Tapi Project, Wonderful Gig at Orange Peel – 31 August, 2016

https://bcmagazine.smugmug.com/Bcene-photos/2016/The-Tapi-Project-Orange-Peel/i-BJ2mhXD

Indian band the Tapi Project are currently touring Hong Kong to promote their eponymous debut album, read bc’s interview with the band here.
The four piece performed a set of original indie folk songs from their album and covers, including Nina Simone’s Feeling Good and Chis Isaak’s Wicked Games, to a highly appreciate audience at Orange Peel on Thursday night and have two more gigs at Foxglove (2 September) and the Wanch (8 September) before they head home.

https://bcmagazine.smugmug.com/Bcene-photos/2016/The-Tapi-Project-Orange-Peel/i-sTrBdwG

The Tapi Project Live in Hong Kong

The Tapi Project

Indian indie/folk band The Tapi Project, whose music is like a conversation between inquisitive poetry, expressive vocals and folk, have recently released their eponymous debut album. Ahead of their Asia tour to promote the album, which starts slowly before meandering across a range of styles and genres, bc spoke to co-founder Yogi Saniyawala about the band’s origins and their creative process.

Who are The Tapi Project?
The Tapi Project was initiated by writer, composer, Yogi Saniyawala and vocalist Swati Minaxi with Anand Joseph Mani also an integral part.

How did you meet? Why did you decide to start a band together?
Anand, myself and our drummer on the tour Gaurav Kapdia played together in a band called Odyssey. Swati was performing with some local bands in the city. I was judging a college competition where Swati was a participant, impressed by her vocals prowess I asked her if she wanted to collaborate and thus the Tapi Project was born.

What tends to the inspire the band’s creative juices?
The state of world more than anything else, the madness of modern life and constantly fading human values. We also have a hope and appreciation for nature, that reflects too.

Was the album easy to record or was it a struggle to make it coherent with its wide musical influences?
Musically it was natural. The influences helps to bring textures to an honest composition or poetry.

When you were creating/ recording the album, did you have finished vision in mind from the start or was it an organic process?
In some cases the songs were almost ready as a demo, which we recorded over a year in Swati’s bedroom. Some just needed album ambience while others grew out of the studio process.

How would you describe the album?
It is an honest effort to let out the thoughts, travel, pain, joy and other earthy feelings through melody and words.

How has technology influenced or changed your approach to writing and creating songs and playing live?
Technology helped us to think beyond while creating, recording. Playing live is an intense process as while composing we push our limits.

What is the genus / idea behind the new songs? Do you usually shape lyrics to a melody or do find a story you want to tell and write a tune to fit?
New songs mostly come out lyrics or lyrics melody together. Tapi was just a melody that happened while overlooking the river seine in France, thats a rarity. In a German park, I saw an empty window and got inspired to write Raho Mein- En Route. Tishangi evolved in Swati’s bedroom over a very normal day, just two chords and the song was there in an hour.

Are there many Indian bands writing original western style indie music?
A lot of musicians and bands writing now a days. there is a lot of good new music and bands continually emerging, India’s music scene is very vibrant right now.

As musicians in India what challenges /opportunities has the wide availability of ‘free’ online music created?
Audience. Not having audience to buy the album. not having audience who are open to listening live music. Finance is the problem.

Do you think the Internet and mobile phones have made it easier or harder to make a living as a musician?
It’s both but I would say, it has opened the world. It would have been very difficult for us to tour overseas without internet and to have people across the globe listen to our music.

When playing live do you play the songs as on the album, or re-interpret them?
We do both, but we i think we are always trying to revisit and evolve the song.

You have a couple of videos online of you covering other artist songs, what is about another artist song that has you wanting to cover it publicly?
It has to appeal us deep inside to feel as if its our own song.

How does touring in India compare/differ from overseas?
Exposure, New Audience, Collaboration and travel- these are amazing benefits.

How did the Hong Kong concert come about?
We have 4 concerts fringe club, orange peel, the wanch and comix homebase. I simply mailed them and sent them our music. They liked it, and thats how it happened.

What next for the Tapi Project after this tour?
Tour in most of asian countries, release the album and tour in the Middle East followed by Europe hopefully.

