Ssighborggg Live in Hong Kong

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Bringing live transmissions from the future of sound, this time straight from Seoul, South Korea via Sacramento, California. The experimental math-rock/electro-synth two-headed beast, Ssighborggg (Sean Patrick Maylone and DeAnthony Nelson Jr.) are live in Hong Kong at the MOM Livehouse in North Point on the 8 Devember, 2016

Support from The Sinister Left, David Boring

Ssighborggg
Support: The Sinister Left, David Boring
Date: 8pm, 8 December, 2016
Venue: MOM Livehouse
Tickets: $250, $200 (advance), $150 (Early Bird) from here

Tegan Smyth Wins Peel Street Poetry 11th Anniversary Slam

Tegan Smyth (Carling) wows, entertains and provokes her audience while winning the 11 Anniversary Peel Street Poetry Slam.

Peel Street Poetry an open mic poetry evening that originated at the now closed Joyce is Not Here on Peel Street eleven years ago. When the bar closed, the poets upped pens and moved to their current location Orange Peel, where on the 2nd, 3rd, 4th and 5th Wednesdays of the month you can enjoy an evening of poetry and good conversation.

How do poets celebrate, with a slam of course. 10 minutes to write an original poem based on a word or phrase picked at random by the judges. This year’s slam saw over 20 entrants necessitating three high quality elimination heats.

It was tough for the judging panel of Nury Vittachi, Collier Nogues, Henrik Hoeg, Nashua Gallagher and last year’s winner as the quality of the hilarious/clever/personal/provocative poems was high. But eventually six emerged.

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Watch the other Poetry Slam finalists in action – they were given 10 minutes to write a poem on/about/using ‘simply put’.
Denis Tsoi
Angus Gallagher
Akin Jeje
Vishal Nanda
Steph Carter

Tegan was a unanimous winner amongst the finalists but it took the judges some time to decide.

Simply put it was a night where everyone was a winner. All the poets rose to the challenge of the slam and we the audience enjoyed some great poems, both in the slam and in the open mic sections that bracketed the slam.

Peel Street Poetry Open Mic
Date: 2nd, 3rd, 4th (and 5th) Wednesdays of the month
Venue: Orange Peel
Tickets: Free
More info:
www.peelstreetpoetry.com

Metallica Live in Hong Kong

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Metallica will play their first gig in Hong Kong on 20 January 2017 at the Asia World-Expo Arena as part of their World Wired tour. Tickets priced at $1,280, $980, $780, $580 go on sale from 10am on the 27 October through HKTicketing

Metallica – World Wired
When:
 8pm, 20 January, 2017
Where: Asia World-Expo, Arena
How much: $1,280, $980, $780, $580 from HKTicketing (On sale 27 October)

Blair Reeve: Author and Peel Street Poet

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New Zealander Blair Reeve has been writing and performing a rhythmic and comical style of performance poetry since 1995. He spent the first seven years of the new millennium teaching English in Japanese junior high schools before moving to Hong Kong where he continued to teach phonics to primary students until 2013. He graduated from Massey University (NZ) in 2012 after studying Japanese and English Literature and then turned his attention to more sustained creative writing by joining the City University of Hong Kong’s Masters in Fine Arts program. He completed this in 2014, and one year later published his first children’s book Hogart The Hedgehog Turns Nink. In September 2016 he published his second book for young readers, Greta von Gerbil & Her Really Large Lexicon. Currently he works from home, caring for his infant daughter and mentoring post-grad students at Chinese U for their portfolios in creative writing. He was a feature author in the Hong Kong Young Readers’ Literary Festival in March 2016 and will be performing at the upcoming TEDxWanChai event on October 29.

How long have you been involved in poetry?
I’ve been involved in poetry since I was a kid in the 70s. First as a reader of comic verse—things like Spike Milligan, limericks & nonsense verse. In high school I really took to analyzing poetry, but I didn’t start writing until I was about 20. I was a pretender of anguished verse, which came from being one of those dyed-in-the-wool Cure fans. I then took up writing poetry as something to be read aloud and performed. This transition from pretender to writer/performer happened around 1996.

