston Martin DB5 Goldfinger part of a limited production of 25 which are authentic reproductions of the DB5 seen on the screen. This includes functioning modifications such as the revolving number plates, retractable bulletproof rear shield, pop-out machine guns and more, which were made famous in Goldfinger.

Hong Kong’s Filmmakers Fight To Stay Free

The director kept his eyes on the audience, ignoring the cops in the back of the room.

It was a private screening of a romance film by Kiwi Chow. Several dozen friends had gathered in the office of a local district councillor to watch the movie and hear Chow speak. He was a politically sensitive figure who’d made films about Hong Kong’s protests and China’s crackdown on the city’s liberties.

His new work was an apolitical tale about a schizophrenic man who falls in love with a psychological counsellor. Hardly a storyline that would provoke dissent or violate a national security law. But the audience took note when two dozen police officers arrived. Chow, undeterred, went on with his talk.

By midnight, police had shut down the screening, fining each attendee HK$5,000 for violating social distancing rules. If the screening had featured Chow’s protest documentary, they could have been fined HK$1 million and imprisoned for up to three years, according to a law proposed by the Hong Kong government in August.

Police raids on movie screenings — unimaginable in Hong Kong a few years ago — are the latest reality in Beijing’s relentless suppression of the territory’s civil liberties. For filmmakers like Chow, 42, they are a sign of how China’s grip on Hong Kong is not only about asserting political control but also suffocating the cultural spaces where art can reflect truth and build solidarity in a society…

Read the full LA Times article here https://www.latimes.com/world-nation/story/2021-09-16/china-hong-kong-movies-censorship

Kiwi Chow

Proposed Amendments to Film Censorship Ordinance Announced

In June, the Government introduced amendments to the Film Censorship Guidelines for Censors to provide censors with clearer guidance to consider the implications of a film on national security, so as to decide whether the film is suitable for exhibition and its classification.

The proposed amendments [to Cap. 392 Film Censorship Ordinance] announced today are ‘designed’ to quote “enhance the film censorship regulatory framework, with a view to ensuring more effective fulfilment of the duty to safeguard national security as required by the Law of the People’s Republic of China on Safeguarding National Security in the Hong Kong Special Administrative Region, as well as preventing and suppressing acts or activities that may endanger national security.”

Unveiling the new bill, Secretary for Commerce and Economic Development Edward Yau Tang-wah said there would be NO appeal mechanism for bans issued on security grounds.

Yau continued “Amendments giving the Chief Secretary power to revoke the certificates of approval previously issued for films, there is a chance that past movies could be banned from public screening,”

In response to the question: How do you define a movie as ‘contrary to interests of national security? Yau answered ” NSL is the main reference New ordinance also goes into more details covering what might endorse/support/promote/glorify/encourage/incite such act/activity which might endanger national security”

The key proposals in the new Bill are:

(a) to set out explicitly that a censor should consider whether the exhibition of a film would be contrary to the interests of national security, so as to provide clear statutory backing for a censor to give due consideration to national security when making film decisions;

(b) to empower the Chief Secretary for Administration to direct the Film Censorship Authority to revoke certificates of approval or certificates of exemption previously issued for films if their exhibition would be contrary to the interests of national security;

(c) the Secretary for Commerce and Economic Development (SCED) may grant extension of time for a period of no more than 28 days each time for a censor to make a decision where the Authority is of the opinion that the exhibition of the film might be contrary to the interests of national security, allowing sufficient time for the censor to deal with cases that may involve national security considerations and to seek legal advice; and

(d) to disapply [remove] the relevant sections that empower the Board of Review (Film Censorship) to consider requests for review of the decisions of the Authority or a censor, for decisions made on national security grounds.

With no appeal now allowed against the censors decision, has the government killed off both Hong Kong’s film industry and it’s cinemas?

Other amendments to the current law the government wants to make include:

(a) to specify that a censor can request the addition of a specific notice to a film, to serve as a reminder to viewers (or their parents) to mitigate potentially undesirable effects;

(b) to empower the Authority [OFNAA] to require the holders of certificates of exemption or certificates of approval to provide information about the exhibition of their respective films, such as the date, time and venue, and to empower an inspector authorised by the Authority to enter and search any place with the authority of a judicial warrant in order to enhance the inspector’s ability to take enforcement action;

(c) to impose heavier penalties for exhibiting films that are not exempted or approved, raising the maximum penalty to imprisonment for three years and/or a fine of $1 million;

(d) to remove the specified number of non-official members to be appointed, as well as to empower the SCED [Secretary for Commerce and Economic Development] to appoint a public officer as his representative to attend and vote at the Review Board meetings, in order to allow greater flexibility to determine the composition of the Review Board.