The Tapi Project Hong Kong Tour 2016
27 August: Gaylord
3pm, 28 August: Comix Home Base
8pm, 31 August: Orange Peel
8pm, 1 September: Fringe Club
2 September: Foxglove
8pm, 3 September: The Wanch

Find out more about The Tapi Project
Website: www.thetapiproject.com
Facebook: www.facebook.com/tapiproject1
Soundcloud: https://soundcloud.com/thetapiproject
Youtube: https://bit.ly/TheTapiProject

https://www.youtube.com/watch?v=bEdhBZPbSGg

Feel Your Pulse, Treasure Life

treasure-feel the pulse 2016

After Yu’s mother passes away, he finds himself racked with guilt and self-doubt – could he have taken taking better care for her when she was still alive? One day, still struggling with guilt and grief, he encounters a young version of his mom. Is this a chance to start anew? Or should we change before our actions turn into regret?

bc spoke to Feel the Pulse about their new Cantonese drama Treasure which walk’s down memory lane on a journey of reflection exploring the meaning of family ties, while offering a reminder of how unconditional love can fill up our hearts.

Where did the idea/concept behind Treasure come from?
The story idea came from the personal experience of the playwright Roney. “I lost my mother last year and that was the worst period of time so far in my life. But I was unbelievably calm and tough instead of collapsing and crying all the time. It was not just because I have to stay rational to handle a lot of issues but there was also a voice in my heart asking me to be strong because my mother would like me to carry on and live happily,” said Roney. “I can still remember how was it like during those days and it was just beyond words. Therefore I would like to express those feelings through a story and a drama seems to be the best way to present them.”

How has the original idea evolved and changed to become Treasure?
“Writing a drama is not like writing a diary. I have to show more thought for the audiences than myself. Therefore I must need to be sensible – despite that there are some surreal elements – and an attractive story to carry all the feelings that I want to share,” said Roney. “Writing the script for this piece required me to express all the true feelings in my heart and it was like showing all my weaknesses to everybody. It was hard and that is why the script went through a few versions before the final one came out. At the beginning I was scared to expose too much because I was not brave enough to face my true thoughts. But after being encouraged by my partners, I really tried to sit down and think of what I have gone through. And finally I was able to show everything I have in my mind.”

Why did you decide to create a trailer and release a theme song?
The main reason of doing this is to further attract peoples attention. Through video and music, our potential audiences are able to catch a glimpse of the drama, know the theme, taste the mood. Besides, we believe that video and music are stronger than text and printing materials in terms of drawing attention and arousing awareness. We would like to highly recommend the theme song Meet You Some Other Day to everyone as it was produced by a group of very talented musicians and songwriters. The song was composed by Eddy To and the lyrics are written by Green Tea based on the true story of Roney.

Can Hong Kong’s traditional values survive both modern society and the attempts to mainlandise our city?
We have experienced the best of Hong Kong and it is already in our minds. Therefore no matter how our home changes, the beautiful things will not be destroyed. Yet we have the responsibility to protect the remaining ones and tell the next generations how wonderful our home can be and what they deserve to have.

Why did you call your group Feel The Pulse?
We have to calm down and concentrate to feel our pulse. And we have to do the same if we want to feel life. Hongkongers are too busy to stop and think what they truly want in their lives. Therefore we hope to encourage people to slow down a bit, listen to the voice in their hearts and figure out what they truly deserve in their lives.

What pulse are you looking to tap into?
Self-consciousness. Most Hongkongers have closed their senses. They do not feel. They lock their true emotions and have lost the meaning of life. Therefore what we trying to do – including through our first drama production last year and our first concert in March, which shared the same objective – is to awaken people from their treadmill lives, to remember who they are and experience the brightside of the world.

Will you add English surtitles so that non-Cantonese speakers can enjoy the show?
We really hope that we can do it one day to further expand our audience base. Yet at this stage we are not able to do that. We still welcome everyone to come and enjoy the show regardless of how good their Cantonese is, as we believe that the atmosphere, emotions, feelings and messages in the show are all beyond words.

