Grand Opening @ Didier Dubot – 16 September, 2015

https://bcmagazine.smugmug.com/Bcene-photos/2015/Didier-Dubot-Grand-Opening-16/52017355_vcTD6C#!i=4358284963&k=NSP8KSs

https://bcmagazine.smugmug.com/Bcene-photos/2015/Didier-Dubot-Grand-Opening-16/52017355_vcTD6C#!i=4358283950&k=55nDh4t

https://bcmagazine.smugmug.com/Bcene-photos/2015/Didier-Dubot-Grand-Opening-16/52017355_vcTD6C#!i=4358285731&k=3bNsxrc

https://bcmagazine.smugmug.com/Bcene-photos/2015/Didier-Dubot-Grand-Opening-16/52017355_vcTD6C#!i=4358286481&k=wTSvwH6

Eureka

Eureka - CCDC

Three Eureka Moments in One Show!
Now in their thirties, Victor Fung, Lai Tak-wai and Bruce Wong demonstrate their ideas in a series of new works. Three completely different choreographers share their eureka moment in diverse styles of contemporary dance.

If These Walls Could Talk
Identity X Relationship
Music starts. He and she fall in love at first sight.
They are a perfect match, but in a blink of the eye, someone else stands next to him.
Together, apart, death, rebirth.
Battles of the sexes, a glimpse into the complicated and ambiguous relationships between men and women – love turns to hate turns to love again and identities and feelings are bombarded over and over.

Choreography
Victor Fung: graduated from The Hong Kong Academy for Performing Arts (HKAPA) and The University of California Santa Barbara (UCSB). He furthered his studies in choreography and completed his postgraduate studies at London Contemporary Dance School. He is currently conducting doctoral research with funding from Middlesex University and Dance4. In 2011, he established Victor Fung Dance, a platform through which his collaborative works with international dance artists are presented. He received the“Award for Young Artist” at the 2013 Hong Kong Arts Development Awards in recognition of his artistic achievement in dance. Recent performance credits include the Hollywood production 47 Ronin starring Keanu Reeves and Aida at Royal Albert Hall, his choreography for CCDC includes Fighter in Strip Teaser 2012.

Overwhelming
Humanity X Turbulence
Listen to your body through dance. Walk to the chaotic edge of the maze in your heart. Dancers reshape the form of ideas and inspirations, unveiling the humanity lurking under appearance. When we are going through pains and changes in the mist, should we follow the main road or find our own track?

Choreography
Lai Tak-wai: graduated from HKAPA majoring in modern dance. In 2002, he was awarded the Hong Kong Jockey Club Dance Fund Scholarship to further his studies at the National Conservatoire of Music and Dance in Paris. He then joined the Junior Ballet Contemporain in Paris for the 2002/03 season. Lai was a full-time dancer at Cloud Gate Dance Theatre in 2005 and was at CCDC from 2008 to 2014. At the 2013 Hong Kong Dance Awards he received the “Outstanding Performance by a Male Dancer” award for his performance in In Search of the Grand View Garden. He is currently an independent choreographer and freelance dancer. His choreography includes Sleepless, Substitute and Timeline in It’s My Turn.

How to Become…
Kung Fu X Id
Practice is the pursuit of enlightenment – comprehension, realisation and full understanding. Martial arts and dance are pursuits of physical and mental advancement. In a cross-over between kung-fu and dance, Bruce Wong shares his pursuit of the inner-self with the audience. Wong has won champions in the martial arts champion Baguazhang and Neijia Quan at the Hong Kong Open Wushu Championships. This is his search to find a way to cleanse one’s soul.

Choreography
Bruce Wong: CCDC dancer Bruce Wong entered HKAPA in 1995, where he was awarded several scholarships and was chosen to represent the Academy on overseas tours during his studies. In 1998, he was awarded an Asian Cultural Council Fellowship to participate in the American Dance Festival in the US. He received the Hong Kong Jockey Club Dance Fund Scholarship to attend Hollins University in the US for a Master’s degree. In 2010, he was one of the few dance finalists worldwide to be selected for the prestigious Rolex Mentor & Protege Arts Initiative. His recent choreography includes The Legend and The Hero, Dress Me Down in Strip Teaser 2012 and Re/dis-connect in It’s My Turn.