What inspires you to write?
My inspiration comes entirely from other poets and poetry. When I see writing I like it makes me want to write better. Hence my early poems were all like bad Goth lyrics. Then I was inspired by other performer-poets during my Dunedin days of the 90s and some of the old Victorian stuff I read at that time, especially Gerard Manly Hopkins who had a really playful word thing going on. Dr. Seuss continues to be an inspiration when I read to my daughter and that led me to wanting to write comical anapestic rhyming verse. This is so much fun I’m sticking with it for the time being.

How does Hong Kong influence your writing?
Hong Kong influences my writing in an indirect way. My social scene is miscellaneous and so it frees me to be as experimental as I like. It also means the cultural inputs into my writing are diverse, and I like that. I like that my poetry is informed by so many different perspectives. But my writing tends to be interior and imaginative rather than worldly, and in that sense, Hong Kong as a direct subject has yet to make it into my writing.

Here’s an extract from Blair’s new children’s book.

Flaytoo the Friendly Mayfly (extract)
Said Phlooty the Mayfly to Flaytoo his boy,
“You’re four hours old now, you’ve played with that toy
since the moment your mother gave birth to you son.
You’ve only got twenty more hours to have fun,
so don’t hesitate, Flayt, get out in the sun.”

We’re fish food, young chap, and that’s perfectly fine.
I’ve nothing against fish who do need to dine,
but there’s no need to hurry yourself to their plate.
Your time here is precious. Their stomachs can wait.
So listen up kiddo, go fly to the ends
of the field and make lots of new wonderful friends.
Because mayflies like us—we don’t live very long.
We’ve only one day till the end of our song.”

Then Phlooty the Mayfly unflicked his four wings,
and left Flaytoo flying alone without strings.

Say what?” exclaimed Flaytoo, “I’ve only one day?
That barely leaves time for a Mayfly to play!
Well I certainly mustn’tly waste my time ruing
those four hours gone when I ought to be doing
what Phlooty suggested—travelling and seeing
how other flies spend their lives living and being.”

Peel Street Poetry is an open mic poetry night at Orange Peel. It runs every Wednesday of the month except the first. The environment is friendly and they love new performers, so come share your poetry or just listen along to some of Hong Kong’s sharpest poetic talents.

Peel Street Poetry Open Mic
Date: 2nd, 3rd, 4th (and 5th) Wednesdays of the month
Venue: Orange Peel
Tickets: Free
More info:
www.peelstreetpoetry.com

Edited: 1 November 2016 – extract amended, last line was missing

Queen + Adam Lambert @ AsiaWorld Expo – 28 September, 2016

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The show must go on as Queen + Adam Lambert entertained almost 10,000 sing-a-long fans at AsiaWorld Expo as the legendary rock group final made it to Hong Kong.

There is no replacing Freddie, as a couple of video clips showed, but Lambert works hard to entertain in what must be the strange job of filling the boots of a man who’s influence dominates the evening. Fans want to hear the classic songs, so he can’t make them his own and yet he’s not singing in a covers band… Tough task, but he makes a pretty good fist of it.

At 2 hours and 15 minutes the show is tight, professional and includes most of the hits. There’s an entertaining drum-off between Roger Taylor and his son, a long solo from Brian May and the two song encore ends with band waving goodbye to the strains of God Save the Queen.

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If there’s a complaint, beyond the, as usual, very average sound at AsiaWorld Expo, it’s that the show feels very orchestrated and choreographed. It lacked those moments of spontaneity and improvisation that can turn a good/great concert into a truly memorable even legendary one. Still a fun night out and there’ll be a lot of hoarse voices this morning. Thanks Freddie, Roger, Brian for so many great songs that will live forever!

Seven Seas of Rhye
Hammer to Fall
Stone Cold Crazy
Fat Bottom Girls
Don’t Stop Me Now
Killer Queen
Somebody to Love

Love of My Life
It’s a Kind of Magic
Drum Battle
Under Pressure
Crazy Little Thing Called Love

Another One Bites the Dust
I Want It All
Who Wants to Live Forever
The Show Must Go On
Guitar Solo
Tie Your Mother Down
I Want to Break Free
Bohemian Rhapsody
Radio Gaga

encore…
We Will Rock You
We Are The Champions

https://bcmagazine.smugmug.com/Bcene-photos/2016/Queen-Adam-Lambert-AsiaWorld/i-28WgNRc

Photos: Warner Music Hong Kong, tube.hk

What are The Colours of Humanity?