Cast
鄧學良 Tang Hok Leung
黎苓妃 Jordana Lai
謝淑芬 Tse Shuk Fun
陳修鳴 Chan Sau Ming
呂樂欣 Loo Lok Yan
李佩貞 Crystal Lee Pui Ching
葉夏珠 Yip Ha Chu
黃韻怡 Wong Wan Yee
謝億文 Tse Yik Man
唐慧卿 Selina Tng
賴仲燊 Lai Chung San
莊子恒 Chong Tsz Hang
黃穎藍 Wong Wing Lam Coda

Director: 何繼紳 Ho Kai San; 陳致榮 Chan Chi Wing Roney
Playwright: 陳致榮 Chan Chi Wing Roney

Treasure
Feel Your Pulse
Date:
 5-7 August, 2016
Venue: Kwai Tsing Theatre, Black Box Theatre
Tickets: $160 from Urbtix
More info:
In Cantonese

Chitty Chitty Bang Bang: 10-12 June 2016

Chitty-Chitty-Bang-Bang-2016

A fantastic musical adventure about an out-of-this-world car that flies through the air and sails the seas. Face Productions’ summer show Chitty Chitty Bang Bang the musical, based on the 1968 film version of Ian Fleming’s children’s book, and featuring an unforgettable score by the Sherman Brothers (Mary Poppins) is one adventure that audiences will find Truly Scrumptious.

An eccentric inventor, Caractacus Potts finds an old race car on a scrap heap and sets about restoring it with the help of his children Jeremy and Jemima. They soon discover the car has magical properties including the ability to float and fly. Trouble occurs when the evil Baron Bomburst desires the magic car for himself. The family joins forces with Truly Scrumptious and Grandpa Potts to outwit the dastardly Baron and Baroness and their villainous henchman, the Child Catcher in the mysterious land of Vulgaria.

Filled with unforgettable songs, including the Academy Award nominated title song, Chitty Chitty Bang Bang is a high-flying fun-filled adventure that first opened in London’s West End in 2002 and was the longest-ever running show at the London Palladium. The Face Productions show is directed by Candice Caalsen, who headed last year’s award-winning Legally Blonde.

In addition to the full version, Face Academy offers an abridged interpretation to showcase younger performing arts talents in Hong Kong.

Cast
Caractacus Pott  –  Samuel J Craig
Jenny Potts  –  Charlotte Blyth
Jemima Potts  –  Jorja Townson
Grandpa Potts  –  Terry Hart
Truly Scrumptious  –  Michelle Edwards
Lord Scrumptious /Baron Bomburst  –  Angus Scott
Baroness Bomburst  –  Moe Moss
Toymaker /Ensemble  –  Kirill Voloshin
The Childcatcher /Ensemble  –  Barry O’Rouke
Boris  –  Conor O’Grady
Goran  –  Jade Elizabeth du Toit

Production Team
Director: Candice Caalsen
Assistant Director: Conor O’Grady
Choreographer: Claire Johnson
Musical Director: Enrico Narvaez
Vocal Director:Jessica Peralta
Producer: Kenix Ho

Chitty Chitty Bang Bang
Date: 10-12 June, 2016
Venue: HKAPA, Drama Theatre
Tickets: $395 from HKTicketing
More info:
10-12 June – 7:30pm
12 June – 3pm

By Face Academy
11-12 June – 11am
11 June 3pm
$275

Summer Jazz Festival – 21-23 June, 2016

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Now in its 6th year Hong Kong Summer Jazz is the brainchild of local the Big Band leader Taka Hirohama, founder of the Saturday Night Jazz Orchestra. The Summer Jazz festival aims to share and introduce the joy of jazz music through high quality performances featuring both local professionals and guest artists, and provide a unique experience for Hong Kong music lovers.

The guest artist at this year’s three concert festival, organised by the Hong Kong Big Band Jazz Federation, is international jazz giant Richard Sussman. The festival is slightly different from previous years as the three concerts aim to showcase the history and evolution of jazz. As in previous years the festival includes a free two day Jazz Academy with the HKU Big Band to promotes jazz within the community and offers expert tuition by leading local jazz artists.

21 June: Hot Jazz with Aya Takazawa
The summer jazz concert series starts off with a tale of a hundred years ago, and a story to be told. From explaining the origin of the word “Jazz”, to the rising in popularity of this unique style of music through the early years, different pioneers of Jazz music will be introduced. Benny Goodman, Count Basie, Glenn Miller are only be a few of the names whose music would be considered as Jazz classics, and will be presented to all in the first day of the concert.

22 June: Pops in Big Band with Richard Sussman
The Pops in Pig Band concert has two halves, the first features the sounds of contemporary jazz composer Richard Sussman and showcases how jazz music has evolved in the twenty-first century. The second half is all time Japanese Classic Pops performed in a retro style by young singers from Japan and Hong Kong joining together to bring back the melodies of the good old days.

