Italia Mia Film Festival

In December the Italia Mia Festival, organised by the Italian Cultural Institute in Hong Kong, presents two Italian films and two operas filmed in Hong Kong.

The films are Tre Piani (Three Floors) directed by Nanni Moretti; Pinocchio by director Matteo Garrone. And the opera films Rita composed by Gaetano Donizettia, filmed at Haw Par Mansion; Waitress on Top – composed by Gennaro Antonio Federico shot at The Peninsula hotel in Hong Kong.

The films will be screened from 2-5 December at Premiere Elements Cinema, West Kowloon.

Three Floors (120 minutes)
2 December | 7:30 pm
4 December | 3:30 pm

Pinocchio (125 minutes)
3 December | 7:20 pm
5 December | 3:20 pm

Rita (60 minutes) – an Italian opera comique in one act co-written by composer Gaetano Donizetti and playwright Gustave Vaëz.
4 December | 1:00 pm

Waitress on Top (60 minutes) – Giovanni Battista Pergolesi’s celebrated farce “La Serva Padrona” is re-imagined as a battle of the sexes and matching of wits in contemporary Hong Kong.
4 December | 2:15 pm

 

Hong Kong French Film Festival Celebrates 5 Decades

The Hong Kong French Film Festival (HKFFF) celebrates its 50th edition this year. Since 1953, the festival has brought more than 1600 French films to local screens.

Organized by the Alliance Française de Hong Kong, and featuring more than 50 films, the 50th HKFFF runs from 24 November – 14 December at 5 cinemas. A full screening schedule can be found on the festival’s website.

The HKFFF’s opens with two films Martin Bourboulon‘s Eiffel and Titane by Julia Ducournau. There’s a tribute to female directors and a collaboration with Greenpeace – Cinema for the Climate.

50th Hong Kong French Film Festival
Date: 24 November – 14 December, 2021
Venue: Various cinema and online
Tickets: various
More info:
www.hkfrenchfilmfestival.com

Twenty Second Hong Kong Jewish Film Festival

After going online last year the Hong Kong Jewish Film Festival (HKJFF) returns to theatres for its 22nd year.

The HKJFF will screen 32 films, documentaries and shorts, over 8 days and nights from 13-21 November at the Asia Society Hong Kong Center in Admiralty and the Golden Scene Cinema in Kennedy Town.

Opening the festival is Mano Khalil‘s Neighbours a film full of humour and satire based on the experiences of Sero, a Kurdish boy dealing with border wars and anti-Zionist rhetoric, in 1982 Syria.

In 2021 the HKJFF teams up with the Hong Kong French Film Festival on the 18 November at Golden Scene cinema for a night of French films including Aurélie Saada’s Rose, and Sandrine Kiberlain‘s A Radiant Girl (Une fille qui va bien).

The Auschwitz Report
The Auschwitz Report – 15 November, HKJFF

Twenty Second Hong Kong Jewish Film Festival
Date:
13-21 November, 2021
Venue: Asia Society Hong Kong Center, Golden Scene Cinema
Tickets: $100
More info: www.hkjff.org

James Bond’s Aston Martin DB5

Perhaps the most legendary of Bond‘s cars the DB5 is now on display at The Peninsula Hotel until 29 October and it can be yours for £2.75 million.

The DB5 on display is an Aston Martin DB5 Goldfinger part of a limited production of 25 which are authentic reproductions of the DB5 seen on the screen. This includes functioning modifications such as the revolving number plates, retractable bulletproof rear shield, pop-out machine guns and more, which were made famous in Goldfinger.

Hong Kong’s Filmmakers Fight To Stay Free

The director kept his eyes on the audience, ignoring the cops in the back of the room.

It was a private screening of a romance film by Kiwi Chow. Several dozen friends had gathered in the office of a local district councillor to watch the movie and hear Chow speak. He was a politically sensitive figure who’d made films about Hong Kong’s protests and China’s crackdown on the city’s liberties.