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What are The Colours of Humanity? This is the intriguing question posed by the International Black Box Festival 2016 (ibb2016) which aspires that audiences immerse themselves in different artistic realms to discover the many colours of humanity. Organised by the Hong Kong Repertory Theatre the festival runs from 15 October to 20 November and features productions encompassing a wide range of styles each presenting a different approach to the dramatic text.

HK Repertory Theatre’s Artistic Director Anthony Chan commented, “These six highly anticipated productions are all stylistically unique. We live in an age of complicated emotions and relationships that affect not only the nature of human connection but also our thinking beyond national boundaries. We aim to provide our audience with a wide vista where imagination and creativity roam free among the many facets of our collective, civilized spirit.”

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The curator of ibb2016 Fung Wai Hang explains this year’s focus. “For the inaugural Black Box Festival we chose the theme of ‘body and movement’, while this year we focus on the ‘dramatic text’. In recent years, different approaches to the dramatic text have surfaced. We hope to establish a platform for international exchange, so that our local theatre professionals and enthusiasts can enjoy an enriching encounter with visiting artists through workshops and lectures.”

International Black Box Festival 2016 Programme

La Voix Humaine – Toneelgroep Amsterdam (Netherlands)
15-17 April, 2016 @ HK City Hall, Theatre
During an hour-long performance, a woman is trapped inside a box-like room, holding onto the receiver talking to her ex-lover. For the entire hour, the audience watches her in this emotional roller-coaster ride, becoming de facto “peeping toms”. La voix humaine was written by Jean Cocteau and directed by 2016 Tony Award-winning director Ivo van Hove. (Note this production took place in April).

Descendants of the Eunuch Admiral – Performer Studio (Hong Kong)
15-23 October @ HKRep Black Box
A classic work by the founding father of Singapore theatre Kuo Pao-kun, this play addresses power politics as well as castration, depicting Zheng He’s seven ocean voyages as well as the eunuch admiral’s physical and psychological challenges. It provides a parable on the pressures of modern life, where people are left with little choice: either self-castration or being castrated by others. Descendants of the Eunuch Admiral was written by Kuo Pao-kun, adapted and directed by Tony Wong.

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The 9 Fridas – Möbius Strip Theatre (Wales, Taiwan, Hong Kong)
27-30 October @ HKRep Black Box
The 9 fridas is a mosaic combining a patchwork of impressions and stories depicting the life of Mexican artist Frida Kahlo (1907–1954), with characters and their stories echoing the real life of Kahlo herself. The 9 fridas was written by Kaite O’Reilly and directed by Phillip Zarrilli, renowned for his psychophysical acting method.

Asagao – Bkyuyugekitai (Japan)
3-6 November @ HKRep Black Box
Asagao was created especially for the International Black Box Festival by Shed Skin playwright Tsukuda Norihiko, who not only wrote the script but also appears in the production. The story takes place after a husband returns after a six-month stint working away from home to discover a deserted house where morning glory vines have overtaken the walls and even the ceiling. Where is his wife? The story crosses time and space incorporating absurdist elements, humour and irony, at the same time; it is tinged with a sense of helplessness. Asagao is directed by Kamiya Shogo.

White Room – White Room Research Collective (Japan, Hong Kong)
10-13 November @ HKRep Black Box
Created and directed by Waguri Yukio, disciple of Butoh founder Hijikata Tatsumi and principal dancer of Asbestos-kan, White Room combines butoh and text in expressing the hearts and desire of seven patients. Written and directed by Waguri Yukio.

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Before After – Creative VaQi (South Korea)
17-20 November @ HKRep Black Box
Divided into sections based on time, Before After shows the changes that occur before and after a devastating event. A time before and after is created after a tragic, irreversible event. What experiences do we go through that make us realise that an event has affected ‘our’ lives? What happens as a point in ‘my’ time on stage suddenly meets ‘yours’ space. Before After is a collective work directed by Kyung-sung Lee.