Eureka
City Contemporary Dance Company
When: 18-20 September, 2015
Where: 
HK Cultural Centre, Studio Theatre
Tickets: $220, $160 from Urbtix
More info:
18-19 September – 8pm
19-20 September – 3pm

Hong Kong Bar Association on Zhang Xiaoming’s Speech

Further reaction to Zhang Xiaoming’s speech on Saturday when he stated that Hong Kong’s Chief Executive enjoys a special legal position that puts him above the legislature and judiciary. The Hong Kong Bar Association said in an eight-page statement in both Chinese and English that the role of Hong Kong’s chief executive was clearly defined in the city’s mini-constitution and could not be said to be above the law.

Here is the Press Statement of HKBA – English – 14 September, 2015 in full.

Police Re-Write History to Remove Communists

HK Police website in 2010

The Hong Kong Police Force website has been re-writing history in an apparent attempt “clean up” the ‎Communist Party and pro-China individuals reputations. Words like “communist” have been removed in several places as have details of communists making bombs at school & setting up “struggle committees” during the 1967 communist instigated riots.

Another comment on a trend back then that resembles Hong Kong today has been removed “wealthy businessmen who had blessed the troubles, the “red fat cats” dispatched their children to universities in the much-disparaged United States and Britain”

As have all mentions of “Little Red Book”

Here is the original text from the Internet archive and ‘new’ version of history – deleted parts in bold

HK Police website in 2010

Police website text in 2010 – source
This brief flurry was but a rehearsal for the following spring. In China, the political turmoil spread and eventually lashed Hong Kong. Inflamed by rhetoric, fuelled by misplaced ideas of nationalism, huge mobs marched on Government House, waving aloft the Little Red Book and shouting slogans. Ranks of police faced crowds hurling insults, spitting, sometimes throwing acid. Never have strict discipline and stringent training paid such dividends. Staunchly, the thin khaki line held firm. Those early days in May 1967 were the start of a torrid, worrying summer. The mass protests tapered off, to be replaced by a campaign of terror and bombing. Bus and tram drivers were threatened, sometimes attacked if they went to work to keep Hong Kong on the move. Bombs were made in classrooms of left-wing schools and planted indiscriminately on the streets. Struggle committees were formed to foment strife against the government, although it was swiftly apparent none of the leaders to go to China to participate in the nationwide strife that was taking such an appalling toll, and the wealthy businessmen who had blessed the troubles, the “red fat cats” dispatched their children to universities in the much-disparaged United States and Britain.

Through the tear smoke and the terror, the police held firm. They never quavered.

Their loyalty was never in doubt. And in a remarkable show of support, the public rallied to their side. It was the common people of Hong Kong, and the police sworn to protect them, who turned the tide. The insanity gradually ebbed.

But was worse to come. In the most serious single incident of that year of violence, communist militia opened fire from the Chinese side of the border. Five policemen were cut down in the hail of bullets, nine others were injured. They were among a death toll which included bomb disposal officers killed trying to defuse booby-traps in city streets. The entire population was revolted by the bombings, particularly when a seven-year-old girl and her brother, aged two, playing outside their North Point home were killed.

Revived Police Website text
This brief flurry was but a rehearsal for the following spring. In China, the political turmoil spread and eventually lashed Hong Kong. Inflamed by rhetoric, fuelled by misplaced ideas of nationalism, huge mobs marched on Government House. Ranks of police faced crowds hurling insults, spitting, sometimes throwing acid. Never have strict discipline and stringent training paid such dividends. Staunchly, the thin khaki line held firm. In May 1967, the mass protests tapered off, but to be replaced by a campaign of terror and bombing. Bombs were planted indiscriminately on the streets.

new-police-website-text1-web

Through the tear smoke and the terror, the police held firm. They never quavered. Their loyalty was never in doubt. And in a remarkable show of support, the public rallied to their side. It was the common people of Hong Kong, and the police sworn to protect them, who turned the tide. The insanity gradually ebbed.

But was worse to come. In the most serious single incident of that year of violence, gunmen opened fire from the border area in Sha Tau Kok. Five policemen were shot dead in the hail of bullets, nine others were injured. They were among a death toll which included bomb disposal officers killed trying to defuse booby-traps in city streets. The entire population was revolted by the bombings, particularly when a seven-year-old girl and her brother, aged two, playing outside their North Point home were killed.

UPDATE
As the public increasingly criticises the police for re-writing history on its website, Police Commissioner Steven Lo Wai-chung is reported to have responded that the “streamlined version” is to match modern reading habits as the original version was “too long to fit in the page and people may lose interest in reading it.”

'new'-version-police-website3-web

Sources: 本土新聞Local Press, PassionTimes 熱血時報, 蘋果日報, Hong Kong Police Force, Real Hong Kong News, Internet Archive Wayback Machine

Megabites: McWilliam’s Family Winemakers

evans-tateThere’s an amazing variety of vine growing regions spread across Australia and the McWilliam’s family owned winery, which planted its first vines in 1877, operates in most of them. They aim to produce good quality wine at specific price points for the Australian market.