23 June: All That Jazz with Alan Chan
A grand finale of all time great jazz tunes and beats including masterpieces once sang by Frank Sinatra, such as Fly me to the Moon, and more recent popular songs such as Michael Buble’s Feeling Good. The evening is curated and arranged by composer Alan Chan.

The Performers
Aya Takazawa started playing the piano at five and the trumpet at ten years old. She graduated from Kunitachi College of Music in Tokyo, and studied under Hitoshi Kumagai principle trumpeter of Tokyo Symphony Orchestra. After graduation she was part of an all female brass ensemble the Tokyo Brass Unit which had a big hit in the Japanese jazz music charts. In 2009 Aya performed at the commemoration ceremony of the United Nations Population Fund in New York.

She is currently leading her own jazz band the Takazawa Aya Quintet and released her first album Patterns in 2012. She’s established a reputation as a talented and versatile musician and appeared at “Summer Jazz” held in Hibiya-Kokaido and played with Manhattan Jazz Quintet at the Monterey Jazz Festival.

Richard Sussman is a jazz pianist, composer, music technologist, educator, and author. He has performed with many jazz & pop greats including Lionel Hampton, Lee Konitz, Houston Person, Randy Brecker, Donna Summer, Blood Sweat & Tears, and many others. Richard has recorded four critically acclaimed albums of original music.

Known for his large ensemble arrangements and compositions, his music has been performed by, amongst others, the Village Vanguard Orchestra, Westchester Jazz Orchestra, Metropole Orchestra of Holland, featuring legendary jazz pianist Hank Jones and the American Composers Orchestra in New York.

Alan Chan is a multi-faceted composer, with a goal to create original and innovative music that incorporates elements from across artistic disciplines, cultures and styles, to bring refreshing experience to audiences. He has received commissions and recognitions from ArtEZ (Netherlands), ASCAP, American Composers Forum (ACF), twice from Percussive Arts Society (PAS) and Los Angeles County Arts Commissions, among others.

He is a member of the prestigious BMI Jazz Compositions Workshop under legendary Jim McNeely in 2008-2011. His songs have been performed by the Chuck Owen and the Jazz Surge band, Millennium Jazz Orchestra (Netherlands) and by college big bands in Los Angeles, Miami and Redlands. Holding a doctorate from the University of Southern California, he is the Artistic Director of the Gateway Performance Series in West LosAngeles.

Saturday Night Jazz Orchestra (SNJO) established by Taka Hirohama in 1990, the Saturday Night Jazz Orchestra is one of the hottest jazz groups in Asia today and comprises some of Hong Kong’s top professional jazz musicians. The SNJO is highly active and has appeared in many events such as the Hong Kong International Jazz Festival, Hong Kong Big Band Festival, also the ‘Swing For All’ at the 2010 Shanghai World Expo, the “Hong Kong Week 2012” at the historic Zhongshan Hall Guangfu Auditorium, Taipei. The SNJO is always keen to foster and support new talent via the Summer Jazz “Big Band Workshop and Concert”, where they provide a platform for young musicians to learn about big-band jazz.

Yoko Wende born and raised in Japan. Yoko moved to New York to study acting at The Lee Strasberg Theatre Institute. She now sings regularly in Hong Kong and will host the three Summer Jazz concerts.

HKU Big Band is the first big band ever set up among the universities in Hong Kong. Established in 2014, HKU Big Band strives to create a platform for jazz lovers in the University of Hong Kong to share their passion towards the genre and to promote jazz music among the HKU community.

The Band made its debut performance at the Hong Kong Summer Jazz Festival 2014 with the support of University’s General Education Unit and the Saturday Night Jazz Orchestra. The HKU Big Band regularly give in-campus performances at Student Halls, academic buildings, and the University’s High-Table Dinner events. The group aims to promote and spread out jazz culture to other academic institutions in Hong Kong so as to cultivate a group of young audience and musicians to enter the local jazz scene.

Co-hosting the Big Band Jazz Academy Series, the HKU Big Band will act as a bridge linking students and public alike interested in knowing more about jazz and continue to spread the joy of making music in a Big Band.