His new work was an apolitical tale about a schizophrenic man who falls in love with a psychological counsellor. Hardly a storyline that would provoke dissent or violate a national security law. But the audience took note when two dozen police officers arrived. Chow, undeterred, went on with his talk.

By midnight, police had shut down the screening, fining each attendee HK$5,000 for violating social distancing rules. If the screening had featured Chow’s protest documentary, they could have been fined HK$1 million and imprisoned for up to three years, according to a law proposed by the Hong Kong government in August.

Police raids on movie screenings — unimaginable in Hong Kong a few years ago — are the latest reality in Beijing’s relentless suppression of the territory’s civil liberties. For filmmakers like Chow, 42, they are a sign of how China’s grip on Hong Kong is not only about asserting political control but also suffocating the cultural spaces where art can reflect truth and build solidarity in a society…

Read the full LA Times article here https://www.latimes.com/world-nation/story/2021-09-16/china-hong-kong-movies-censorship

Kiwi Chow

Proposed Amendments to Film Censorship Ordinance Announced

In June, the Government introduced amendments to the Film Censorship Guidelines for Censors to provide censors with clearer guidance to consider the implications of a film on national security, so as to decide whether the film is suitable for exhibition and its classification.

The proposed amendments [to Cap. 392 Film Censorship Ordinance] announced today are ‘designed’ to quote “enhance the film censorship regulatory framework, with a view to ensuring more effective fulfilment of the duty to safeguard national security as required by the Law of the People’s Republic of China on Safeguarding National Security in the Hong Kong Special Administrative Region, as well as preventing and suppressing acts or activities that may endanger national security.”

Unveiling the new bill, Secretary for Commerce and Economic Development Edward Yau Tang-wah said there would be NO appeal mechanism for bans issued on security grounds.

Yau continued “Amendments giving the Chief Secretary power to revoke the certificates of approval previously issued for films, there is a chance that past movies could be banned from public screening,”

In response to the question: How do you define a movie as ‘contrary to interests of national security? Yau answered ” NSL is the main reference New ordinance also goes into more details covering what might endorse/support/promote/glorify/encourage/incite such act/activity which might endanger national security”

The key proposals in the new Bill are:

(a) to set out explicitly that a censor should consider whether the exhibition of a film would be contrary to the interests of national security, so as to provide clear statutory backing for a censor to give due consideration to national security when making film decisions;

(b) to empower the Chief Secretary for Administration to direct the Film Censorship Authority to revoke certificates of approval or certificates of exemption previously issued for films if their exhibition would be contrary to the interests of national security;

(c) the Secretary for Commerce and Economic Development (SCED) may grant extension of time for a period of no more than 28 days each time for a censor to make a decision where the Authority is of the opinion that the exhibition of the film might be contrary to the interests of national security, allowing sufficient time for the censor to deal with cases that may involve national security considerations and to seek legal advice; and

(d) to disapply [remove] the relevant sections that empower the Board of Review (Film Censorship) to consider requests for review of the decisions of the Authority or a censor, for decisions made on national security grounds.

With no appeal now allowed against the censors decision, has the government killed off both Hong Kong’s film industry and it’s cinemas?

Other amendments to the current law the government wants to make include:

(a) to specify that a censor can request the addition of a specific notice to a film, to serve as a reminder to viewers (or their parents) to mitigate potentially undesirable effects;

(b) to empower the Authority [OFNAA] to require the holders of certificates of exemption or certificates of approval to provide information about the exhibition of their respective films, such as the date, time and venue, and to empower an inspector authorised by the Authority to enter and search any place with the authority of a judicial warrant in order to enhance the inspector’s ability to take enforcement action;

(c) to impose heavier penalties for exhibiting films that are not exempted or approved, raising the maximum penalty to imprisonment for three years and/or a fine of $1 million;

(d) to remove the specified number of non-official members to be appointed, as well as to empower the SCED [Secretary for Commerce and Economic Development] to appoint a public officer as his representative to attend and vote at the Review Board meetings, in order to allow greater flexibility to determine the composition of the Review Board.

Illustration: Derek Zheng