Among these are the Hanwood Estate range A$10-12 (HK$50-60) and the Appellation Series A$20-25 (HK$110-130) and it does a pretty good job. The wines we sampled were nice to good and far better than most of the often barely drinkable wines by the glass offered in many local bars. The Evans & Tate 2014 Metricup Road Semillon Sauvignon Blanc and the Evans & Tate Redbrook Cabernet Sauvignon 2011 are both very drinkable and worth exploring.

Sadly local retail prices are triple those in Australia (remember we have no tax) and despite the increase in volume of local wine sales the price gouging of the Hong Kong consumer continues.

 

Megabites: Prego

prego

Newly open in Soho is Italian restaurant Prego the latest outlet in Dining Concepts expanding portfolio. Head Chef Enrico Maritan cites his Mama’s cooking as the inspiration for the 50s-60s-70s ‘home style’ menu. At a recent media tasting we weren’t offered a ‘taste’ of the more interesting sounding ‘Chef’s specials’ of which Il Polpettone (beef and pork meatloaf with mash potato), La Sfoglia (baked pastry with eggplant, tomato and mozzarella) and profiterol (baked beignet stuffed with tiramisu cream and topped with dark chocolate) appealed.

Of the dishes sampled none were bad, but none were great. The Risotto Funghi Porcini e Tartufo was over cooked, watery and bland. The pizza thin and surprisingly flavourless with little cheese. The Salame di Cioccolato could have been good but lacked any memorable flavour or texture and was covered with that horrible artificial whipped cream from a can. There’s nothing bad about the food, just nothing that inspires a return or a recommendation to friends to give it a try. As for value, we were served tasting portions, so regrettably we can’t comment on portion size /price.

Prego: 43 Elgin Street, Central, Tel: 2651 5700

Netflix to Launch in Hong Kong in Early 2016

Netflix_Logo_Digital+Video_0701

Netflix press release 8 September 2015 – Netflix, Inc. announced today it will expand into South Korea, Singapore, Hong Kong and Taiwan in early 2016 as it moves to complete its global rollout by the end of next year.

Once launched, Internet users will be able to subscribe to Netflix and instantly watch a curated selection of popular TV shows and movies in high-definition or even Ultra HD 4K on nearly any Internet-connected screen. Netflix first became available in Asia earlier this month with the start of service in Japan.

“The combination of increasing Internet speeds and ubiquity of connected devices provides consumers with the anytime, anywhere ability to enjoy their favorite TV shows and movies on the Netflix service,” said Reed Hastings, chief executive officer of Netflix. “These four markets well represent those trends.”

With a constantly improving user experience, advanced personalization technology and a curated selection of TV shows and films, Netflix members are able to create their own viewing experience and can easily discover new favorites, while reconnecting with popular characters and stories.

Netflix members connected to the Internet can watch whenever, wherever they like, and on any device they choose. Members can start watching on one device, pause, and then pick up where they left off on another, at home or on the go.

Netflix will be available at launch on smart TVs, tablets and smartphones, computers and a range of Internet-capable game consoles and set-top boxes. Additional details on pricing, programming and supported devices will be available at a later date. Consumers can sign up to be alerted when Netflix is available on www.netflix.com.

We can only hope the full range of shows and films will be available!!!

Police Look to Buy Hearts + Minds With ‘Free’ Gift

https://bcmagazine.smugmug.com/Bcene-photos/2015/Police-Hearts/51867446_HhshFM#!i=4339839177&k=rZSj3VM

With their reputation, integrity and ‘public trust’ at levels too low to accurately measure, the Hong Kong police instead of investigating crimes are blocking the street and looking to buy ‘hearts and minds’ with ‘free’ gifts!

Outside Wanchai MTR exit A4, at around 5:30pm on the 8 September, 2015, there’s a police van illegally parked blocking one westbound lane of Hennessy Road. Why’s the van there? To act as a poster billboard! That area of road is clear of bus stops and is used for car and taxi drop-offs to the MTR. The van’s location also forced members of the public to stand dangerously out in the middle of Hennessy Road to hail a taxi.

Unlike most illegally parked police vans, this one actually had turned off it’s engine – much to the obvious displeasure of the driver.

https://bcmagazine.smugmug.com/Bcene-photos/2015/Police-Hearts/51867446_HhshFM#!i=4339839099&k=BvZ2Grf