The International Black Box Festival 2016 also includes workshops, talks and a symposium hosted by artists from around the world. Speakers at these events include Theatre du pif’s Artistic Director Bonni Chan, Japanese butoh master Waguri Yukio, Professor Winton Au, Professor Chiu Chui-de, Kaite O’Reilly, Tony Wong, Tsukuda Norihiko and Kyung-sung Lee. For more information on workshops, talks and symposium visit the festival’s website www.hkrep.com/ibb2016.

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International Black Box Festival 2016
Date: 15 October – 20 November, 2016
Venue: HK Rep Black Box Theatre
Tickets: $280 from Urbtix

Pentatonix’s Scott Hoying About Life on Tour

scott-hoying PTX

With Grammy Awards, multiple number 1 albums and songs across the globe and over 10million fans across social media life’s pretty good at the moment for a cappella group PentatonixScott Hoying spoke briefly with bc’s resident fan Ronnie Cheng about success, those videos and life on the road.

Pentatonix, currently on tour to promote their self-titled fourth album and performing in Hong Kong on the 22nd September at AsiaWorld-Expo, or PTX as they are known by their fans first rose to fame in 2011 by winning the third season of NBC’s The Sing-Off which earned them $200,000 and a recording contract with Sony owned Madison Gate Records.

The a cappella group only formed a few months before entering, but the 5 piece – Scott Hoying, baritone; Mitch Grassi, tenor; Kirsten Maldonado, mezzo-soprano; Avi Kaplan, bass / vocal percussion; and Kevin Olusola, beatboxer / vocal percussion – were pretty confident going in that they had what it took to win. Quitting school, not something they advise their many young fans to do, to pursue their dream.

After winning Sing-Off, we knew there was going to be this long period before the album came out so as we love singing we started covering and re-interpreting and releasing some of our favourite songs on YouTube explained Scott. The videos including Gangnam Style (PSY) and We Are Young (Fun) went viral, a modern version of the gigging and touring that bands used to have to do, created a massive and expectant fanbase before the release of their debut album PTX-I. Why were the videos so successful? “What they do is they show our personalities, they show other sides of us that fans can connect to beyond the music”

It has been quite the rollercoaster, so many ups and downs” Scott continued on the difficulties they faced as an a capella group “Without YouTube we probably wouldn’t be where we are now”. PTX’s video view numbers are massive their Daft Punk medley has over 207million views while a cover of Christmas classic Little Drummer Boy has almost 85million and that’s just those measured on their official page.

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After four big selling EPs PTX-1, PTXmas, PTX-II, PTX-III, That’s Christmas to Me and two platinum albums of a cappella covers the band in early 2015 informed their fans that were going to write and record original music. The result the eponymous album Pentatonix debuted at Number 1 on the US Billboard album charts in October 2015.

On tour to promote the album Scott said “There’s a lot of effort pre-tour, it’s hard to pick the songs for the tour everyone has a favourite and putting together ‘a killer set list’ will never please everyone so it’s balance. And then it begins. From there it’s just a whirlwind, from city to city to city – it’s non-stop”. Scott continued “We have wonderful fans and putting faces to names we only know as comments on social media is great. They’re so generous and creative. It’s their support that 100% got us to where we are, so we’re just grateful and happy to be able to see them in person and perform for them – though sadly just aren’t enough hours in the day to say hello to everyone”. In closing Scott said “It’s humbling that we can inspire and bring such happiness to so many people”.

Pentatonix
Date: 8pm, 22 September, 2016
Venue: AsiaWorld-Expo, Hall 10
Tickets: $788, $588, $388 from HKTicketing

1563 at the East Grand Opening – 2 September, 2016

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Wanchai live music venue 1563 celebrated it’s Grand Opening on 2 September with a showcase of local live music.

1563 Live House and Restaurant: 6/F Hopewell Centre, 183 Queens Road, Wanchai. Tel: 2323 2538
Click on any photo for the full gallery of images

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