Jazz Summer 2016
Hong Kong Big Band Jazz Federation
Date: 21-23 June 2016
Venue: HK City Hall, Theatre
Tickets: $300, $250, $150 from Urbtix

Olivia Newton-John @ HKCEC Review – 11 May, 2016

onj, hk 2016

I have to admit before the concert, I wasn’t that familiar with Olivia Newton-John. Sure, Iike everyone I’ve heard of Grease and have listened to some of the songs from the musical which she starred in. However, unlike many of the audience I was not a fan. Olivia Newton-John is just not famous or well known among teenagers today, but music doesn’t have an expiry date and I was curious to hear these famous songs live.

The almost capacity crowd at the HK Convention and Exhibition Centre were treated to a virtuoso performance with ONJ performing a selection of her hits including Xanadu, Physical and Hopelessly Devoted to You mixed in with some iconic covers. Perhaps most surprising was her energy and bright personality unlike many modern artists she turned up on time, appeared to enjoy performing and even cracked some jokes between songs. She belted out her songs with a passion. The audience enthusiastically and happily, if often tunelessly, singing along with her. The vibrant atmosphere was infectious and all too soon goodbyes and thank you’s were being said… After two hours, a standing ovation and cheers of of ‘Encore!’ saw Olivia return to perform one final song Somewhere Over the Rainbow.

A thoroughly enjoyable night out which gave me a new appreciation for songs that “are not my generation”. Live music can do that in a way that sometimes an album heard on headphones can’t. But until next time I need to update my itunes library.

Chitty Chitty Bang Bang: 10-12 June 2016

Chitty-Chitty-Bang-Bang-2016

A fantastic musical adventure about an out-of-this-world car that flies through the air and sails the seas. Face Productions’ summer show Chitty Chitty Bang Bang the musical, based on the 1968 film version of Ian Fleming’s children’s book, and featuring an unforgettable score by the Sherman Brothers (Mary Poppins) is one adventure that audiences will find Truly Scrumptious.

An eccentric inventor, Caractacus Potts finds an old race car on a scrap heap and sets about restoring it with the help of his children Jeremy and Jemima. They soon discover the car has magical properties including the ability to float and fly. Trouble occurs when the evil Baron Bomburst desires the magic car for himself. The family joins forces with Truly Scrumptious and Grandpa Potts to outwit the dastardly Baron and Baroness and their villainous henchman, the Child Catcher in the mysterious land of Vulgaria.

Filled with unforgettable songs, including the Academy Award nominated title song, Chitty Chitty Bang Bang is a high-flying fun-filled adventure that first opened in London’s West End in 2002 and was the longest-ever running show at the London Palladium. The Face Productions show is directed by Candice Caalsen, who headed last year’s award-winning Legally Blonde.

In addition to the full version, Face Academy offers an abridged interpretation to showcase younger performing arts talents in Hong Kong.

Cast
Caractacus Pott  –  Samuel J Craig
Jenny Potts  –  Charlotte Blyth
Jemima Potts  –  Jorja Townson
Grandpa Potts  –  Terry Hart
Truly Scrumptious  –  Michelle Edwards
Lord Scrumptious /Baron Bomburst  –  Angus Scott
Baroness Bomburst  –  Moe Moss
Toymaker /Ensemble  –  Kirill Voloshin
The Childcatcher /Ensemble  –  Barry O’Rouke
Boris  –  Conor O’Grady
Goran  –  Jade Elizabeth du Toit

Production Team
Director: Candice Caalsen
Assistant Director: Conor O’Grady
Choreographer: Claire Johnson
Musical Director: Enrico Narvaez
Vocal Director:Jessica Peralta
Producer: Kenix Ho

Chitty Chitty Bang Bang
Date: 10-12 June, 2016
Venue: HKAPA, Drama Theatre
Tickets: $395 from HKTicketing
More info:
10-12 June – 7:30pm
12 June – 3pm

By Face Academy
11-12 June – 11am
11 June 3pm
$275

Lee Ryan Impromptu Concert

Lee-Ryan-Blue

Lee Ryan, of British boy band Blue, has extended his visit to Hong Kong to play an intimate gig for 100 of his fans at pentahotel Kowloon. Lee, who has sold more than 15 million records worldwide with hits such as, “Sorry seems to be the hardest word” is looking forward to playing the cosy lounge-like set – entry is on a first come first serve basis.

Lee Ryan
Date: 7pm, 7 May 2016
Venue: pentahotel Kowloon, 19 Luk Hop Street, Hong Kong
Tickets: Free