Illustration: Derek Zheng

Disney+ To Launch In Hong Kong This November

Disney+ the streaming home for films and television shows from Disney, Pixar, Marvel, Star Wars, Star and National Geographic will launch locally in November.

Currently available in 61 countries and 21 languages globally as well as classic series and films Disney+ releases lots of original content; recent shows include Marvel Studios’ WandaVision, Loki and The Falcon and The Winter Soldier; Star Wars’ series The Mandalorian; Pixar’s Luca, National Geographic’s Secrets of the Whales.

There has been no announcement of the local cost or if programmes will be available with a Cantonese soundtrack or subtitles. In the US Disney+ is US$7.99/month, $79.99/year.

disney plus mandelorian

Revolution of Our Times 時代革命 to Screen at Cannes Film Festival

Described as ‘a film by HongKongers’, the Festival de Cannes will screen Kiwi Chow’s documentary Revolution of Our Times 時代革命 about the 2019 protests against the extradition law.

“I want to express my heartfelt gratitude to Cannes. It is our honour to have the world premiere of Revolution of our Times Hong Kong has been losing far more than anyone has expected. This good news will be a comfort to many HongKongers who live in fear; it also shows that whoever fights for justice and freedom around the world, are with us! And HongKongers are staying strong!” said Chow in an email statement about the film’s inclusion in the festival.

This is how the film’s trailer is introduced on YouTube…

//“Hong Kong is on the frontlines of a global battle for freedom.” TIME Magazine

Over the past fifty years, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, the “Extradition Bill” to China opened a Pandora’s box, turning Hong Kong into a battlefield against the Chinese authoritarian rule.

The award-winning director of “Ten Years: Self Immolator,” Kiwi Chow, made this documentary to tell the story of the movement, both with a macro view of its historical context and up close and personal on the front lines.

The 2019 movement is always labelled with the characteristics of “decentralized leadership”, “be water” (flexible tactics), “do not split” (unity but in different ways) and “blossoming everywhere” (protest all over the territory). The film covers seven teams of protestors with different stories which are put together as a comprehensive picture of the versatile movement.

Democracy and freedom are now facing an unprecedented crisis over the world. The film Revolution of Our Times is not only about the battle of Hongkongers but is about a war between all freedom lovers and dictatorships of our globe.//

Coverage of the documentary’s addition to the festival by Variety

//Cannes this year is chock full of issue-led programming about climate change, crises in Africa, diversity and equality. Few topics are as pressing or complex as the ideological clash between the liberal West and China’s modern brand of Communist-badged totalitarianism…

…Cannes is taking a significant gamble in giving the film the red carpet treatment. At a minimum, the festival risks a diplomatic complaint from mainland Chinese and Hong Kong authorities. China was previously so enraged by the Academy of Motion Pictures’ nomination of “Do Not Split” that the Chinese broadcast of the Oscars ceremony was cancelled and media were ordered to downplay the event.

It is likely that Cannes organizers have anticipated a negative reaction.

They’ve chosen to play “Revolution of Our Times” at the end of the festival, when the trio of mainland Chinese films have already played and can’t be withdrawn in protest. But there’s now a risk that China will boycott future editions of Cannes, just as it is punishing the Golden Horse Awards in Taiwan for the island’s go-it-alone tendencies.

One explanation for the inclusion of the film may lie in Cannes programmers Thierry Fremaux and Christian Jeune’s visit to Hong Kong during the protests. Walking through the battlefield of the streets, they became eye-witnesses to a painful but cinematic civil war.//

More coverage by The Hollywood Reporter

//Cannes has frequently stood with filmmakers facing political persecution in their home countries, such as Iranian director Jafar Panahi (This Is Not a Film) and Russian filmmaker Kirill Serebrennikov (Petrov’s Flu), both of whom were under house arrest and unable to attend the festival when their films were screened.

But Hong Kong’s protest movement has found precious few allies over the past two years, as Beijing has leveraged China’s outsize economic clout to attempt to punish any companies or individuals who dare throw their support behind democracy in Hong Kong…

…Hong Kong politics also are believed to have resulted in the 2021 Oscars ceremony being totally blocked from broadcast in mainland China and Hong Kong earlier this year. Broadcasters and regulators never supplied a reason for the mysterious suspension of the awards show in Greater China, but many connected to the industry believe it was intended as retribution for the Academy’s nomination of the Hong Kong protest film Do Not Split in the best short documentary category (past critical comments made by Oscar best director winner Chloe Zhao (Nomadland) about her home country also irked the authorities).//

images: Dear Bros